{"title":"Compilations\/ Soundtracks","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe latest compilation and soundtrack releases, available on CD and vinyl\u003c\/span\u003e","products":[{"product_id":"weekend-the-81-demos-lp","title":"Weekend - The '81 Demos LP","description":"\u003cmeta charset=\"utf-8\"\u003e\r\r\u003cp\u003eBlackest Ever Black is pleased to present the first vinyl edition of the legendary demos recorded in 1981 by Weekend - the trio of Alison Statton, Spike Williams and Simon Booth. Alison Statton began her recording career with Philip and Stuart Moxham in Young Marble Giants, one of the most unique and important bands to come out of the UK post-punk \/ independent scene. YMG dissolved in 1981, at which point Statton began writing with Wrexham native Mark 'Spike' Williams, one of the brains behind Z Block Records and a member of the band Reptile Ranch. They joined forces with guitarist Simon Booth to form Weekend, and recorded the exquisite demo versions of 'Drumbeat' (later titled 'Drumbeat For Baby'), 'Red Planes', 'Nostalgia' and 'Summerdays' that are collected on this new 12\". At the heart of the record are two truly remarkable pieces: 'Red Planes' and 'Nostalgia'. The former is a dubwise dream-pop epic, Statton's dispassionate, Nico-esque vocal wafting over a clucking Boss DR 55 pulse and seismic bass detonations, while Williams' violin, in Alison's words, \"soars and dives and weaves through every possible mood with no inhibitions, creating an almost psychedelic feel, with a menacing undercurrent\". It's somehow both starker and more richly atmospheric than the version that appears on the band's debut album, 'La Variet̩' (Rough Trade, 1982), not to mention significantly longer - nine minutes in total. Our only complaint is that it doesn't last for nineteen. 'Nostalgia', meanwhile, is surely one of the most perfectly elegiac songs committed to tape in the post-punk era. More fleshed-out than the La Variet̩ version, the instrumentation here - notably Statton's yearning recorder part (\"Very Eno,\" as Spike astutely observes) - amplifies the emotional resonance of an already heart-stopping lyric. Written by Spike and Dave Hoddel, 'Nostalgia' is a poignant meditation on the attraction, and the danger, of dwelling on the past. Shorn of the jazzy flourishes that would define the subsequent studio version, 'Drumbeat' (later titled 'Drumbeat For Baby') has a brittle, choppier quality more in line with Young Marble Giants than Weekend; it remains one of Williams and Statton's most infectious compositions. The instrumental 'Summerdays', is a different beast entirely to the cut on La Variet̩; it's primarily a showcase of Simon Booth's lyrical guitar-playing, at times reminiscent of the courtly psychedelia of early Felt or Vini Reilly, and reminding us of Weekend's role as godparents of the nascent indie-pop movement. Jazz became an increasingly prominent component of the Weekend sound, and by the time of 'La Variet̩' - their sole studio LP - they had welcomed jazzmen Larry Stabbins (saxophone), Roy Dodds (drums) and Dawson Miller (percussion) into their line-up. But despite its idiosyncratic brilliance and long-lasting influence (Belle \u0026amp; Sebastian and Kalima are but two groups who owe it an enormous debt), nothing on 'La Variet̩', or on the handful of singles and live recordings Weekend put their name to before disbanding in 1983, comes close to matching the raw, impressionistic power of the '81 demos. \u003cbr\u003e\u003cbr\u003eThe four demos were released as a stand-alone CD by Vinyl Japan in 1995, and included as bonus tracks on Cherry Red's most recent CD reissue of \u003cbr\u003eLa Variet̩; however, until now they have never appeared on vinyl. Licensed from Cherry Red, 'The '81 Demos' (BLACKEST026) is a 12\" limited to 1000 pieces, mastered by by Matt Colton at Alchemy and housed in an LP sleeve printed on reverse board stock, with printed inner featuring liner notes by Spike Williams, Alison Statton and Simon Booth.\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":701061653,"sku":null,"price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/weekend-the-81-demos-lp-south-records-ltd.jpg?v=1571438618"},{"product_id":"father-yod-the-source-family-music-from-the-original-motion-picture-soundtrack","title":"Father Yod \u0026 The Source Family - Music From The Original Motion Picture Soundtrack","description":"\u003cp\u003eFather Yod \u0026amp; The Source Family - Music From The Original Motion Picture Soundtrack on Drag City\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":742517361,"sku":null,"price":16.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/father-yod-the-source-family-music-from-the-original-motion-picture-soundtrack-south-records-ltd.jpg?v=1571438624"},{"product_id":"arthur-russell-the-world-of-arthur-russell","title":"Arthur Russell - The World Of Arthur Russell","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRead our Eternal Rhythm blog about Arthur Russell \u003ca href=\"https:\/\/www.southrecordshop.com\/blogs\/news\/arthur-russell\" rel=\"noopener\" target=\"_blank\"\u003ehere\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003etriple vinyl set. since the initial groundbreaking release of 'the world of arthur russell' five years ago, the man has become the subject of intense media interest, with the recent release of a film about his life, as well as a new album of unreleased recordings. holding a unique place in the history of dance music, as an artist he had the admiration of everyone from philip glass to todd terry, and as well as his solo work he also formed the seminal groups dinosaur l and loose joints, redefining dance music as both an intelligent and subversive form. russell was co-founder of sleeping bag records along with will socolov, releasing his own material, and music from mantronix, larry levan, patrick adams, epmd, joyce sims and todd terry amongst others. larry levan, walter gibbons and francois kervorkian all played pivotal roles as remixers of russell's work and feature on many of the tracks featured here. as a regular visitor at david mancuso's 'loft', nicky siano's 'gallery' and even studio 54, russell immersed himself in the new york dance scene whilst continuing to create avant-garde experimental music. these two elements in his life and music make him truly unique. arthur russell died in 1992 from aids leaving behind an enormous body of work. this release features both the classic tracks of arthur russell such as 'go bang', 'is it all over my face', 'wax the van' alongside impossible-to-find collectors tracks such as 'in the light of the miracle' and the private-pressing only 'pop your funk'. this is the first collected work of arthur russell who has been for many years one of the most respected iconic artists in the history of dance music.\u003c\/span\u003e\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"3LP","offer_id":742542473,"sku":null,"price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/arthur-russell-the-world-of-arthur-russell-south-records-ltd.jpg?v=1571438624"},{"product_id":"various-true-soul-deep-sounds-from-the-left-of-stax-vol-2","title":"Various - True Soul: Deep Sounds from the Left of Stax Vol.2","description":"\u003cp\u003e\u003cspan\u003eTrue Soul: Deep Sounds from the Left of Stax, a collection of rare and unreleased funk and soul music from the fabled Arkansas indie. Over twelve years in the making, this anthology ‰ÛÒ presented over the course of two volumes of CD\/DVDs seeks to establish True Soul‰۪s rightful place within America‰۪s funk and soul pantheon. 60‰۪s and 70‰۪s Soul, Funk, Disco, Party-Rap and Boogie from Arkansas‰۪s Legendary Independent Label ‰ÛÒ the second installment presented as a CD\/DVD. 18 Rare and Unreleased 60s \u0026amp; 70s Soul, Funk, Disco and Party-Rap cuts from the True Soul vaults. 56 Page Full color booklet contains never-before-seen photos, ephemera, extensive liner notes and a candid interview between producer Eothen ‰ÛÏEgon‰۝ Alapatt and Lee Anthony himself. All tracks remastered from the Original Master tapes. Bonus DVD with Excerpts from the True Soul Revue TV show. Accompanying legendaryåÊ cuts such as ‰ÛÏSlipping Around‰۝ and ‰ÛÏDoing my Own Thing‰۝ is a DVD containing excerpts from The True Soul Revue television program, that captured live performances from the True Soul All Stars in 1973. \u003c\/span\u003e\u003c\/p\u003e\r\r\u003cp\u003e\u003cspan\u003e\u003cb\u003e\u003ci\u003eTracks: 1. Albert Smith - The Thrill Is Gone 2. Thomas East - Just A Trip 3. Larry Davis - Down Home Funk (Full Version) 4. Thomas East - Sister Funk (Instrumental)åÊ 5. Classic Funk - The Funk's Gonna Fly* 6. York Wilborn's Psychedelic Six - Thank You 7. The Conspiracy ‰ÛÒ Conspiracy 8. The Right Track - Maybe Yes, Maybe No 9. The Leaders - (It's A) Rat Race (Vocal) 10. The Conspiracy - I Believe (Our Love Has Gone Away) 11. John Craig - I Don't Want To Do It 12. John Craig - Doing My Own Thing (Interlude) 13. The Right Track - You For Me And Me For You 14. Portrait - Springtime Smile 15. Portrait - Love You For Now On 16. Le'Chance - Get Down 17. Le'Chance ‰ÛÒ Gigolo 18. Soul Mind And Body - I Took Your Love (To Be True)åÊ\u003c\/i\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"CD","offer_id":802916497,"sku":null,"price":15.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/various-true-soul-deep-sounds-from-the-left-of-stax-vol2-south-records-ltd.jpg?v=1571438626"},{"product_id":"various-a-rhythm-blues-chronology-1-1940-1941","title":"Various - A Rhythm \u0026 Blues Chronology 1: 1940-1941","description":"\u003cp\u003eRhythm and Blues was not generally recognised as a distinct musical genre until the years following the end of World War II.\u003c\/p\u003e\r\u003cp\u003eThese 4CD sets centred on 1940-1944 attempt to pinpoint records typical of the various strands of music which coalesced into what can now be seen as a historically definable form of black popular music, commonly abbreviated to R\u0026amp;B. Previously, the American record industry had marketed blues, jazz, jug band, hokum, sacred and novelty music under the catch-all phrase, race music.\u003c\/p\u003e\r\u003cp\u003eAfter the war, an increasing sensitivity to racism generated the need for a new term which emerged from a renaming of Billboard‰۪s Best Selling Retail Rhythm And Blues Records. A new audience for blues was opening up amongst white record buyers and concertgoers, due to the enormous popularity of boogie-woogie, which was first recorded in jazz band format in 1936 and was by 1940 at the height of its popularity.This period saw the end of mass recording of discs in the downhome and urban blues styles and these artists were largely absent from the studios until the late 1940s, when the electric guitar became the instrument of choice for blues singers. America‰۪s entry into the Second World War had the effect of limiting the supply of shellac, which was essential to the manufacture of records. As a result, the number of discs released was severely curtailed and many were only issued to jukebox owners. The unforeseen result of this recording hiatus was a breathing space for the development of two new forms of music that broke through after the end of the war: Rhythm and Blues and bebop.\u003c\/p\u003e\r\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDisc One : 1. Lionel Hampton Central Avenue Breakdown 2.Big Bill Broonzy Rockin' Chair Blues 3. Erskine Hawkins and his OrchestraåÊ After Hours 4. LeadBelly \u0026amp; The Golden Jubilee Quartet Rock Island Line 5. Will Bradley Down The Road A Piece 6. Bill \"Jazz\" Gillum Key To The Highway 7. T-Bone Walker T-Bone Blues 8. Tampa Red Don't You Lie To Me 8. The Five Breezes My Buddy Blues 9. Adolph Hofner Joe Turner Blues 10. Big Joe Turner Dogginå« The Dog 11. Champion Jack Dupree New Low Down Dog 12. The Four Clefs Dig These Blues 13. John Lee \"Sonny Boy\" Williamson Jivin' The Blues 14. Sidney Bechet Preachin' Blues 15. Peetie Wheatstraw Gangster's Blues 16. Moon Mullican \u0026amp; The Sunshine Boys Pipeliner's Blues 17. Hot Lips Page Harlem Rhumbain' The Blues 18. Blind Boy Fuller Step It Up and Go 19. Lewis Bronzeville Five Natchez Mississippi Blues 20. Three Sharps And A Flat That's The Rhythm 21. Earl Hines Boogie Woogie On St. Louis Blues 22. Happy Fats \u0026amp; Rayne-bo Ramblers Gran Prairie 23. Tampa Red It Hurts Me Too 24. Sidney Bechet Sidney's Blues 25. Golden Gate Jubilee Quartet The Valley Of Time 26. Creole George Guesnon Mississippi Town \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDisc Two - 1. Louis Armstrong \u0026amp; Luis Russell You Run Your Mouth, I'll Run My Business 2. Louis Jordan You Got To Go When The Wagon Comes 3. Big Bill Broonzy Midnight Steppers 4. Lewis Bronzeville Five Low Down Gal Blues 5. Sam Price And His Texas Blusicians Oh Lawdy Mama 6. Delta Rhythm Boys Dry Bones 7. Erskine Hawkins Gabriel Meets The Duke 8. Champion Jack Dupree Cabbage Greens No. 1 9. John Lee \"Sonny Boy\" Williamson New Early In The Morning 10. Jelly Roll Morton Shake It 11. Duke Ellington Cotton Tail 12. The Wright Brothers Gospel Train 13. Leonard Harlan Ride My Blues Away 14. Memphis Slim Grinder Man Blues 15. Big Joe \u0026amp; His Washboard Band If You Take Me Back 16. Charlie Spand Rock And Rye 17. Gene Krupa Drum Boogie 18. Big Joe Turner Low Down Dirty Shame 19. Louis Jordan June Tenth Jamboree 20. The Ink Spots Stop Pretending 21. Pete Johnson's Band 627 Stomp 22. Blind Fuller \u0026amp; Sonny Terry Harmonica Stomp 23. Hot Lips Page Evil Man's Blues 24. Big Bill Broonzy What Is That She Got 25. Lil Green Romance In The Dark 26. Duke Ellington In A Mellotone\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDisc Three - 1. The Cats And The Fiddle I'm Gonna Pull My Hair 2. Slim \u0026amp; Slam Slim Slam Boogie 3. The Delta Rhythm Boys Joshua Fit De Battle Of Jericho 4. Lil Green Why Don't You Do Right 5. Nora And Delle Keep A Knockin' (But You Can't Come In) 6. Robert Petway Catfish Blues 7. Jay McShann Confessin' The Blues 8. Big Bill Broonzy Key To The Highway 9. Duke Ellington Take The \"A\" Train 10. Champion Jack Dupree Junker Blues 11. Big Joe Turner Corrine Corrina 12. Andy Kirk Cuban Boogie Woogie 13. John Lee \"Sonny Boy\" Williamson You Got To Step Back 14. Black Cats And The Kitten I'm The Winder 15. Phil Moore And His Combo Shoo Shoo Baby 16. Buddy Johnson \u0026amp; His Band Boogie Woogie's Mother-In-Law 17. Selah Jubilee Singers I Feel Like My Time Ain't Long 18. Memphis Minnie Me And My Chauffeur 19. Louis Jordan Knock Me A Kiss 20. Albert Ammons \u0026amp; Pete Johnson Walkin' the Boogie 21. Lucky Millinder and his orchestra Rock Me 22. Big Joe Turner Rock Me, Mama 23. The Charioteers Wade In the Water 24. Lil Green Knockin' Myself Out 25. Jay McShann Hold 'Em Hootie 26. Buddy Johnson \u0026amp; His Band New Please Mr. Johnson 27. Una Mae Carlisle Oh I'm Evil 28. Count Basie 9:20 Special\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDisc Four - 1. Big Joe Turner Wee Baby Blues 2. Lionel Hampton Bouncing at the Beacon 3. Sidney Bechet Rip Up The Joint 4. Big Maceo Worried Life Blues 5. Nat King Cole Trio Are You Fer it 6. Pete Johnson Death Ray Boogie 7. St. Louis Jimmy Oden Going Down Slow 8. Lucky Millinder w Sister Rosetta Tharpe Shout, Sister, Shout 9. Una Mae Carlisle Blitzkrieg Baby 10. Champion Jack Dupree Dupree Shake Dance 11. Boone's Jumping Jacks Please Be Careful 12. Tony Hollins Crawlin' King Snake 13. Charlie Christian Topsy 14. Skeets Tolbert The Rhumba Blues 15. Pete Johnson, Albert Ammons Sixth Avenue Express 16. Big Bill Broonzy When I Been Drinking 17. The Four Clefs I Like Pie, I Like Cake 18. Louis Jordan Saxa-Woogie 19. Jay McShann Vine Street Boogie 20. Johnny Hodges Going Out The Back Way 21. Tommy McClennan Cross Cut Saw 22. Jewel Paige Give It Up 23. Big Joe Turner \u0026amp; Freddie Slack Sun Risin' Blues 24. Slim \u0026amp; Slam Ah Now 25. Washboard Sam Come On Back 26. Andy Kirk and His Clouds of Joy 47th Jive 27. Lil Green Let's Be Friends\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cstrong\u003eåÊ\u003c\/strong\u003e\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"Default Title","offer_id":803392141,"sku":null,"price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/various-a-rhythm-blues-chronology-1-1940-1941-south-records-ltd.jpg?v=1571438627"},{"product_id":"various-a-rhythm-blues-chronology-vol-2-1942-1944","title":"Various - A Rhythm \u0026 Blues Chronology Vol.2 - 1942-1944","description":"\u003cp\u003eRhythm and Blues was not generally recognised as a distinct musical genre until the years following the end of World War II.\u003c\/p\u003e\r\u003cp\u003eThese 4CD sets centred on 1940-1944 attempt to pinpoint records typical of the various strands of music which coalesced into what can now be seen as a historically definable form of black popular music, commonly abbreviated to R\u0026amp;B. Previously, the American record industry had marketed blues, jazz, jug band, hokum, sacred and novelty music under the catch-all phrase, race music. After the war, an increasing sensitivity to racism generated the need for a new term which emerged from a renaming of Billboard‰۪s Best Selling Retail Rhythm And Blues Records. A new audience for blues was opening up amongst white record buyers and concertgoers, due to the enormous popularity of boogie-woogie, which was first recorded in jazz band format in 1936 and was by 1940 at the height of its popularity. This period saw the end of mass recording of discs in the downhome and urban blues styles and these artists were largely absent from the studios until the late 1940s, when the electric guitar became the instrument of choice for blues singers. America‰۪s entry into the Second World War had the effect of limiting the supply of shellac, which was essential to the manufacture of records. As a result, the number of discs released was severely curtailed and many were only issued to jukebox owners. The unforeseen result of this recording hiatus was a breathing space for the development of two new forms of music that broke through after the end of the war: Rhythm and Blues and bebop.åÊ\u003c\/p\u003e\r\u003cp\u003eVolume two: 1942-1944.\u003c\/p\u003e\r\u003cp\u003eDisc One - 1. Duke Ellington - The \"C\" Jam Blues 2. Louis Jordan - What's The Use Of Getting Sober 3. Jimmy Lunceford - Blues In The Night 4. Lucky Millinder - Little John Special 5. Arthur \"Big Boy\" Crudup - Mean Ol' Frisco 6. Ella Mae Morse - Cow Cow Boogie 7. Bea Booze - See See Rider Blues 8. Big Bill Broonzy - I Feel So Good 9. T-Bone Walker - Mean Old World 10. Louis Jordan - Five Guys Named Moe 11. Lionel Hampton Orchestra - Flying Home 12. Peggy Lee - Why Don't You Do Right 13. Nat King Cole - Pitchin' Up A Boogie 14. Andy Kirk And His Clouds Of Joy - Hey Lawdy Mama 15. Big Joe Williams - Baby Please Don't Go 16. Louis Jordan - Deacon Jones 17. Champion Jack Dupree - Big Time Mama 18. Andy Kirk And His Clouds Of Joy - Take It And Git 19. Big Joe Turner - Blues In The Night 20. Golden Gate Jubilee Quartet - Didn't It Rain 21. Dinah Washington - Evil Gal Blues 22. Lucky Millinder w Sister Rosetta Tharpe - I Want A Tall Skinny Papa 23. John Lee \"Sonny Boy\" Williamson - She Don't Love Me That Way 24. T-Bone Walker - I Got A Break, Baby 25. Johnny Hodges - Things Ain't What They Used To Be 26. Saunders King - SK Blues Part 1\u003c\/p\u003e\r\u003cp\u003eDisc Two - 1. Savannah Churchill And Her All Star Seven - Fat Meat Is Good Meat 2. Doctor Clayton - Ain't No Business We Can Do 3. Earl Hines - Stormy Monday Blues 4. Lucky Millinder w Sister Rosetta Tharpe - That's All 5. Edmond Hall - Downtown Cafe Boogie 6. The Four Vagabonds - Coming In On A Wing And A Prayer 7. Nat King Cole - That Ain't Right 8. Helen Humes - Unlucky Woman 9. Louis Jordan - You Can't Get That No More 10. Fats Waller - Moppin' And Boppin' 11. John Kirby - St. Louis Blues 12. Tampa Red \u0026amp; Big Maceo - Let Me Play With Your Poodle 13. Charlie Barnet - Oh Miss Jaxson 14. Lucky Millinder \u0026amp; His Orchestra ‰ÛÒ Savoy 15. Jay McShann And His Orchestra - Jumpin' Blues 16. Roy Eldridge - Minor Jive 17. Bonnie Davies - Don't Stop Now 18. Nat King Cole - Hit That Jive, Jack 19. Count Basie - Rusty Dusty Blues 20. Buddy Johnson - You'll Get Them Blues 21. Washboard Sam \u0026amp; His Washboard Band - Gonna Hit The Highway 22. Lucky Millinder \u0026amp; His Orchestra - Apollo Jump 23. Erskine Hawkins - Don't Cry Baby 24. Slim \u0026amp; Slam - Groove Juice Special 25. The Charioteers ‰ÛÒ Amen 26. Woody Herman ‰ÛÒ Amen\u003c\/p\u003e\r\u003cp\u003eDisc Three - 1. T-Bone Walker - T-Bone Boogie 2. Louis Jordan - Is You Is Or Is You Ain't My baby? 3. Duke Ellington - Main Stem 4. Julia Lee With Jay McShann - Come On Over To My House 5. Sepia Tones - Boogie No 1 6. Cozy Cole ‰ÛÒ Jericho 7. Buddy Johnson - Fine Brown Frame 8. Lionel Hampton - Hamps Boogie Woogie No 1 9. Dinah Washington - Salty Papa Blues 10. Nat King Cole Trio - Gee Baby, Ain't I Good To You 11. Edmond Hall - Besame Mucho 12. The Dixie Hummingbirds - Book Of The Seven Seas 13. Etta Jones - Blow Top Blues 14. Albert Ammons - Boogie Rocks 15. The Three Barons - Milk Shake Stand 16. Hot Lips Page - The Sheik of Araby 17. Billy Eckstine - Blowin' The Blues Away 18. T-Bone Walker - Mean Old World Blues 19. Coleman Brothers - Low Down The Chariot 20. Ella Johnson w Buddy Johnson - That's The Stuff You Gotta Watch 21. The Five Red Caps - Boogie Woogie On A Saturday Night 22. Tampa Red - Sure Enough I Do 23. Ella Fitzgerald - Cow Cow Boogie 24. Ike Quebec - Blue Harlem 25. Lester Young - Lester Leaps Again 26. Jimmie Lunceford - Back Door Stuff Part 1.\u003c\/p\u003e\r\u003cp\u003eDisc Four - 1. Cozy Cole - Nice And Cozy 2. Benny Carter - Hurry Hurry 3. Louis Jordan - G.I. Jive 4. Etta Jones - Evil Gal Blues 5. Errol Garner - Boogie Woogie Boogie 6. T-Bone Walker - Sail On Boogie 7. Cootie Williams - Tess's Torch SongåÊ 8. Ernestine B Washington - If I Could Just Make It In 9. Nat King Cole Trio - Pro-Sky 10. Louis Jordan - I'm Gonna Move To The Outskirts Of Town 11. Hot Lips Page - The Blues Jumped The Rabbit 12. Nat King Cole Trio - Straighten Up and Fly Right 13. Lester Young - Blue Lester 14. Buddy Johnson - When My Man Comes Home 15. Cecil Gant - Cecil's Boogie 16. T-Bone Walker - You Don't Love Me Blues 17. Leadbelly - The House Of The Rising Sun 18. Delta Rhythm Boys - Do Nothin' Till You Hear From Me 19. The Five Red Caps - Boogie Woogie Ball 20. Helen Humes - I Would If I Could 21. Lester Young - Jump Lester Jump 22. Louis Jordan - Ration Blues 23. The Mills Brothers - Till Then 24. Buddy Johnson - One Of Them Good Ones 25. Billie Holiday - I Love My Man 26. T-Bone Walker - Low Down Dirty Shame 27. 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French electronic pioneer Bernard Szajner‰۪s 1979 concept album based around Frank Herbert‰۪s cult ‰Û÷Dune‰۪ Trilogy. Dystopian sci-fi drones and otherworldly melodies drift across the stereo spectrum, creating a multi-layered, deeply immersive listening experience.\u003c\/span\u003e\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eRemastered from the original tapes by Rashad Becker in Berlin with two additional unreleased bonus tracks (appearing as bonus tracks on the CD and as digital only tracks available via a download card with the LP format).\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eA long-time favourite album for reputable producers: ‰ÛÏAs a long time fixture at the far-end of my Euro-electronic shelf this Gallic-magnetic conceptual synth-pop classic has been in risky disc-jockey orbit waiting over 30 years for the right time to touch-down on planet earth to re-fuel‰۝ - Andy Votel\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003e‰ÛÏIt‰۪s great to see this fantastic album see a proper reissue... a classic of forward-looking French music from the 1970s; so ahead of its time‰۝ - Dan Snaith (Caribou \/ Daphni)\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003e‰ÛÏAmazing record!‰۝ - Prins Thomas\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\r\r\u003cp\u003e‰ÛÏThis is an all time favourite record of mine, very excited aboutåÊ\u003cspan style=\"line-height: 1.2;\"\u003ethe new masters‰۝ - Optimo\u003c\/span\u003e\u003c\/p\u003e\r\r\u003cp\u003eåÊ\u003c\/p\u003e\r\r\u003cspan style=\"line-height: 1.2;\"\u003e‰ÛÏ... brilliant amalgam of deeply layered sci-fi soundscapes that drift between the ambient drones... it‰۪s not hard to see why Carl Craig, among other high-profile admirers, counts Szajner‰۪s music as being in his ‰Û÷all time top ten‰۪‰۝ - The Vinyl Factory\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003e‰ÛÏThere‰۪s a damn good reason why many consider Szajner to be Brian Eno‰۪s French counterpart.‰۝ - FACTåÊ\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003c\/div\u003e\r\r\u003c\/div\u003e\r\r\u003c\/div\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":879692397,"sku":null,"price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/z-aka-bernard-szajner-visions-of-dune-south-records-ltd.jpg?v=1571438638"},{"product_id":"various-no-seattle-forgotten-sounds-of-the-north-west-grunge-era-1986-97","title":"Various - No Seattle: Forgotten Sounds Of The North-West Grunge Era 1986-97","description":"\u003cdiv class=\"page\" title=\"Page 12\"\u003e\r\r\u003cdiv class=\"section\"\u003e\r\r\u003cdiv class=\"layoutArea\"\u003e\r\r\u003cdiv class=\"column\"\u003e\u003cspan style=\"line-height: 1.2;\"\u003eComprehensive double CD \/ two heavyweight double vinyl sets compilation bringing together the hidden, lost and forgotten sounds of the North-West grunge era on Soul Jazz.\u003c\/span\u003e\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eFantastically in-depth sleevenotes featuring band interviews and exclusive photographs.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eAll tracks sonically remastered.\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eInitially a marginalised phenomenon, the underground grunge scene of Washington had barely a handful of adherents, strung out in isolated towns across the vast state of Washington. 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It would, however, be only a matter of years before this burgeoning movement disappeared just as quickly as a new, uncompromising military dictatorship led by General Juan Velasco Alvarado, took hold. Artists on Peru Bravo include psychedelic ensembles Laghonia \u0026amp; Telegraph Avenue, both heavily influenced by American West coast bands like Santana \u0026amp; Jefferson Airplane. Also featured are Black Sugar‰۪s hard funk, Traffic Sound‰۪s rock-edged boogaloo and the raw-but-sweet harmonies of Thee Image, all under-pinned by a deep soulfulness that pervaded much of the music of the time. The album also features three dynamite cover versions of Jimi Hendrix‰۪s ‰Û÷Hey Joe‰۪, Steppenwolf‰۪s ‰Û÷Sookie Sookie‰۪ and the Meters‰۪ ‰Û÷Cissy Strut‰۪. In Peru, the word ‰Û÷bravo‰۪ has a double meaning. It can refer to something that is ‰Û÷edgy‰۪ or ‰Û÷dangerous‰۪ but can also be a celebratory exclamation like in English. 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Many of the artists they recorded came from Tennessee, Mississippi and Arkansas but as the label‰۪s reputation grew they began arriving from more far flung locales - Chicago, St. Louis, Boston, Ohio, the Carolinas, Florida, California - sometimes literally waiting in line for their turn to cut at Janes‰۪ Sonic Studios.\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eWhat‰۪s astonishing is how seamlessly this set‰۪s 101 songs by dozens of groups and solo acts lock together. That‰۪s due to more than the unbridled sound of pure faith welling up in the varied voices of such largely obscure performers as Elizabeth King, who wails like Aretha on ‰Û÷Testify For Jesus‰۪ and Rev. 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It climaxes in the Hendrix-fuelled six-string of Elgie Brown, whose 1975 ‰Û÷When Jesus Comes‰۪ and ‰Û÷A Helping Hand‰۪ navigate a psychedelic sea of wah-wah, phase shifter and distortion pedals.åÊ\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eWhat‰۪s also astonishing is that none of this - the variety, the quality and durability of the material, the consistently impressive level of talent - was calculated. Designer was a ‰Û÷custom‰۪ record label, a now-vanished musical equivalent of a vanity press. With few exceptions, the groups and artists who recorded for Designer paid owner Style Wooten a fee, advertised once in the 60s at $469.50, for cutting two sides in the studio. 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It‰۪s there in the western swing of ‰ÛÏCalifia (Stone Rider)‰۝, the loneliness of ‰۝The Bed‰۝ and the bleak beauty of ‰۝If It‰۪s Monday Morning.‰۝ Hazlewood‰۪s tremulous voice was made for duets (indeed, he wrote ‰۝Some Velvet Morning‰۝, one of the greatest of all time); here, Suzi Jane Hokom, Ann-Margret and Nina Lizell play counterpart to his manly tones.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn the wonderful liner notes, written by British journalist Wyndham Wallace, the writer describes his friend Hazlewood as ‰ÛÏa curmudgeonly, unpredictable sort at the best of times, as impatient with his own talent as he is with other people.‰۝ The Hazlewood Wallace knew was puzzled by the growing interest in him in the last two decades of his life, which was ended by cancer at age 78. 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From Furry Lewis and Sleepy John Estes to Sid Selvidge and Dickinson's own Mud Boy and The Neutrons, 'Beale Street Saturday Night' is an unparalleled audio trip through Memphis music history. Recorded in places varying from artists' homes, to Ardent Studios, to The Orpheum Theatre, 'Beale Street Saturday Night' was originally created as a fundraiser for the Memphis Development Foundation. This reissue will serve a similar purpose as a portion of the proceeds will go to support the radio program Beale Street Caravan which focuses on Memphis music, new and old. 'Beale Street Saturday Night' features new liners from Jim Lancaster (who worked on the original issue) and previously unseen photos. This first ever reissue of 'Beale Street Saturday Night' was done under the supervision and with the blessing of the Dickinson family, and it finally makes widely available this important music and historical Memphis document for new audiences to discover. 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Whereas those releases were devoted to New Orleans and the West CoaståÊrespectively,åÊSassy SugaråÊfocuses on Music City, Nashville.åÊ\u003c\/span\u003e\u003c\/p\u003e\r\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eYes, Nashville will always be thought of as Music City. Prior to this grand-sounding title coming into play, Nashville wasåÊa modest recording hub with just a handful of studios. The short list included the Brown Brothers‰۪ Transcription Service,åÊthe Castle Studio, the Methodist Television and Radio Film Commission, and Owen Bradley‰۪s Quonset hut on 16thåÊAvenue South. When RCA-Victor opened their own facility in the fall of 1957, Nashville joined the likes of New York,åÊLos Angeles and Chicago as a force to be reckoned with. 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Having grown up in the Far East, Newell returned to his home of England at age 13 with just a little 3-inch spool tape-recorder and his first guitar. At age 14 he wrote his first song, not even knowing any chords.\u003c\/span\u003e\u003c\/div\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.4;\"\u003eHis songwriting continued through his teens and into his 20s, when he purchased a Sony reel-to-reel recorder and 12 string guitar. It is this early songwriting that led him working with a wide variety of musicians, recording in beautiful studios and forming his many projects such as Cleaners From Venus and Brotherhood Of Lizards but it was this early songwriting and recording that led him to find that he was happiest when recording by himself, with minimal equipment. As Newell often says, ‰ÛÏActually, I preferred the demos.‰۝\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"line-height: 1.4;\"\u003eHaving upgraded himself from reel-to-reel to a Tascam Pocketstudio and digitizing some of his archaic recording knowledge, Newell set out to begin home recording again. The tracks on this collection run from 2010 to mid 2014. Some are recordings based loosely on movie themes and soundtracks for imaginary films. Some are instrumentals from a collection called ‰Û÷The Late District‰۪, while others are from a recent album, ‰Û÷Return To Bohemia‰۪, which saw a small release in England.\u003c\/span\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.4;\"\u003eThis recent resurgence in creative strength, along with the success and newfound popularity of Cleaners From Venus, have all led up to ‰Û÷Teatime Assortment‰۪. 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Through the eyes, words and songs of its popular music stars of the 50s, 60s, and 70s, Don‰۪t Think I‰۪ve Forgotten: Cambodia‰۪s Lost Rock and Roll examines and unravels Cambodia's recent tragic past. Dust-to-Digital is excited to release the soundtrack to such an important film. Compiled by the film‰۪s director, the album is very cinematic in nature. The sequencing and newly-remastered audio transport the listener through the rock and roll history of Cambodia in a similar fashion as John Pirozzi‰۪s documentary film. 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The following year Jodorowsky and M̩ndez' short cues from the film's production tapes were given to Ravi Shankar understudy (and George Harrison's 'All Things Must Pass' orchestrator) John Barnham to add extra score and post-production features, making the lo-fi, composed-to-scene themes a viable commercial LP which would share release schedules with The Elephant's Memory, Badfinger and Mary Hopkins - standing out like a sore thumb in a sea of well manicured talons. ‰ۢ Taken from the original master tapes of engineer Brian Humphries (Black Sabbath \/ Pink Floyd) and presented with new artwork based on the rare European and South American poster artwork for the film's original release, with exclusive sleevenotes from Andy Votel and actress \/ director (and Jodorowsky friend \/ collaborator) Asia Argento this release is an essential companion piece to Finders Keepers' exclusive Jodorowsky series and an enthralling and pop culturally significant release in its own right.\u003c\/span\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":2168825860,"sku":null,"price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/alejandro-jodorowsky-el-topo-south-records-ltd.jpg?v=1571438670"},{"product_id":"various-disco-2-a-further-fine-selection-1976-1980","title":"Various - Disco 2: A Further Fine Selection 1976-1980","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis is a second selection of independent disco records featuring rare and classic tracks originally released in the USA between the halcyon years of 1977 and 1985. 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There had been much interest in producing innovative music and sounds to go with the pioneering programming of the era. Often the sounds required for the atmosphere that program makers wished to create were unavailable or non-existent through traditional sources and so some would look to new techniques to produce effects and music for their pieces. Much of this interest drew them to musique concr̬te and tape manipulation techniques, since using these methods could allow them to create soundscapes suitable for the growing range of unconventional programming.\u003c\/p\u003e\r\u003cp\u003eThese two records were recorded in 1968 and 1975 respectively, and have until this day never seen a vinyl release at all! The BBC Radiophonic Workshop would also create the soundtrack for Doctor Who in 1963 and later on The Hitchhiker's Guide to the Galaxy. The BBC Radiophonic Workshop would document their findings and share these with the public. In this way, they influenced mainstream music. 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This time legendary compiler Dean Rudland, who is responsible of dozens of wicked compilations on BGP, Kent and Blue Note, digs deep into - mythical NYC latin boogaloo producer - Bobby Marin's catalogue to bring you an explosive collection of (northern) soul, deep funk and latin jazz tunes from Spanish Harlem aka El Barrio. Bobby Marin has been one of the main contributors and a leading figure behind the latin Boogaloo movement in the mid 60s in New York producing and working close together with stars such us Joe Cuba, Eddie Palmieri, Machito, Riccardo Marrero, not to mention his own combo the legendary Latin Blues Band, recently sampled by DJ Premier as the hook to Christina Aguilera's 'Ain't No Other Man'. \"\u003c\/span\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":3617358661,"sku":null,"price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/various-lets-boogaloo-vol6-south-records-ltd.jpg?v=1571438675"},{"product_id":"various-brown-acid-the-first-trip","title":"Various - Brown Acid: The First Trip","description":"\u003cmeta charset=\"utf-8\"\u003e\r\u003cp\u003e\u003cspan\u003eSome of the best thrills of the Internet music revolution is the ability to find extremely rare music with great ease. But even with such vast archives to draw from, quite a lot of great songs have gone undiscovered for nearly half a decade, particularly in genres that lacked hifalutin arty pretense. Previously, only the most extremely dedicated and passionate record collectors had the stamina and prowess to hunt down long forgotten wonders in dusty record bins ‰ÛÓ often hoarding them in private collections, or selling at ridiculous collector‰۪s prices. Legendary compilations like Nuggets, Pebbles, ad nauseum, have exhausted the mines of early garage rock and proto-punk, keeping alive a large cross-section of underground ephemera. However, few have delved into and expertly archived the wealth of proto-metal, pre-stoner rock tracks of Brown Acid: The First Trip.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLance Barresi, co-owner of L.A.-cum-Chicago shop Permanent Records has shown incredible persistence in tracking down a stellar collection of rare singles from the 60s and 70s for the 11-track compilation. Partnered with Daniel Hall of RidingEasy Records, the two have assembled a selection of songs that‰۪s hard to believe have remained unheard for so long.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"I essentially go through Hell and high water just to find these records,‰۝ Barresi says. ‰ÛÏOnce I find a record worthy of tracking, I begin the (sometimes) extremely arduous process of contacting the band members and encouraging them to take part. Daniel and I agree that licensing all the tracks we're using for Brown Acid is best for everyone involved.‰۝ Rather than simply bootlegging the tracks, when all of the bands and labels haven‰۪t existed for 30-40 years or more, tracking down the creators gives all of these tunes a real second chance at success.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e‰ÛÏ All of (these songs) could've been huge given the right circumstances,‰۝ says Barresi. ‰ÛÏBut for one reason or another most of these songs fell flat and were forgotten. However, time has been kind in my opinion and I think these songs are as good now or better than they ever were.\"\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eBrown Acid: The First Trip opens with the slithering buzzsaw guitars and hard-rock howl of Zeke‰۪s‰۪ ‰ÛÏBox‰۝, a monster that gives Blue Cheer a run for their leaden blues. Snow sways into ‰ÛÏSunflower‰۝ with a touch of Steppenwolf‰۪s swagger and wind-in-their-hair wildness. Elsewhere, Zebra proves they were ‰ÛÏWasted‰۝ with a soul-inflected groove, while Bob Goodsite leans in on his wah-wah and phaser pedals, determined to out-Hendrix Jimi himself on ‰ÛÏFaze.‰۝ Raw Meat‰۪s ‰ÛÏStand By Girl‰۝ serves up a fierce, stomping riff intercut with Iron Butterfly style operatics. Bacchus kicks out a hostile sounding boogie, demanding to ‰ÛÏCarry My Load.‰۝ Josefus caps it all off nicely with a hooky power-pop meets Bob Seger System meets Lollipop Shoppe anthem with the undeniably catchy chorus, ‰ÛÏhard luck ‰ÛÓ keep truckin‰۪!‰۝\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt‰۪s a solid set of unknown hits you can‰۪t believe failed to connect back in their heyday due to various unfortunate circumstances. 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Josefus \"Hard Luck\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":3794294597,"sku":null,"price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/various-brown-acid-the-first-trip-south-records-ltd.jpg?v=1571438676"},{"product_id":"fresh-onlys-early-years-anthology","title":"Fresh \u0026 Onlys - Early Years Anthology","description":"\u003cmeta charset=\"utf-8\"\u003e\r\u003cp\u003e\u003cspan\u003e‰ÛÏThese were carefree times. We were young enough to put our bodies toåÊ\u003c\/span\u003e\u003cspan\u003ethe test every night on the seven-by-seven-mile patch of the Bay. The endlessåÊ\u003c\/span\u003e\u003cspan\u003ewars seemed less at home. Songs were hanging off the branches heavy,åÊ\u003c\/span\u003e\u003cspan\u003eplump and threatening to rot on the vine if they weren‰۪t polished and put toåÊ\u003c\/span\u003e\u003cspan\u003etape.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eThe band was on their third live drummer but the lineup in The FreshåÊ\u003c\/span\u003e\u003cspan\u003e\u0026amp; Onlys‰۪ recording tower was a consistent group of pop soldiersåÊ\u003c\/span\u003e\u003cspan\u003ewriting,åÊ\u003c\/span\u003e\u003cspan\u003eworking and whiling away the hours. A beer amid of cheap cans, endless dopeåÊ\u003c\/span\u003e\u003cspan\u003esmokery and a pretty strong vibe of dudes who would play together intoåÊ\u003c\/span\u003e\u003cspan\u003eoblivion. 388 rolling, tape spilling over itself, drum kit covered in mufflers,åÊ\u003c\/span\u003e\u003cspan\u003ea chest of shitty percussion toys, lots of ideas and multiple secret weapons atåÊ\u003c\/span\u003e\u003cspan\u003etheir disposal.åÊ\u003c\/span\u003e\u003cspan\u003e‰ÛÏShayde Sartin: the beast from out east, the thud of a heavy slow bomb‰Û_åÊ\u003c\/span\u003e\u003cspan\u003ethe best bass player in the Bay. Unaccredited infinite times on records thatåÊ\u003c\/span\u003e\u003cspan\u003ewere made better by his finely crafted skills. I can pick him out on recordsåÊ\u003c\/span\u003e\u003cspan\u003einstantly.\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003e‰ÛÏWymond ‰Û÷The Count‰۪: you can almost smell his hair on his hooks. IfåÊ\u003c\/span\u003e\u003cspan\u003ethere was a stage monitor in your living room his fence-climber boot wouldåÊ\u003c\/span\u003e\u003cspan\u003ebe on it. Wymond always has the riff that made the jets of the song take off.åÊ\u003c\/span\u003e\u003cspan\u003eListen and you‰۪ll see what I mean.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003e‰ÛÏTim Cohen: the man behind the beard. Some would say the leader. In theåÊ\u003c\/span\u003e\u003cspan\u003egame as long as Bette Midler. Cohen writes great songs in his sleep, I think.åÊ\u003c\/span\u003e\u003cspan\u003eOnce referred to by a buddy as ‰Û÷like three weirdos in one.‰۪åÊ\u003c\/span\u003e\u003cspan\u003eThink of these as basement tapes, a companion to the first Fresh \u0026amp; OnlysåÊ\u003c\/span\u003e\u003cspan\u003eCastle Face release (which itself deserves another listen). 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