{"title":"African\/ World","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe latest African and world music albums\u003c\/span\u003e\u003cspan\u003e available on CD and vinyl\u003c\/span\u003e","products":[{"product_id":"omar-souleyman-dabke-2020-lp","title":"Omar Souleyman - Dabke 2020 LP","description":"\u003cp\u003eOmar Souleyman - Dabke 2020 vinyl LP\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"Default Title","offer_id":701072057,"sku":null,"price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/omar-souleyman-dabke-2020-lp-south-records-ltd.jpg?v=1571438618"},{"product_id":"omar-souleyman-wenu-wenu-lp","title":"Omar Souleyman - Wenu Wenu LP","description":"\u003cp\u003eOmar Souleyman - Wenu Wenu LP on Ribbon\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"Default Title","offer_id":702762393,"sku":null,"price":18.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/omar-souleyman-wenu-wenu-lp-south-records-ltd.jpeg?v=1571438620"},{"product_id":"fela-kuti-expensive-shit","title":"Fela Kuti - Expensive Shit","description":"\u003cdiv class=\"page\" title=\"Page 7\"\u003e\r\u003cdiv class=\"section\"\u003e\r\u003cdiv class=\"layoutArea\"\u003e\r\u003cdiv class=\"column\"\u003e\u003cspan style=\"line-height: 1.2;\"\u003eNigerian police, seeking to frame Fela Kuti, tried to plant a joint of marijuana on him during a gathering at his home. Wise to their plan, he quickly swallowed the joint. However, the police threw him in jail to wait for the evidence to make its way through his system. With some wily plotting Fela escaped charges and subsequently produced this opus mocking the police for wasting resources on hassling him instead of furthering justice in Nigeria. Opening brass sounds give way to interplay between Fela‚Ä∞€™s narration about the episode and responses from his group of female singers.√•√ä\u003c\/span\u003e\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003cp\u003e√•√ä\u003c\/p\u003e\r\u003cp\u003eLP on Knitting Factory Records\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":808781729,"sku":null,"price":15.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/fela-kuti-expensive-shit-south-records-ltd.jpg?v=1571438627"},{"product_id":"fela-kuti-live-with-ginger-baker","title":"Fela Kuti - Live With Ginger Baker","description":"\u003cdiv class=\"page\" title=\"Page 7\"\u003e\r\r\u003cdiv class=\"section\"\u003e\r\r\u003cdiv class=\"layoutArea\"\u003e\r\r\u003cdiv class=\"column\"\u003e\u003cspan style=\"line-height: 1.2;\"\u003eOriginally recorded in 1071 and 1978 by Fela Kuti‚Ä∞€™s band Africa 70, with the addition of former cream drummer Ginger Baker, this album contains four songs plus a bonus 16 minute drum duet between Baker and Africa 70 drummer Tony Allen recorded at the 1978 Berlin Jazz Festival.√•√ä\u003c\/span\u003e\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\u003cspan style=\"line-height: 1.2;\"\u003e\u003cbr\u003eLP on Knitting Factory Records\u003c\/span\u003e\u003c\/div\u003e\r\r\u003c\/div\u003e\r\r\u003c\/div\u003e\r\r\u003c\/div\u003e","brand":"South Records Ltd","offers":[{"title":"Default Title","offer_id":808782457,"sku":null,"price":15.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/fela-kuti-live-with-ginger-baker-south-records-ltd.jpg?v=1571438628"},{"product_id":"fela-kuti-he-miss-road","title":"Fela Kuti - He Miss Road","description":"\u003cdiv class=\"page\" title=\"Page 7\"\u003e\r\r\u003cdiv class=\"section\"\u003e\r\r\u003cdiv class=\"layoutArea\"\u003e\r\r\u003cdiv class=\"column\"\u003e\u003cspan style=\"line-height: 1.2;\"\u003eThis album combines James Brown style 70s funk with a stripped down Afrobeat sound. Ginger Baker produced this ethereal, almost psychedelic album with Tony Allen on drums, backed by Fela‚Ä∞€™s Africa 70 band. The title track refers to how people can lose their way and the ensuing chaos it causes.√•√ä\u003c\/span\u003e\u003c\/div\u003e\r\r\u003c\/div\u003e\r\r\u003c\/div\u003e\r\r\u003c\/div\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":808782893,"sku":null,"price":15.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/fela-kuti-he-miss-road-south-records-ltd.jpg?v=1571438628"},{"product_id":"various-soul-jazz-presents-tropicalia-ou-panis-et-circensis","title":"Various - Soul Jazz Presents Tropicalia: Ou Panis Et Circensis","description":"\u003cdiv class=\"page\" title=\"Page 20\"\u003e\r\u003cdiv class=\"section\"\u003e\r\u003cdiv class=\"layoutArea\"\u003e\r\u003cdiv class=\"column\"\u003e\u003cspan style=\"line-height: 1.2;\"\u003eThis album is the definitive statement of the Tropicalia movement in Brazil.\u003c\/span\u003e\u003c\/div\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eThe album‚Ä∞€™s collaborators - Gilberto Gil, Caetano Veloso, Tom Zé, Nara Leao, Gal Costa and Os Mutantes - mixed psychedelic rock with boleros, sambas, bossa nova and jazz into a carnival-esque parade which first announced the new global sound of Brazilian music.\u003c\/span\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eWhat is stunning is that this anarchic and groundbreaking release was recorded at the height of the Brazilian military dictatorship, during an era where censorship, repression and the threat of violence was a constant in all aspects of daily life inside the country.\u003c\/span\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eRolling Stone magazine in Brazil has voted this album No.2 in their 100 Best Brazilian Albums Of All Time.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eThis classic album is Tropicalia‚Ä∞€™s manifesto - a fantastical fusing of psychedelic rock and pop, Brazilian traditional music and the avant-garde.\u003c\/span\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"column\"\u003e\u003c\/div\u003e\r\u003cdiv class=\"column\"\u003eTracklisting:\u003c\/div\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cdiv class=\"page\" title=\"Page 20\"\u003e\r\u003cdiv class=\"section\"\u003e\r\u003cdiv class=\"layoutArea\"\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cp\u003e\u003cspan\u003eGilberto Gil - Miserere N√å_bis \u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eCaetano Veloso - Coração Materno \u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eMutantes - Panis Et Circenses \u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eNara L·∫πo - Lindonéia \u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eGilberto Gil - Parque Industrial \u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eGilberto Gil - Geléia Geral Gal Costa - Baby \u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eCaetano Veloso - Três Caravelas (Las Três Carabelas) \u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eCaetano Veloso - Enquanto Seu Lobo ·πÜo Vem \u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eGal Costa - Ma·πÉe, Coragem \u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eGilberto Gil - Bat Macumba \u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eCaetano Veloso - Hino Do Senhor Do Bonfim√•√ä\u003c\/span\u003e\u003c\/p\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"South Records Ltd","offers":[{"title":"CD","offer_id":808794209,"sku":null,"price":14.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":695763861522,"sku":null,"price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/various-soul-jazz-presents-tropicalia-ou-panis-et-circensis-south-records-ltd.jpg?v=1571438628"},{"product_id":"la-hell-gang-thru-me-again","title":"La Hell Gang - Thru Me Again","description":"\u003cp\u003eThru Me Again is the 2nd release from Chilean trio La Hell Gang and their first with Mexican Summer. Hailing from Santiago, which plays host to an ever growing psychedelic scene (Holydrug Couple, Follakzoid, La Banda, etc), the band create a remote and wild brand of rock ‚Ä∞√õ√∑n' roll. The eight tracks across Thru Me Again weave seamlessly, channeling heat, light and endless desert dunes.√•√ä\u003cbr\u003e\u003cbr\u003eDespite the heavy context, there's a real clarity in the production, making the blistering guitar solos and mirage-like vocals all the more potent. Tracks like \"Inside My Fall\" and \"Last Hit\" recall bands like The Black Angels and BRMC, but some of the more lucid moments (\"Sweet Dear\", \"So High\") feel like a grittier Brightblack Morning Light. The soundtrack for your heat swept summer.\u003c\/p\u003e\r\r\u003cdiv\u003e\u003cspan\u003eTracklisting:\u003c\/span\u003e\u003c\/div\u003e\r\r\u003cdiv\u003e\r\u003cspan\u003e1: Inside My Fall√•√ä\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2: Her Way Has Come√•√ä\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3: Sweet Dear√•√ä\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4: The Beginning Remains The End√•√ä\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5: Everywhere I Go√•√ä\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6: Last Hit√•√ä\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7: What You Want You Got It√•√ä\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8: So High\u003c\/span\u003e\r\u003c\/div\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":871228561,"sku":null,"price":15.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/la-hell-gang-thru-me-again-south-records-ltd.jpg?v=1571438636"},{"product_id":"fela-kuti-confusion","title":"Fela Kuti - Confusion","description":"\u003cdiv class=\"page\" title=\"Page 8\"\u003e\r\r\u003cdiv class=\"section\"\u003e\r\r\u003cdiv class=\"layoutArea\"\u003e\r\r\u003cdiv class=\"column\"\u003e\u003cspan style=\"line-height: 1.2;\"\u003e‚Ä∞√õ√∑Confusion‚Ä∞€™: This epic Afrobeat album contains just one eponymous track clocking in at just over 25 minutes in length, beginning with a mysterious psychedelic musical interplay between Fela on organ and Tony Allen on drums. As the song takes on a righteously funky groove Fela evokes the chaos of Lagos - the multitude of regional dialects, the traffic jams, the absence of policemen to take charge - as a metaphor for the larger problems of post-colonial Nigeria.√•√ä\u003c\/span\u003e\u003c\/div\u003e\r\r\u003c\/div\u003e\r\r\u003c\/div\u003e\r\r\u003c\/div\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":891787641,"sku":null,"price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/fela-kuti-confusion-south-records-ltd.jpg?v=1571438638"},{"product_id":"fela-kuti-sorrow-tears-blood","title":"Fela Kuti - Sorrow, Tears \u0026 Blood","description":"\u003cdiv class=\"page\" title=\"Page 8\"\u003e\r\r\u003cdiv class=\"section\"\u003e\r\r\u003cdiv class=\"layoutArea\"\u003e\r\r\u003cdiv class=\"column\"\u003e\u003cspan style=\"line-height: 1.2;\"\u003e‚Ä∞√õ√∑Sorrow, Tears \u0026amp; Blood‚Ä∞€™: Fela wrote this album in response to the 1976 Soweto Uprising in which thousands of South African students protested the forced teaching of Afrikaans, the colonial language of Apartheid. During the uprising hundreds were killed. The song calls out killings that have gone on in the name of authority and totalitarian rule as well as the instruments of repression in colonial Africa - the police and the army. The music parallels the sombre tone of the lyrics - focused and direct - and avoids the usual bombastic funk of many Fela compositions.√•√ä\u003c\/span\u003e\u003c\/div\u003e\r\r\u003c\/div\u003e\r\r\u003c\/div\u003e\r\r\u003c\/div\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":891788029,"sku":null,"price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/fela-kuti-sorrow-tears-blood-south-records-ltd.jpg?v=1571438638"},{"product_id":"various-peru-bravo-funk-soul-psych-from-peru-s-radical-decade","title":"Various - Peru Bravo: Funk, Soul \u0026 Psych from Peru‚Ä∞€™s Radical Decade","description":"\u003cp\u003eUK based record label Tiger‚Ä∞€™s Milk Records once again team up with Strut Records to release their long anticipated second compilation album, Peru Bravo: Funk, Soul \u0026amp; Psych from Peru‚Ä∞€™s radical decade. Peru Bravo tells the whirlwind story of a culture in flux. During the late ‚Ä∞√õ√∑60s and early ‚Ä∞√õ√∑70s, Lima boasted dozens of young bands full of ideas, spontaneous and unfazed by the instability in Peru. Featuring alternative heroes Traffic Sound and Laghonia alongside a selection of unheralded short-lived groups, Peru Bravo is a funk-fuelled ride through a radical decade. Like its predecessor, Tiger‚Ä∞€™s Milk‚Ä∞€™s debut LP ‚Ä∞√õ√∑Peru Maravilloso‚Ä∞€™, Peru Bravo digs deep. It unearths the full spectrum of incendiary underground funk, soul and psych sounds that emerged following the first TV performance by the Peruvian Grand Daddies of garage punk, Los Saicos in 1965. By ‚Ä∞√õ√∑66, there were dozens of guitar based groups in Lima playing a mix of instrumental surf, rock ‚Ä∞√õ√∑n roll and garage punk. With the growing influence of West coast American rock, funk and soul and British psychedelia and rock, the underground music scene in Peru diversified rapidly. It would, however, be only a matter of years before this burgeoning movement disappeared just as quickly as a new, uncompromising military dictatorship led by General Juan Velasco Alvarado, took hold. Artists on Peru Bravo include psychedelic ensembles Laghonia \u0026amp; Telegraph Avenue, both heavily influenced by American West coast bands like Santana \u0026amp; Jefferson Airplane. Also featured are Black Sugar‚Ä∞€™s hard funk, Traffic Sound‚Ä∞€™s rock-edged boogaloo and the raw-but-sweet harmonies of Thee Image, all under-pinned by a deep soulfulness that pervaded much of the music of the time. The album also features three dynamite cover versions of Jimi Hendrix‚Ä∞€™s ‚Ä∞√õ√∑Hey Joe‚Ä∞€™, Steppenwolf‚Ä∞€™s ‚Ä∞√õ√∑Sookie Sookie‚Ä∞€™ and the Meters‚Ä∞€™ ‚Ä∞√õ√∑Cissy Strut‚Ä∞€™. In Peru, the word ‚Ä∞√õ√∑bravo‚Ä∞€™ has a double meaning. It can refer to something that is ‚Ä∞√õ√∑edgy‚Ä∞€™ or ‚Ä∞√õ√∑dangerous‚Ä∞€™ but can also be a celebratory exclamation like in English. This collection celebrates a wonderfully brave and creative period that lasted just a few years during the coercive and fear inducing reign of Velasco‚Ä∞€™s government.\u003c\/p\u003e\r\r\u003cp\u003e√•√äCompiled by Duncan Ballantyne, Andrés Tapia del Rio \u0026amp; Martin Morales Tiger‚Ä∞€™s Milk Records is run by Martin Morales \u0026amp; Duncan Ballantyne. Martin is a producer, author, top chef and restaurateur. 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The band‚Äôs third album, Lazy Bones!!, is the band‚Äôs masterpiece - a dark, brooding psychedelic opus that makes equal use of wah-wah and fuzz guitars, that relies as heavily on the stomping feel of hard rock as it does the syncopation of funk. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":951697889,"sku":null,"price":25.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/witch-lazy-bones-south-records-ltd.jpg?v=1571438644"},{"product_id":"various-soul-jazz-records-presents-gwo-ka-music-of-guadeloupe-west-indies","title":"Various - Soul Jazz Records Presents Gwo Ka: Music of Guadeloupe, West Indies","description":"\u003cmeta charset=\"utf-8\"\u003e\r\r\u003cp\u003e\u003cspan\u003eSoul Jazz Records continues its journey into the vast musical world of the Caribbean - digging deep into the cultural African roots of the region. Over the last 20 years Soul Jazz Records have been documenting and presenting the often hidden histories and deep musical worlds of Cuba, Haiti, Jamaica, Belize, Trinidad, the Bahamas and more.\u003c\/span\u003e\u003c\/p\u003e\r\r\u003cp\u003eThis documentation encompasses reissuing lost recordings, such as the mighty Studio One catalogue of reggae, producing films\/dvds (such as the 3-hour documentary Mirror To The Soul in conjunction with British Pathe, and Dub Echoes), books (check the forthcoming photography book on the Caribbean 90 Degrees of Shade, with text by Paul Gilroy, and Kanaval) as well as travelling to the region to produce new recordings.\u003c\/p\u003e\r\r\u003cp\u003eTradisyon Ka's Gwo Ka album is newly recorded in Pointe-A-Pitre, Guadeloupe by Soul Jazz Records. Like the cult music of Haiti's Vodou and Cuba's Santeria or the roots music of Belize's Garifuna (all of which Soul Jazz have travelled to record), Gwo Ka is the musical and cultural product of the region's African ancestry, forcibly brought to the Caribbean through slavery.\u003c\/p\u003e\r\r\u003cp\u003eGwo Ka exists only in Guadeloupe. Guadeloupe is a very different island from much of the Caribbean, in that it remains a 'department' of its original colonial master, France. Here, the currency is the Euro and the baker sells croissants and cafe au lait. This constant 'European-ising' of the island means that Gwo Ka plays a fundamental and important role in the defining of Guadeloupean identity. 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Both CD and double LP and is accompanied with detailed liner notes written by compilers Chris Menist and Maft Sai. Soundway's second foray into South East Asia is focused on North-East Thailand, the epicentre of Molam and Luk Thung Isan music. Hypnotic phin and khaen riffs, pulsing, electrified country rhythms and heartfelt vocals punctuate another journey into the lesser known reaches of 1970s Thai music. The term molam is actually two separate words pushed together: Mo meaning 'expert' or 'doctor' and lam meaning 'to sing'. Hence the literal translation means 'singing expert'. Many molam records have extended intros that allow a vocalist to establish the theme of the song, as well as flex their improvisational muscles. Luk thung (literally 'song of the countryside') is a much broader, rural style that had a bigger impact nationally. Artists like Saksiam Petchompu began fusing this style with molam, a move which propelled him to national fame. 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Now largely living on the margins of the West African nation whose political and cultural life is dominated by the Bambara people of the south, they nonetheless retain a fierce pride in their history, beliefs and music. Hailing from the heart of old Gao, Oumar Toure and Aliou Toure were, like most kids growing up in the ancient city, obsessed with hip-hop, R\u0026amp;B and bands like The Beatles and Jimi Hendrix. By their early 20s, having met young guitarist Garba Toure (son of Oumar Toure, long term percussionist in Ali Farka Toure's band), they began to make music while at university in Bamako. Their deep attachment to the home grown songs and dances of the Songhoy, both traditional styles and the modern guitar based sounds popularised by the likes of Baba Salah and above all Ali Farka Toure, was helping shape their nascent music which sought to blend the trad and the modern, the homegrown and the foreign, the youthful and the ancient. The growing unrest in the north of Mali saw Oumar, Aliou, Garba and many of their family take refuge down south in Bamako as hostilities worsened in early 2012 and Songhoy Blues were born from this adversity. \"We met up (in Bamako),\" remembers Garba, \"and told ourselves we couldn't just stay shipwrecked by a crisis like this. We had to form a band.\" They roped in a young drummer called Nathanial 'Nat' Dembele from Bamako and baptised their band Songhoy Blues in celebration of their displaced people and culture. Soon a fixture on the Bamako club and bar live music treadmill, their break came in September 2013 when French music manager Marc-Antoine Moreau was in the city to scout for musical talent on behalf of Africa Express. Prompted by local studio owner Barou Diallo. Aliou Toure cold-called Marc- Antoine - an audition quickly followed and subsequently the band were invited to record a song with Nick Zinner of the Yeah Yeah Yeahs and the track, Soubour, ended up as opening track on the Africa Express album, Maison des Jeunes. All those old 'world music' prejudices have no place here. Songhoy Blues are four talented, hungry, sharp and outward-looking young men from a part of the world that has had more than it's share and pain and conflict in recent years. But it has given far more than its share of music and joy to the world in return over the past four decades. 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A nonstop party record that we can recommend without any reservations. The 3rd LP in our continuing series of releases culled from the monumental Ethiopiques series.\u003c\/p\u003e\r\u003cp\u003e\u003cstrong\u003e√•√ä\u003c\/strong\u003e\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":1247849960,"sku":null,"price":15.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/various-hasabe-south-records-ltd.jpg?v=1571438661"},{"product_id":"various-next-stop-soweto-vol-4-zulu-rock-afro-disco-and-mbaqanga-1975-1985","title":"Various - Next Stop Soweto Vol.4: Zulu Rock, Afro-Disco and Mbaqanga 1975-1985","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eStrut Records is back with their Next Stop... Soweto series, offering the fourth volume in their perspective of South African music from the 20th century - running at an impressive 70 minutes. It's a mind blowing collection front to back, bursting with the cross-over synthesizer styles that were occurring all over the world between the late '70s and the early '80s. Tightly controlled by oppressive Apartheid laws, South Africa's music scene had nevertheless progressed into myriad new directions, embracing funk, soul, rock and disco.√•√ä The era marked a crossroads for the country's black musicians. While domestic stars of mbaqanga like Mahotella Queens had temporarily disbanded during the onslaught of disco, younger artists like T.Y. Boys and Elias Maluleke embraced and progressed the style in new ways, adding punk and disco touches to the familiar bassline swing. Imported US R\u0026amp;B and the powerful socio-political message of the Afro-American soul stars, championed by pioneering producers like Hamilton Nzimande in South Africa since the '60s, continued to be a powerful force. Influenced by bands as diverse as War, Edwin Starr and Yes, as well as producers like Norman Whitfield, South African collectives including Xoliso, Marumo and Kabana new soul and rock directions, led by Zulu lyrics, township harmonies and top level musicianship.\u003c\/span\u003e","brand":"South Records Ltd","offers":[{"title":"CD","offer_id":1250054124,"sku":null,"price":10.99,"currency_code":"GBP","in_stock":false},{"title":"2LP","offer_id":695621287954,"sku":null,"price":18.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/various-next-stop-soweto-vol4-zulu-rock-afro-disco-and-mbaqanga-1975-1985-south-records-ltd.jpg?v=1571438661"},{"product_id":"the-very-best-makes-a-king","title":"The Very Best - Makes A King","description":"\u003cdiv class=\"page\" title=\"Page 30\"\u003e\r\u003cdiv class=\"section\"\u003e\r\u003cdiv class=\"layoutArea\"\u003e\r\u003cdiv class=\"column\"\u003e\u003cspan style=\"line-height: 1.4;\"\u003eIt‚Ä∞€™s been a long, strange trip for Johan Hugo and EsauMwamwaya, the Swedish-Malawian duo behind The Very Best‚Ä∞€™s exuberant global pop - one which crosses continents as well as musical genres.\u003c\/span\u003e\u003c\/div\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.4;\"\u003eThe Very Best return with their most ambitious and richly textured album to date, ‚Ä∞√õ√∑Makes A King‚Ä∞€™.\u003c\/span\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.4;\"\u003eLP format includes a copy of the album on CD.\u003c\/span\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"South Records Ltd","offers":[{"title":"CD","offer_id":1259010304,"sku":null,"price":10.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":695618076690,"sku":null,"price":18.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/the-very-best-makes-a-king-south-records-ltd.jpg?v=1571438662"},{"product_id":"ibibio-sound-machine-ibibio-sound-machine","title":"Ibibio Sound Machine - Ibibio Sound Machine","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIbibio Sound Machine are set to release their debut release through Soundway Records. Fronted by British \/ Nigerian vocalist Eno Williams, they combine elements of West African highlife, disco, post-punk \u0026amp; psychedelic electro soul. From the banging sub-bass of 'Lets Dance' to the spiritual, gospel-tinged notes of the album's opening track 'Voice of the Bird', the band have turned in a dynamic and, at times, beautiful take on modern afro-soul music. Folk stories, recounted to Eno by her family as a child in her mother's South-Eastern Nigerian Ibibio language form the creative lyrical fabric of the album. A large dose of electronic elements and an approach as influenced by their hometown of London as much as by West Africa, give the vocals and guitar lines space to breath without being overwhelmed. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe LP version also comes with a free download.\u003c\/span\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":1301840712,"sku":null,"price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/ibibio-sound-machine-ibibio-sound-machine-south-records-ltd.jpg?v=1571438664"},{"product_id":"various-thai-pop-spectacular-1960s-1980s","title":"Various - Thai Pop Spectacular (1960s-1980s)","description":"\u003cmeta charset=\"utf-8\"\u003eLimited edition Record Store Day√•√ädouble LP \u003cbr\u003e\u003cbr\u003eThailand is one of the most traveled to destinations in the world, but music is not a popular attraction for outside visitors, despite an incredibly rich history of classical, folk, and popular music there. While Thai classical and folk music has been studied by ethnomusicologists for decades, Thai pop history has been ignored and neglected by the international musical community for far too long. \u003cbr\u003e\u003cbr\u003eCombing mountains of vinyl and cassette relics from across the Kingdom, Sublime Frequencies has uncovered countless Thai musical treasures, rich with unique instrumentation, crafty arrangements, twisted breaks, odd production, and brilliant vocals. Bangkok -- always the hub of the Thai recording industry -- attracted musicians and singers from across the country who were informed by tradition and inspired by the wealth of international sounds entering the region via radio and imported records and tapes, many of which were brought in by Americans and their allied military personnel stationed at bases throughout the country.","brand":"South Records Ltd","offers":[{"title":"2LP","offer_id":1332741432,"sku":null,"price":26.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/various-thai-pop-spectacular-1960s-1980s-south-records-ltd.jpg?v=1571438666"},{"product_id":"omar-souleyman-bahdeini-nami","title":"Omar Souleyman - Bahdeni Nami","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePerhaps Syria's most successful musical export, international singer Omar Souleyman has returned with his second proper studio effort and most personal album to date, 'Bahdeni Nami' released by Monkeytown Records. For the new album Omar opened his doors to collaborations with a number of renowned electronic producers, all of whom were established fans keen to offer unique interpretations of Souleyman's established sound. Four Tet returns to produce a track, Gilles Peterson lends his considerable talents to one song, Modeselektor turn in the two fastest dance numbers of the set, and Legowelt offers a remix for the title track. Additionally Black Lips' Cole Alexander treats one of the heart-wounding ballads to a thoroughly distinctive remix that will appear on a 12\" in August. The new album was recorded closer to home, in Istanbul, and appropriately the singer is joined by traditional accompaniment. Souleyman has reunited with his favourite poet, Ahmad Alsamer (who penned his pre-west hits 'Kaset Hanzel', 'Khattaba', and 'Shift -al Mani'), heard throughout the album offering claps and wails of encouragement. The songs come alive with musical contributions and support from the virtuosic saz work of Khaled Youssef, another long time collaborator from his hometown. Keyboards by Rizan Said improvise devotedly to every tune and turn of Souleyman's choice. The lyrics are familiar territory for the singer - declarations of eternal love, consolation of one's aching heart, pleas to his lover to sleep in his arms forever - realized as four fast dance numbers, an introduction mawal, and an elaborate araby style ballad. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLP - With Download.\u003c\/span\u003e","brand":"South Records Ltd","offers":[{"title":"CD","offer_id":3558723205,"sku":null,"price":11.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":695551328274,"sku":null,"price":16.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/omar-souleyman-bahdeni-nami-south-records-ltd.jpg?v=1571438674"},{"product_id":"various-slip-disc-dishooms-london-bombay-grooves","title":"Various - Slip-Disc: Dishoom's London Bombay Grooves","description":"\u003cmeta charset=\"utf-8\"\u003e\r\u003cp\u003e\u003cspan\u003eFrom rocking Bombay to swinging London: what a terrific trip! \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eIn the 60s, young Indians and young Brits struck up an unlikely relationship that resulted in some truly amazing music. √•√ä\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eFor this generation, culture was currency. Hip young Indians rocked up in London. ‚Ä∞√õ√∑Beat‚Ä∞€™ bands in Bombay belted out versions of the latest rock‚Ä∞€™n‚Ä∞€™roll hits. Indian musicians dreamt of making it big in the West, while British bands were eager to explore mystic, exotic India.\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eDespite their very different upbringings, they revelled in their opposing cultures. 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The project initially took off in August 2005 when label owner and vinyl collector Samy Ben Redjeb arrived in Cotonou, Benin, 'without any special expectations, just hoping to lay my hands on few good records - what I found in the process cannot really be described in words'. This first trip was followed by eight more to the region. Thirty months and few thousand records later Analog Africa proudly presents this 14-track compilation. \u003cbr\u003e\u003cbr\u003eJust like with the label's first two releases - albums by Zimbabwean 70s bands the Green Arrows and Hallelujah Chicken Run Band - the essence of Analog Africa is clear yet again: searching in dusty warehouses for forgotten music to keep it alive. Ben Redjeb explains: 'Some of the track we've already released would have been lost for ever if we didn't do it. With 'African Scream Contest' this is even more the case as some of the bands and musicians were, and still are, completely unknown. Some of the tracks have not even been released and I found a lost master tape at the producer's house who decided not to release it and just left it aside.' (The compilation contains a track by Vincent Ahehehinnou \u0026amp; Poly-Rythmo which wasn't even released in Benin.) \u003cbr\u003e\u003cbr\u003eAll the tracks have been officially licensed, usually from the artists who Ben Redjeb also met with for detailed research. He conducted 16 interviews in various cities in Benin and Togo with artists, producers and sound engineers to reconstruct the history of the 70s music scene for the 44-page booklet which also includes many rare photographs directly received from the artists. \u003cbr\u003e\u003cbr\u003eLike most modern music in French-speaking West African countries, the music of Benin and Togo was influenced by a few main musical currents: Cuban, Congolese and local traditional music, as well as Chanson Francaise. Additionally, the geographical location of Benin and Togo - sandwiched between Ghana and Nigeria - exposed Beninese and Togolese musicians to Highlife music. \u003cbr\u003e\u003cbr\u003eThe cultural and spiritual riches of traditional Beninese music had an immense impact on the sound of Benin's modern music. Benin is the birth place of Vodun (or, as it is known in the West, Voodoo), and some of the rhythms used during traditional rituals - Sakpata, Sato, Agbadja, Tchenkoumé and many others - were fused to Soul and Latin music as early as the mid-1960s and later to Funk. That fusion is the essence of this compilation. \u003cbr\u003e\u003cbr\u003eIn the late 60s and early 70s rock and soul music started creeping into the region. In particular, the music of James Brown and Johnny Hallyday became immensely popular with university students. It was then that the music scene in Benin really started to take off. \u003cbr\u003e\u003cbr\u003eWhat made this musical revolution even more interesting is that most of the musicians could not read music. Often the music they made sounded one semi-tone away from being out of tune, but somehow they always managed to bring all the elements together into something new and exciting. \u003cbr\u003e\u003cbr\u003eOne of the greatest bands of their era, Orchestre Poly-Rythmo de Cotonou, who are of course featured on this compilation, took the Afro sound to another level by showing their musical versatility in many forms. Although they were consciously copying western artists, they would always inject a dose of psychedelic Afro grooves that would make their music unmistakably Beninese. Their biggest song, 'Gbeti Madjro' is believed to have revolutionised the music industry in Benin in the 70s when the country went through a period of political turmoil. The song is full of raw breaks and the hypnotic rhythms as well as screams √å√ä la James Brown - after this song many bands in Benin started screaming on their recordings, hence the title of this compilation. \u003cbr\u003e\u003cbr\u003eLatin-influenced sounds are present on this compilation, too. Ouidah, a city on the Atlantic coast of Benin, is home to a large Brazilian community, or, as they are called in Benin, 'Agoudas.' Members of that community are descendents of slaves who returned from Brazil at the end of the 19th century. Their dances (such as Kaléta and Buriyanj) and songs are still being performed and fused into the traditional Beninese rituals. That, too, can be heard in modern Beninese music. \u003cbr\u003e\u003cbr\u003eThe proximity of the giant neighbour Nigeria can be heard on the track 'Djanfa Magni' which features the amazing trumpeter\/ saxophonist Tidjani Koné fronting the Orchestre Poly-Rythmo. Koné whose career started in Mali as the founder and band leader of the Rail Band de Bamako, had played with Fela Kuti for a short while hence the strong Afrobeat influence. \u003cbr\u003e\u003cbr\u003eThere are countless stories to be discovered in the extremely well-researched booklet and the music is truly mind-blowing. 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Outlier: Recordings from Madagascar represents a compilation of his encounters from 2011-2012. \"Madagascar is an island that would bleed into obscurity if not for the rhythm of its name and the mysterious tailwind that follows it. Filled with natural wonder, it's a land where places, conversations, and names are spoken with a liquid tongue, where people and setting come together to create a unique array of music and culture. Sites can become extraordinarily charged with an unseen presence where heavy air, summoned spirits, and a transformative energy collapse natural constraints of place. The Malagasy call this mingling of forces 'maresaka'‚Ä∞√õ√ìa permeating vibrational aura. Maresaka pulls you in and places you in the moment, to participate through a saturation of sounds, smells, and colors. When caught inside this kind of atmosphere, levity comes; you release your anchors of self-control. Beautiful unfettered music surfaces. Here, that is to say where I've been brought to listen, music lives and moves. The artists represented in this compilation play, and their music has many different roles ‚Ä∞√õ√ìboth natural and supernatural. Music can be performed as much as it can be recorded, but here it's mostly played. These exceptional artists share within such practice\" --Charles Brooks, 2015. Performers includeManatsoa, Tanka, Angeline, Tafara Justin, Justin Velonjoha, Masy Germaine, Mony,Mahavita, Leonel, Lisa, Jean-Francois, Marinette, Vincent, Alvine, Tsingezo, and Taomanana. 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Sega first developed as an insular music and dance form after slaves arrived on Mauritius (then île de France) from East Africa and Madagascar during the 17th to 19th centuries, using Créole language and rhythms played on the large ravanne circular drum, the triangle and the maravanne, a box filled with dried seeds. Sega was essentially frowned upon and marginalised by the Mauritian bourgeois until the 1950s when singer Ti Frere began to play a more Westernised fusion of sega. Through Ti Frere and his contemporaries like Serge Lebrasse, the music began to be popularised during the '60s and became fully accepted after the 'Night Of The Morne' event in 1964 as the Creole community asserted ist cultural identity. 'Soul Sok Sega' documents the heyday of sega in Mauritius during the 1970s as a new generation of contemporary artists broke through. Jazz, soul, funk and rock elements all began to be effortlessly infused into traditional sega folk roots to create some inspired fusions. A talented new wave of artists including Jean- Claude, Claudio, Marie Josee and Roger Clency became domestic stars and began to take the music to international stages for the first time. Meanwhile, cult artists like the James Brown-influenced Ti L'Afrique, Coulouce and Christophe all enjoyed a more brief but important moment in the spotlight.√•√ä Since this era, sega has now been adopted as the national music of Mauritius and the original '70s music is a revelation for any fans of tropical music and world sounds. Strut's album features extensive sleeve notes from long time Mauritian cultural champion, Percy Yip Tong, including new artist interviews, photos and original vinyl artwork. The compilation is by DJ duo La Basse Tropicale (Natty Ho and Konsole), based in the neighbouring island of La Reunion. 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The Boyfriends, from Kitwe‚Ä∞€™s Chamboli Mine Township, supplied the founding members for Zamrock‚Ä∞€™s most famous band, WITCH, and kick started one of Zamrock‚Ä∞€™s best bands, Peace. Their sole Zamrock entry, Black Power, recorded at Malachite Film Studio circa 1973\/4 and issued circa 1975, sounds like nothing else in the Zamrock canon: a lost message drifiting from the flower power era, imbued with a fiery Zambian voice. Essential garage Zamrock\/soul\/funk: the first official reissue of the celebrated band‚Ä∞€™s one and only album.\u003c\/p\u003e\r\u003cp\u003e‚Ä∞√õ√èThe musical style that became known as Zamrock came to embody the economic despair that followed the 1973-1974 oil crisis, which flung Zambia into recession and exacerbated a wide range of social tensions. Much of Zamrock also captured the controversy of wider politics in Africa and the world. Perhaps the finest example of this is Black Power by The Peace‚Ä∞€ù. 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The rock scene that developed during the following three years of bloodshed and destruction would come to heal the country, propagate the world-wide ideal of the Modern Nigerian, and propel Fela to stardom after conflict ended in 1970. Wake Up You! tells the story of this time, pays homage to these now-forgotten musicians and their struggle, and brings to light the funk and psychedelic fury they created as they wrested free of the ravages of the late 1960s and created thrilling, original Nigerian rock music throughout the 1970s. 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Excavating another choice batch of rare grooves from Nigeria‚Ä∞€™s label archives, the new edition places the spotlight on some of the deeper fusions happening across the country during the 1970s as traditional guitar highlife blended with jazz and funk, hypnotic juju grooves became more progressive and young Nigerian bands came through with their own heavy West African take on U.S. soul, funk, disco and rock.\u003c\/p\u003e\r\u003cp\u003eAs on the previous Nigeria 70 volumes, all of the featured selections are previously unissued outside of Nigeria. Tracks range from the dynamite big band workout of Alex Ringo‚Ä∞€™s Moneyman \u0026amp; The Super 5 International to the Congolese guitar-drenched ‚Ä∞√õ√∑Henrietta‚Ä∞€™ by the late Ali Chukwumah, former member of Stephen Osita Osadebe‚Ä∞€™s Sound Makers. Darker psych grooves from Don Isaac Ezekiel sit alongside raw college funk from college band Tabanaku comprising students from the University Of Ife. Highlife legend Victor Olaiya unleashes a slow, languorous Afro jam lifted from a rare Polydor 45 and juju legend Ebenezer Obey cooks up a lilting, deeply beautiful mid-tempo groove from 1970 in a musical plea for peace. ‚Ä∞√õ√∑Nigeria 70: Sweet Times‚Ä∞€™ is another essential celebration of the glut of incredible music that surfaced in post-independence Nigeria.\u003c\/p\u003e\r\u003cp\u003eThis is the third edition in the acclaimed Nigeria 70 series. The first volume, released in 2001, was the first compilation of its kind to explore in depth the myriad of funk and soul fusions emerging from Nigeria during the 1970s. 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''Beating Heart - Malawi'' has connected the archive at the International Library of African Music (ILAM) with contemporary producers, making fresh sounds for a modern audience. This \"originals\" album collates the source material supplied to modern contemporary electronic artist to remix but is a historical document in its own right and a fascinating insight into Malawi''s rich musical heritage.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHe recorded: Mouse-hunting songs, African separatist hymns, songs about rain and poverty, songs for pulling canoes, songs which warn against European beer, songs which complain about venereal disease, songs about the sounds of unseen aeroplanes, songs about a mosquito overturning a lorry, about a donkey complaining it wants wages instead of maize, about a baboon that dies after somersaulting for joy at hearing the sound of drums, commentaries on urbanisation, labour organisations and a praise song for a bicycle mender.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBuilding on Tracey's vision, the income generated will be used to assist people in the areas where the music was originally recorded. \u003c\/span\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":25000366217,"sku":null,"price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/various-beating-heart-malawi-originals-recorded-by-hugh-tracey-south-records-ltd.jpg?v=1571438737"},{"product_id":"silvio-rodriguez-cuba-classics-greatest-hits","title":"Silvio Rodriguez - Cuba Classics: Greatest Hits","description":"\u003cp\u003e‚Ä∞√õ√è There‚Ä∞€™s a lot of inventiveness in the music, and there‚Ä∞€™s a lot of grit in the lyrics. Silvio‚Ä∞€™s singing and playing has a little bit of rawness to it that undercuts a lot of the ‚Ä∞√õ√∑prettiness‚Ä∞€™ of a lot of the songs...‚Ä∞€ù - David Byrne\u003c\/p\u003e\r\u003cp\u003eSide One\u003c\/p\u003e\r\u003col\u003e\r\u003cli\u003eSueño De Una Noche De Verano\u003c\/li\u003e\r\u003cli\u003eCausas Y Azares\u003c\/li\u003e\r\u003cli\u003ePlaya Gir√å_n\u003c\/li\u003e\r\u003cli\u003eCanto Arena\u003c\/li\u003e\r\u003cli\u003eLa Maza\u003c\/li\u003e\r\u003c\/ol\u003e\r\u003cp\u003eSide Two\u003c\/p\u003e\r\u003col\u003e\r\u003cli\u003eCanci√å_n Urgente Para Nicaragua\u003c\/li\u003e\r\u003cli\u003eSueño Con Serpientes\u003c\/li\u003e\r\u003cli\u003eUnicornio\u003c\/li\u003e\r\u003cli\u003eNuestro Tema\u003c\/li\u003e\r\u003cli\u003eO Melancol√å_a\u003c\/li\u003e\r\u003c\/ol\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":25032259721,"sku":null,"price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/silvio-rodriguez-cuba-classics-greatest-hits-south-records-ltd.jpg?v=1571438737"},{"product_id":"orchestre-poly-rythmo-de-cotonou-madjafalao","title":"Orchestre Poly-Rythmo De Cotonou - Madjafalao","description":"\u003cp\u003eThe album follows the release of Cotonou Club in 2011 on Strut Records, their first new recorded music since the early 80s. Founded in Benin in 1968 by bandleader Mélomé Clément, the band were hugely popular across West Africa throughout the 1970s recording hundreds of tracks and over 50 albums and playing alongside the likes of Fela Kuti during the decade. A combination of the deaths of original members guitarist Papillon and drummer Leopold and the country entering a period of economic hardship and decline under the dictatorship of Mathieu Kerekou in the early 80s saw the band go into indefinite hiatus. However, a burgeoning interest in West African music in Europe saw labels such as Soundway and Analog Africa extensively and lovingly re-issue their back-catalogue and in 2008 the band reformed around Mélomé Clément, Gustave Bentho and Vincent Ahehehinnou and toured the world, visiting Europe (including a sold-out show at London‚Ä∞€™s Barbican Centre), Japan, Brazil, North America and most of Africa. 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It was 1954 when he embarked on a journey across the seas to the island of Sao Tomé \u0026amp; Principe. The young man's hope was to return to Cabo Verde with an accordion. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFollowing two years of hard labour Bitori had succeeded in saving enough money to acquire what was to become his most valued possession, his cherished instrument. The two month journey back to Santiago, his island of birth, proved time enough to master it. Self taught, Bitori developed his own style, an infectious blaze, that quickly caught the attention of the older generation. Before long Bitori was being asked to share his musical talents, igniting the local festivities around Praia with his music. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBut not everybody welcomed the rural accordion-based sound. Perceived as a symbol of the struggle for Cape Verdean independence and frowned upon as music of uneducated peasants, Funan√å√Å was prohibited by the Portuguese colonial rulers. Performing it in public or in urban centres had serious consequences - often jail time and torture awaited musicians that were ‚Ä∞√õ√ècaught in the act‚Ä∞€ù. In light of such persecution the genre of Funan√å√Å began to slowly disappear. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn 1975 Cabo Verde achieved independence from Portuguese colonial rule. Along with Cabo Verde‚Ä∞€™s independence came a lifting of the ban placed on Funan√å√Å. The musical repercussions in Cabo Verde were plenty - many upcoming artists embraced Funan√å√Å, translating and adapting its musical form in new ways. It was not to be until the mid-1990‚Ä∞€™s, however, that Funan√å√Å in its traditional form was actually recorded. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt was a young singer from Tarafal, Chando Graciosa, who was to play a key role in this event. Upon hearing Bitori, Graciosa immediately felt drawn to Bitori's unique playing style - a raw and passionate sound accompanied by honest lyrics that reflected the harsh reality of the Cabo Verdean working class. He eagerly approached Bitori suggesting they join forces and travel overseas with the objective of taking Funan√å√Å beyond its rural roots. The two of them, with others in tow, achieved their goal and travelled to Europe, introducing a receptive European audience to the vibrant energy of Funan√å√Å. Eventually Bitori returned to his beloved Cabo Verde. Graciosa opted to settle in Rotterdam in order to pursue his career - he vowed, however, to bring Bitori across to Holland at a later date to record an album. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn 1997 the time was ripe to immortalise the sound Bitori had shaped over a time span of four decades. Built around a formidable rhythm section, formed of drummer Grace Evora and bass player Danilo Tavares, \"Bitori Nha Bibinha\" was recorded. The recording catapulted Chando Graciosa to stardom, making him Cabo Verde's No.1 interpreter of Funan√å√Å. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe success in Cabo Verde was phenomenal and Funan√å√Å rapidly gained the recognition it deserved, especially in urban dance clubs. Bitori's songs quickly became standards - classics known and loved throughout the country. 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Eager to sound as American as possible with no hint of the fervor for afro-beat, afro-rock and afrocentric thinking that the 1970s had thrown up, a new generation of young artists and performers turned their backs on their cultural roots in music and sought a new kind of stardom and fame firmly connected to the glossy, snazzy world of the 1980s that was erupting in the USA and Europe.The 1970s flares and cuban heels began to disappear, in their place came sleek suits, rolled-up sleeves, bow-ties, jumpsuits, leather jackets, greased hair and a firm nod in the stylistic direction of Michael Jackson.\u003c\/p\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\r\u003cp\u003e3LP - Triple Vinyl in Gatefold Sleeve with Download, bonus 7\" and Large 8 Page Booklet.\u003c\/p\u003e\r\u003c\/div\u003e","brand":"South Records Ltd","offers":[{"title":"3LP+7\"","offer_id":28717131282,"sku":null,"price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/various-doing-it-in-lagos-boogie-pop-and-disco-in-1980s-nigeria-south-records-ltd.jpg?v=1571438747"},{"product_id":"tinariwen-elwan","title":"Tinariwen - Elwan","description":"\u003cmeta charset=\"utf-8\"\u003e\r\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\r\u003cp\u003eThe new album \u003ci\u003eElwan\u003c\/i\u003e by Tinariwen could well have been called \u003ci\u003eExile on Main Street\u003c\/i\u003e. Others have already thought of that, but the idea is apt. As is the painful paradox, if you consider that while Tinariwen were criss-crossing the globe on their recent triumphant tours, the frontiers that encircle their desert home were closing and forcing them into exile to record their new album \u003ci\u003eElwan\u003c\/i\u003e, released on Wedge. In recent years, Tinariwen‚Ä∞€™s homeland, a Saharan mountain range between north-eastern Mali and southern Algeria, has been transformed into a conflict zone. While the songs on the new record evoke those cherished deserts of home, they were recorded a long way away in two distinctive bursts. In 2014 the band stopped at Rancho de la Luna studios in the desert of California‚Ä∞€™s Joshua Tree National Park. While location proved particularly propitious in terms of creativity, the human climate was just as favorable, as musicians dropped by to add their own touch. Guitarist Matt Sweeny (Johnny Cash, Bonnie Prince Billy and Cat Power), Kurt Vile, musician Alan Johannes, who produced Queens of the Stone Age, a band with whom Mark Lanegan, the other guest has been a singer. All of it honed by engineer Andrew Schepps, who has worked with the Red Hot Chilli Peppers, Johny Cash, and Jay Z. Two years later in M‚Ä∞€™Hamid El Ghizlane, an oasis in southern Morocco, near the Algerian frontier, the band set up their tents to record, accompanied by the local musical youth and a Ganga outfit (a group of Berber ‚Ä∞√õ√∑gnawa‚Ä∞€™ trance musicians). The resulting album is called \u003ci\u003eElwan\u003c\/i\u003e (‚Ä∞√õ√∑The Elephants‚Ä∞€™), not \u003ci\u003eExile On Main Street\u003c\/i\u003e, though it fits nicely into that ‚Ä∞√õ√∑road record‚Ä∞€™ category. In American cinema, a road movie always unfolds the same way. Characters travel in search of some truth or revelation. But they always end up reconnecting with their own past. Of course, it‚Ä∞€™s an impossible return, because that past has been erased. It‚Ä∞€™s the same for this record, so musically powerful and yet poignant: every song evokes a land that can no longer be found, with all that this implies in terms of emotional range, from nostalgia for a joyous past to the tragic recent loss of a territory, and of the dream that it nourished.\u003c\/p\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\r\u003cp\u003eCD - Digipack.\u003c\/p\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\r\u003cp\u003e2LP - Heavyweight double LP with etching on Side 4. Vinyl format also includes a copy of the album on CD.\u003c\/p\u003e\r\u003c\/div\u003e","brand":"South Records Ltd","offers":[{"title":"CD","offer_id":29373164050,"sku":null,"price":10.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":695313924114,"sku":null,"price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/tinariwen-elwan-south-records-ltd.jpg?v=1571438750"},{"product_id":"william-onyeabor-atomic-bomb","title":"William Onyeabor - Atomic Bomb","description":"\u003cmeta charset=\"utf-8\"\u003eA lot of people fell in love with the music of Nigerian artist William Onyeabor after Luaka Bop released \u003cem\u003eWho is‚Ä∞√õ_?\u003c\/em\u003e two years ago. Now, they are reissuing his entire catalogue, taking his gorgeous music out of the realms of bootlegs and placing it onto your record player. \u003cem\u003eAtomic Bomb\u003c\/em\u003e was his biggest Nigerian hit back in the day (1978), and rightly so.","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":30038821138,"sku":null,"price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/william-onyeabor-atomic-bomb-south-records-ltd.jpg?v=1571438761"},{"product_id":"various-vodou-drums-in-haiti-2-the-living-gods-of-haiti-21st-century-ritual-drums-spirit-possession","title":"Various - Vodou Drums in Haiti 2: The Living Gods of Haiti ‚Ä∞√õ√í 21st Century Ritual Drums \u0026 Spirit Possession","description":"\u003cmeta charset=\"utf-8\"\u003e\r\u003cp\u003eSoul Jazz Records‚Ä∞€™ new album features the truly intense, hypnotic and fascinating Vodou drums of Haiti, a stunning collection of trance-like rhythms and beats traditionally used to induce spirit possession in the Vodou religion.\u003c\/p\u003e\r\u003cp\u003eSoul Jazz Records first journeyed to Haiti in 1996 to record a series of three albums about Haitian Vodou music and culture. One of these, ‚Ä∞√õ√∑Voodoo Drums‚Ä∞€™, featuring the drum rhythms used to bring about spirit possession, struck a striking chord with listeners and amazingly went on to become one of their best-selling albums. ‚Ä∞√õ√èI haven‚Ä∞€™t heard anything quite like this; the rhythms are very deeply orchestrated yet it also sounds like improvisation. There are tonalities and textures coming from this album like I‚Ä∞€™ve never heard. A great album by Soul Jazz, very well recorded. Some of the sounds I have no idea how they are getting them! This album is bending my ear and setting off the dancing devils in my soul!! Unreal!‚Ä∞€ù - The Guardian\u003c\/p\u003e\r\u003cp\u003eIn 2016 Soul Jazz Records returned to Haiti once more to record a new second volume of the same intense Vodou drumming. Recorded in the capital of Port-auPrince, Haiti, some 20 years after their first visit, this album also features the very same musicians, the Drummers of the Société Absolument Guinin.\u003c\/p\u003e\r\u003cp\u003e‚Ä∞√õ√èThis record, which consists entirely of recordings of vodou drumming made in PortAu-Prince, is one of a series of Soul Jazz releases exploring Haitian music, all of which are worth your attention. Nonetheless there‚Ä∞€™s something about the intensity and virtuosity of this particular drums-based album that‚Ä∞€™s particularly transportive. It captures the extraordinary complexity and sophistication of these ceremonial rhythms, which shift, interlock and switch angle of attack with a logic that‚Ä∞€™s nearindecipherable as a listener unable to see visually how they unfold. These drum rituals are central to Haitian vodou, their power to awe and mesmerise isn‚Ä∞€™t dimmed through being relatively unfamiliar with the traditions that underlie them; these recordings are dynamic and riveting in their intricacy and power.‚Ä∞€ù - The Quietus\u003c\/p\u003e\r\u003cp\u003eLike the first album, these new recordings somehow manage to walk the line between serious ethnological authenticity and a connection with the energy and intensity of the dance rhythms of techno and house music that make them quite unique.\u003c\/p\u003e\r\u003cp\u003eReleased on heavyweight double vinyl with digital download code√•√ä\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"2LP","offer_id":30633071506,"sku":null,"price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/various-vodou-drums-in-haiti-2-the-living-gods-of-haiti-0uo-21st-century-ritual-drums-spirit-possession-south-records-ltd.jpg?v=1571438762"},{"product_id":"various-cartagena-curro-fuentes-the-big-band-cumbia-and-descarga-sound-of-colombia-1962-72","title":"Various - Cartagena! Curro Fuentes \u0026 The Big Band Cumbia and Descarga Sound Of Colombia 1962 - 72","description":"\u003cmeta charset=\"utf-8\"\u003e\r\u003cp\u003eSoundway set sail for the Colombian coastal town of Cartagena for their first selection of 2011. Sourced from a period when musicians effortlessly combined the swing of cumbia with the driving bass of salsa, Cartagena! un-wraps a period of musical history seldom heard beyond the tropical coast of South America\u003c\/p\u003e\r\u003cp\u003eCompiled by Roberto Gyemant with the help of Colombian resident Will ‚Ä∞√õ√∑Quantic‚Ä∞€™ Holland, Sean Uppal \u0026amp; Miles Cleret, Cartagena! focuses on the extraordinary life and career of Curro Fuentes, the youngest brother of the family responsible for the Discos Fuentes label.\u003c\/p\u003e\r\u003cp\u003eCartagena! features 19 tracks and is presented on CD and double gatefold LP, designed by Lewis Heriz. Both CD and LP include detailed liner notes and offer insights from Will Holland‚Ä∞€™s interview with the late Curro Fuentes.\u003c\/p\u003e\r\u003cp\u003e\u003cem\u003e‚Ä∞√õ√èWailing clarinets and delirious, sleazy saxes evoke a sense of Benny Goodman-style swing gone wild in the tropics.‚Ä∞€ù -√•√ä\u003c\/em\u003e\u003cstrong\u003eThe Telegraph\u003c\/strong\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cem\u003e‚Ä∞√õ√èCumbia compilations of this consistently high quality are pretty thin on the ground.‚Ä∞€ù -√•√ä\u003c\/em\u003e\u003cstrong\u003eThe Independent on Sunday\u003c\/strong\u003e\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"2LP","offer_id":31960566866,"sku":null,"price":16.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/various-cartagena-curro-fuentes-the-big-band-cumbia-and-descarga-sound-of-colombia-1962-72-south-records-ltd.jpg?v=1571438766"},{"product_id":"fruko-a-la-memoria-del-muerto","title":"Fruko - A La Memoria Del Muerto","description":"\u003cmeta charset=\"utf-8\"\u003e\r\u003cp\u003e\"A la memoria del muerto\" is Fruko y sus Tesos' second album, released in 1972, and features exclusively the soaring and soulful vocals of Cali native Edulfamid Molina D√å_az, aka \"P√å_per Pimienta\", Fruko's previous vocalist Humberto \"Huango\" Gonz√å√Ålez having left after the first album \"Tesura\". The record is a mix of spirited cover versions and authentically Nuyorican-sounding originals with a Colombian twist, while the cover art, enhanced by an abundance of blood-red design, is quite something, featuring P√å_per Pimienta and Fruko dressed as gun-toting hippies doing drugs in a cemetery while a transistor radio plays. Just as eye-opening as the music is celebratory! According to Fruko, the Woodstock generation was finally making itself felt in Colombia, and they were embodying the name of the album literally, ostensibly pointing out the dangers of said drug-thug lifestyle in no uncertain terms (the police threw them out during the shoot thinking they were authentic gangsters).\u003c\/p\u003e\r\u003cp\u003eProduced and engineered by Fruko's uncle Mario \"Pachanga\" Rinc√å_n, the album has an uncompromisingly stark, hard sound that is appealing to today's collectors of 'salsa brava' just as it was impactful on the Colombian scene when it was made at the beginning of the 1970s (very little of this type of music was produced in Colombia at the time). Unlike the first Tesos album, with a two trumpet line-up and fairly simple arrangements, this more mature recording added another trumpet and two trombones for a more robust brass attack. Additionally, instead of basic salsa, there are many different rhythms ‚Ä∞√õ√í guaguanc√å_, bomba, plena, oriza, bolero, cha-cha-ch√å√Å, descarga and Latin soul. Though Fruko's sound at this stage wore its New York, Havana and San Juan sources on its sleeve ‚Ä∞√õ√í Willie Col√å_n, Javier V√å√Åzquez, Richie Ray to mention a few progenitors ‚Ä∞√õ√í, at the same time the album has a uniquely Colombian approach to these influences with the bounciness of coastal music like cumbia being felt throughout.\u003c\/p\u003e\r\u003cmeta charset=\"utf-8\"\u003e\r\u003cp\u003eThe title song is a 'guaguan-plena' version of Dominica y su Conjunto's original 'acuyuye' (ie pachanga) hit of the same name from a decade earlier. Following that is Fruko's take on Cuban pianist Javier Vazquez's driving salsa dura anthem 'Mi verdadero son'. For a little variety, next up is a rendition of Puerto Rican pianist Raphy Leavitt's famous lovelorn bolero-cha 'Payaso' from 1971. P√å_per Pimienta brings the energy up again with Fruko's own bomba 'Los niches' ‚Ä∞√õ√í a party tune with an Afro-Colombian theme. The side finishes out with more cover versions: the double-entendre 'La fruta bomba' by Cuban trovador Maximiliano \"Bimbi\" S√å√Ånchez y su Tr√å_o Oriental and the fiery rumba gitana 'Achilipu' ‚Ä∞√õ√í first recorded by Barcelona's Gypsy Queen, Dolores Vargas, and subsequently made into a salsa groover by Puerto Rico's El Gran Combo in 1971. Side B kicks off with one of Fruko's favorite Afro-Cuban artists, the conguero and Santer√å_a singer Silvestre Méndez, with 'A bailar oriza' (made famous by Cortijo y su Combo in the 1950s). After a wild descarga (jam session) track, we are treated to a fun pair of cover tunes: Johnny Zamot's 'Bomba africana' (more triangle!) and the old Afro-centric chestnut by folkloric Cuban rumbero Alberto Zayas, 'Baho Kende' ‚Ä∞√õ√í a hit for Celia Cruz and La Sonora Matancera in the 1950s but done here in the early Willie Col√å_n style. The record finishes off with another Fruko original written with his Discos Fuentes colleague Isaac Villanueva. The lyrics are from the point of view of the poor country peasant leaving the mountains and escaping the slavery of rural poverty for what he thinks will be the promise of opportunity dubiously offered by \"The Big City\".\u003c\/p\u003e\r\u003cp\u003eThis reissue features as a bonus the Latin soul track 'Tihuanaco' (a cover of Peruvian pianist Alfredito Linares), which appeared on the US edition of the LP.\u003c\/p\u003e\r\u003cp\u003ePablo Yglesias aka DJ Bongohead\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":32312791122,"sku":null,"price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/fruko-a-la-memoria-del-muerto-south-records-ltd.jpg?v=1571438767"},{"product_id":"los-yogas-canabrava","title":"Combo Los Yogas - Canabrava","description":"\u003cmeta charset=\"utf-8\"\u003e\r\u003cp\u003eCombo Los Yogas was a short-lived early Colombian salsa band from Medell√å_n directed and arranged by An√å_bal José ÃÅngel Echeverri, the famous antioqueño keyboardist known as An√å_bal ÃÅngel or simply An√å√Ån. An√å√Ån studied arranging and composition at the famed Manhattan School of Music in New York, had many of his own songs become hits over the years, founded the raspa gallega band Los Teen-Agers (\"raspa\" or \"gallega\" denotes combos that played tropical Afro-Colombian coastal music but were from the whiter interior) in 1958, and recorded with Discos Fuentes starting in 1965, so he was already an established musician on the scene by the time he founded this oddly named combo. With the influence of New York's burgeoning young Latin scene being absorbed by certain sectors of the youth in South America at the end of the 1960s, An√å_bal ÃÅngel must have felt the urge to join the fray, so in 1968 he founded Los Yogas to explore this new phenomenon from the north. Employing Barranquilla native Johnny Moré as his lead vocalist (Moré, who claimed to be related to Cuba's Beny Moré, also worked with the Conjunto\/Sexteto Miramar and Rafael Ben√å_tez as well as pianist Joe Madrid) and a full combo with trumpet, trombone, congas and timbales, Los Yogas recorded a fantastic collection of cover tunes in the guaguanc√å_, son, guajira, descarga and cha-cha-ch√å√Å rhythms.\u003c\/p\u003e\r\u003cp\u003eThe sound here is very raw and hard, something that makes this obscure Discos Fuentes record a sought after collector's item. Taking their cue from the New York scene, Los Yogas cover Larry Harlow's arrangement of 'Coco May May' (itself a cover of an old Cuban classic) and 'Baj√å√Åndote' from Orquesta Harlow's 1967 album of the same name, as well as a fabulous version of Puerto Rican singer\/songwriter Chivirico Davila's 'Montuno Pa' Caridad' from Joe Cotto's classic early 1960s album \"El magn√å_fico\". Sprinkled throughout are heavy versions of Cheo Marquetti's son cubano\u003c\/p\u003e\r\u003cmeta charset=\"utf-8\"\u003e\r\u003cp\u003eclassics 'Que no muera el son', 'Caramelo a kilo' and 'Apriétala en el rinc√å_n', all tunes heavily influential on Fania co-founder and musical director Johnny Pacheco. Venezuelan sax player and New York transplant Juan \"Johnny\" Sedes' composition 'Aqu√å_ y all√å√Å' (from his 1967 Met Rico LP \"Presentando a Juan Sedes y su Orquesta con Vit√å_n L√å_pez, El Cantante de la Salsa\"), which is the first US-made record (and song) to reference salsa as a category of music, became a hit in Colombia for Los Yogas when they covered it, as did the title tune 'Cañabrava' by Mexican composer Paco Chanona and the album's sultry closer, the guajira descarga 'Oye mira' (originally done in 1965 by Pete Rodr√å_guez y su Conjunto La Magn√å_fica).\u003c\/p\u003e\r\u003cp\u003eDespite being a record with no originals, \"Cañabrava\" holds up magnificently due to the inherent quality and execution of its repertoire, providing a wonderful snapshot of the influences and early development of the genre of salsa in 1960s Colombia, a country where this music would take root like no other and become a national obsession in the following decades.\u003c\/p\u003e\r\u003cp\u003ePablo Yglesias aka DJ Bongohead\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":32312849810,"sku":null,"price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/combo-los-yogas-canabrava-south-records-ltd.jpg?v=1571438767"},{"product_id":"jorge-ben-tropical","title":"Jorge Ben - Tropical","description":"\u003cp\u003eOne of Brazil‚Ä∞€™s greatest songwriters, Jorge Ben rarely dwelled on any particular musical style, even the ones he helped create. By the mid 1970s, Ben had already innovated several groundbreaking new twists on the classic samba sound, in the process creating many tunes that became epoch-defining hits for South America‚Ä∞€™s biggest country ‚Ä∞√õ√ì not to mention the world at large. For 1977‚Ä∞€™s Tropical, he made the controversial decision to rework an album‚Ä∞€™s worth of his most beloved songs in the new, disco and funk influenced Afro-Samba style he was exploring at the time. As a result, classics like ‚Ä∞√õ√èChove Chuva,‚Ä∞€ù ‚Ä∞√õ√èTaj Mahal‚Ä∞€ù and ‚Ä∞√õ√èMas Que Nada‚Ä∞€ù get polished updates, alongside deeper rarities like ‚Ä∞√õ√èGeorgia‚Ä∞€ù and ‚Ä∞√õ√èJesus de Praga,‚Ä∞€ù making Tropical a sensual, sultry counterpoint to other Jorge Ben collections.\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":32549659218,"sku":null,"price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/jorge-ben-tropical-south-records-ltd.jpeg?v=1571438768"},{"product_id":"kasai-allstars-orchestre-symphonique-kimbanguiste-around-felicite","title":"Kasai Allstars \u0026 Orchestre Symphonique Kimbanguiste - Around Felicite","description":"\u003cmeta charset=\"utf-8\"\u003e\r\u003cp\u003eCrammed Discs presents the soundtrack album of Alain Gomis‚Ä∞€™ film Félicité (Silver Bear Grand Jury Prize at the 2017 Berlin Film Festival), performed by the inspiration of the movie, the Congolese collective the Kasai Allstars. Includes bonus remixes from the likes of Clap! Clap!, Daedelus and Africaine 808.\u003c\/p\u003e\r\u003cp\u003eDeeply impressed by the music of Kasai Allstars, French-Senegalese director Alain Gomis drew inspiration from their music, and from the voice and character of their singer Muambuyi to write and direct his new fiction movie, entitled 'Félicité'. The film's eponymous protagonist is a proud, free-willed woman who sets out on a breakneck race through the streets of electric Kinshasa to save her son. Her profession: singer with the Kasai Allstars!\u003c\/p\u003e\r\u003cp\u003eThe band wrote and performed most of the soundtrack, and appears onscreen playing their own part. Muambuyi's voice is omnipresent, and is being heard every time Félicité (played by Congolese actress Vero Tshanda) sings in the bars of Kinshasa, backed by Kasai Allstars.\u003c\/p\u003e\r\u003cp\u003eThe 'Around Félicité' album includes the film's main pieces, performed by Kasai Allstars and by the Kinshasa Symphonic Orchestra (who specially arranged three works by Estonian composer Arvo P√å_rt), alongside new tracks by Kasai Allstars, as well as interludes consisting of fragments of dialogues and sound bites taken from the soundtrack.\u003c\/p\u003e\r\u003cp\u003e'Around Félicité' comes with a companion piece: 'Félicité Remixes', a collection of ten remixes of Kasai Allstars tracks by electronic music producers from Europe, North America and Africa, including reworks by Clap! Clap!, Daedelus and Africaine 808. 'Félicité Remixes' is available as a√•√ävinyl double-LP including the album plus five of the remixes.\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"2LP","offer_id":32810764562,"sku":null,"price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/kasai-allstars-orchestre-symphonique-kimbanguiste-around-felicite-south-records-ltd.jpg?v=1571438768"},{"product_id":"mulatu-astatke-mulatu-of-ethiopia","title":"Mulatu Astatke - Mulatu Of Ethiopia","description":"\u003cdiv class=\"Description_reasons-to-buy-wrapper__0CthD\"\u003e\n\u003cdiv class=\"Content_description-wrapper__XbO9z\" data-is-open=\"true\"\u003e\n\u003cdiv class=\"Content_inner-wrapper__xBJ2L\"\u003e\n\u003cdiv class=\"Description_truncated-text__yUXZD\"\u003e\n\u003cdiv class=\"Description_descriptionBody__bEN2t\"\u003e\n\u003cdiv class=\"Description_descriptionText__Lgv7A\" data-testid=\"description-product\"\u003e\n\u003cp\u003eStrut presents the first official reissue of a landmark album in the field of African music,\u003cspan\u003e¬†\u003c\/span\u003e\u003cem\u003eMulatu Of Ethiopia\u003c\/em\u003e\u003cspan\u003e¬†\u003c\/span\u003efrom 1972. Recorded in New York, the album arrived at a time when\u003cspan\u003e¬†\u003c\/span\u003e\u003cstrong\u003eMulatu Astatke\u003c\/strong\u003e\u003cspan\u003e¬†\u003c\/span\u003ehad begun to master the delicate fusion of styles needed to create Ethio jazz.\u003c\/p\u003e\n\u003cp\u003e‚ÄúI left the UK for America and studied at Berklee College in Boston. I learnt the technical aspects of jazz and gained a beautiful understanding of many different types of music. That‚Äôs where I got my tools. Berklee really shook me up.‚Äù\u003c\/p\u003e\n\u003cp\u003eJourneying regularly to the Big Apple to play and watch live shows at the Cheetah, the Palladium, and the Village Gate, Astatke met producer Gil Snapper on the circuit. ‚ÄúGil was a nice and very interesting guy. He produced music and worked with all kinds of musicians.‚Äù The meeting would lead to a series of albums on Snapper‚Äôs Worthy label.\u003c\/p\u003e\n\u003cp\u003eThe first, ‚ÄòAfro Latin Soul‚Äô, documented Astatke‚Äôs new-found directions. ‚ÄúMulatu has created a new sound,‚Äù enthused Snapper on the album jacket. ‚ÄúHe has taken the ancient five-tone scales of Asia and Africa and woven them into something unique and exciting; a mixture of three cultures, Ethiopian, Puerto Rican, and American.‚Äù\u003c\/p\u003e\n\u003cp\u003eA second volume of ‚ÄòAfro Latin Soul‚Äô followed before Astatke began to hone his sound further, infusing funk and cultural influences into the mix. Returning to a downtown Manhattan studio with Snapper and working with some of the city‚Äôs top young jazz and Latin session players,\u003cspan\u003e¬†\u003c\/span\u003e\u003cem\u003eMulatu Of Ethiopia\u003c\/em\u003e\u003cspan\u003e¬†\u003c\/span\u003ebegan to take shape. ‚ÄúWe rehearsed for 3-4 weeks,‚Äù remembers Astatke. ‚ÄúIt took them a while to get the right feeling in the music.‚Äù\u003c\/p\u003e\n\u003cp\u003eThe resultant album represented the first fully formed document of Astatke‚Äôs trademark Ethio jazz sound. 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