Pre-Order. Released 3rd May, via Matador
‘Funeral For Justice’ is the new album by Mdou Moctar. Recorded at the close of two years spent touring the globe following the release of 2019 breakout ‘Afrique Victime’, it captures the Nigerien quartet in ferocious form. The music is louder, faster, and more wild. The guitar solos are feedback- scorched and the lyrics are passionately political. Nothing is held back or toned down. The quartet will perform at the Coachella Music and Arts Festival in April and will embark on a US headline tour in June with further dates to follow.
The songs on ‘Funeral For Justice’ speak unflinchingly to the plight of Niger and of the Tuareg people. “This album is really different for me,” explains Moctar, the band’s singer, namesake, and indisputably iconic guitarist. "Now the problems of terrorist violence are more serious in Africa. When the US and Europe came here, they said they're going to help us, but what we see is really different. They never help us to find a solution.”
Mdou Moctar in its current iteration is first and foremost a band. Alongside Moctar, it consists of rhythm guitarist Ahmoudou Madassane, drummer Souleymane Ibrahim, and American bassist and producer Mikey Coltun.
The band got their start performing at traditional weddings. These are high energy events - amps are dialled up to 11 and the whole town is invited to attend. “I grew up in the DC punk scene and this is no different,” explains Coltun. “It’s a DIY punk show: people bring generators, they crank their amps. Things are broken, but they make it work.”
Conveying that energy and feeling of community to a new audience has been an important goal for the band. Their first concerts in the US were sometimes, mistakenly, organized to be tame, seated affairs. That’s no longer the case. Over 100s of shows, they’ve proven themselves as one of the world’s most vital rock bands - a group rooted in Tuareg tradition, but undeniably its own singular organism. An Mdou Moctar concert is now recognized to be a place for dancing, if not full-force moshing.
“‘Ilana’ was the gateway album, saying that this is a raw rock band. And ‘Afrique Victime’ was a summation of that vision,” says Coltun, who recorded the entire record over five days in a mostly unfurnished house in upstate New York. “With ‘Funeral For Justice’, I really wanted this to shine with the political message because of everything that's going on. As the band got tighter and heavier live, it made sense to capture this urgency and this aggression - it wasn’t a forced thing, it was very natural.”
Available to independent retailers on red vinyl.