{"title":"Folk","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe latest folk albums\u003c\/span\u003e\u003cspan\u003e available on CD and vinyl\u003c\/span\u003e","products":[{"product_id":"jackson-c-frank-jackson-c-frank-lp","title":"Jackson C Frank - Jackson C Frank LP","description":"\u003cp\u003eJackson C Frank - Jackson C Frank vinyl LP\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"Default Title","offer_id":701086081,"sku":null,"price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/jackson-c-frank-jackson-c-frank-lp-south-records-ltd.jpg?v=1571438618"},{"product_id":"nick-drake-pink-moon-lp","title":"Nick Drake - Pink Moon","description":"\u003cp\u003e\u003cspan\u003e180 Gram Vinyl with download and housed in a Gatefold sleeve. 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He was driving his electric car, the LincVolt, he was driving around town and filming stuff, and he stopped by, checked it out, and me and him were talking about it. We had a curtain set up on the other side,'' said White. ''And some kid came into the recording booth and recorded a Neil Young song and when he opened the door, Neil Young just peaked his head out.''\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e''It was a pretty beautiful moment. And I think that a few months later he called me and said, 'Hey man I want to come and record in that booth. Hey, maybe I'll do my whole next record there.' I'm like, 'I'm not going to stop you. Where do you want me to pick you up?'''√•√ä\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e180-gram single LP\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eold-style, tip-on sleeves\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVinyl pressed at United Record Pressing\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e√•√ä\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003e\u003cspan\u003e1. Changes (Phil Ochs)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Girl From The North Country (Bob Dylan)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. Needle of Death (Bert Jansch)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Early Morning Rain (Gordon Lightfoot)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. Crazy (Willie Nelson)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. Reason To Believe (Tim Hardin)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. On The Road Again (Willie Nelson)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. 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Young stopped by Third Man last year where he recorded a cover of Bert Jansch's \"The Needle of Death\" on the Voice-o-Graph last year for a special tribute to the acoustic guitar master.' - Rolling Stone\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"CD","offer_id":715525581,"sku":null,"price":11.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":695790469138,"sku":null,"price":9.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/neil-young-a-letter-home-south-records-ltd.jpg?v=1571438621"},{"product_id":"john-fahey-blind-joe-death","title":"John Fahey - Blind Joe Death","description":"\u003cp\u003eJohn Fahey - Blind Joe Death on Tacoma. √•√äFor fans of William Tyler and, well, music. √•√äHe's the best.\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"Default Title","offer_id":734943881,"sku":null,"price":16.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/john-fahey-blind-joe-death-south-records-ltd.jpg?v=1571438623"},{"product_id":"nick-drake-bryter-layter","title":"Nick Drake - Bryter Layter","description":"\u003cp\u003e\u003cspan\u003e180 Gram with Download. 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We Do √•√ä √•√ä\u003c\/p\u003e\r\r\u003cp\u003e20.√•√ä√•√ä Gabriel Kahane \u0026amp; Ymusic√•√ä√•√ä Mutilation Rag √•√ä√•√ä\u003c\/p\u003e\r\r\u003c\/div\u003e\r\r\u003cp\u003e√•√ä\u003c\/p\u003e\r\r\u003cp\u003e√•√ä\u003c\/p\u003e\r\r\u003cp\u003e√•√ä\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"Default Title","offer_id":866695829,"sku":null,"price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/beck-song-reader-south-records-ltd.jpg?v=1571438635"},{"product_id":"simon-lord-stripes","title":"Simon Lord - Stripes","description":"\u003cdiv class=\"page\" title=\"Page 25\"\u003e\r\r\u003cdiv class=\"section\"\u003e\r\r\u003cdiv class=\"layoutArea\"\u003e\r\r\u003cdiv class=\"column\"\u003e\u003cspan style=\"line-height: 1.2;\"\u003eSimon Lord returns to Wonderfulsound for his second solo album release.\u003c\/span\u003e\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eFollowing on from his 2012 debut ‚Ä∞√õ√∑One‚Ä∞€™ - a stripped down, sometimes psychedelic, acoustic album - ‚Ä∞√õ√∑Stripes‚Ä∞€™ returns with the classic pop songwriting attitude but this time there‚Ä∞€™s an upright bass player and jazz inspired drummer, with Simon as producer and engineer.\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eWith the inspiration of ‚Ä∞√õ√∑Astral Weeks‚Ä∞€™ and the groove and sonics of ‚Ä∞√õ√∑50 Ways To Leave Your Lover‚Ä∞€™-era Paul Simon, ‚Ä∞√õ√∑Stripes‚Ä∞€™ is a fully realized perfect pop album.√•√ä\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003c\/div\u003e\r\r\u003c\/div\u003e\r\r\u003c\/div\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":879665217,"sku":null,"price":5.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/simon-lord-stripes-south-records-ltd.jpg?v=1571438637"},{"product_id":"phox-phox","title":"PHOX - PHOX","description":"\u003cdiv class=\"page\" title=\"Page 16\"\u003e\r\r\u003cdiv class=\"section\"\u003e\r\r\u003cdiv class=\"layoutArea\"\u003e\r\r\u003cdiv class=\"column\"\u003e\u003cspan style=\"line-height: 1.2;\"\u003eIt‚Ä∞€™s a rare thrill nowadays, when listening to the opening few bars of a track, to hear a voice that slices its way through such a riot of colour and effortlessly holds your attention. The smoky jazz vocals from PHOX‚Ä∞€™s Monica Martin provide a heavy, sultry coating to the glittering pop background that slides into clarinet interludes.\u003c\/span\u003e\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003ePHOX were born in Baraboo, where six unlikely musicians kindled their creative streaks, almost as a family. It‚Ä∞€™s with the bare, stripped- back harmonies and subtle melancholy of the lyrics that show PHOX have created something totally enchanting and unique, captivating from the first listen and bringing a live audience to a mesmerised standstill.\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eCD format includes two bonus tracks.√•√ä\u003c\/span\u003eLP is pressed on 140g coke bottle green clear vinyl√•√ä\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cspan style=\"line-height: 1.2;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"line-height: 1.2;\"\u003e‚Ä∞√õ√èA pop sensation in waiting‚Ä∞€ù - Clash\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003e‚Ä∞√õ√èMonica Martin‚Ä∞€™s honeyed voice; it‚Ä∞€™s full of soul‚Ä∞€ù - NME\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003e‚Ä∞√õ√èA triumph‚Ä∞€ù - The 405\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003e‚Ä∞√õ√èMonica Martin has a torch singer‚Ä∞€™s quiet glamour and smoky voice‚Ä∞€ù - Uncut√•√ä\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003c\/div\u003e\r\r\u003c\/div\u003e\r\r\u003c\/div\u003e","brand":"South Records Ltd","offers":[{"title":"CD","offer_id":891791829,"sku":null,"price":10.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/phox-phox-south-records-ltd.jpg?v=1571438639"},{"product_id":"bonnie-prince-billy-singer-s-grave-a-sea-of-tongues","title":"Bonnie ‚Ä∞√õ√∑Prince‚Ä∞€™ Billy -Singer‚Ä∞€™s Grave A Sea Of Tongues","description":"\u003cdiv class=\"page\" title=\"Page 3\"\u003e\r\r\u003cdiv class=\"section\"\u003e\r\r\u003cdiv class=\"layoutArea\"\u003e\r\r\u003cdiv class=\"column\"\u003e\u003cspan style=\"line-height: 1.2;\"\u003eBonnie ‚Ä∞√õ√∑Prince‚Ä∞€™ Billy‚Ä∞€™s new album ‚Ä∞√õ√∑Singer‚Ä∞€™s Grave A Sea Of Tongues‚Ä∞€™ is released on Domino.\u003c\/span\u003e\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eAt the locus of five corners, mythos is in the wind; a sea of tongues boils forth, mountains spurting forth from the magma. 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From 2008‚Ä∞√õ_s These Days, to a selection of favourites from 2013‚Ä∞€™s studio album Stay True, via the likes of Henry The Van and Colonel \u0026amp; The King - it‚Ä∞€™s almost like a greatest hits of Danny \u0026amp; The Champions. However, this hits package captures what the studio recordings can‚Ä∞€™t quite convey ‚Ä∞√õ√í the raw passion and high energy of a Champs live show.\u003c\/span\u003e\u003c\/p\u003e\r\r\u003cp\u003e\u003cspan\u003e‚Ä∞√õ√èThis is what we sound like right now and I‚Ä∞€™m thrilled we were able to capture that.‚Ä∞€ù - Danny George Wilson\u003c\/span\u003e\u003c\/p\u003e\r\r\u003cp\u003e√•√ä\u003c\/p\u003e\r\r\u003cp\u003e\u003cspan\u003eRecorded live at a hugely sweaty sold out show at Camden Jazz Cafe, London on the 6th March 2014, featuring co-conspirators Trevor Moss \u0026amp; Hannah-Lou, you can either take this as a welcome reminder of a shit-hot show, or a harsh lesson on how you should never pass up an opportunity to catch these guys live.\u003c\/span\u003e\u003c\/p\u003e\r\r\u003cp\u003e√•√ä\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"CD","offer_id":935479693,"sku":null,"price":10.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/danny-the-champions-of-the-world-live-champs-south-records-ltd.jpg?v=1571438643"},{"product_id":"vashti-bunyan-heartleap","title":"Vashti Bunyan - Heartleap","description":"\u003cmeta charset=\"utf-8\"\u003e\r\r\u003cp\u003e\r  \u003cspan\u003eNine years after 'Lookaftering', her last album of new material, legendary British singer-songwriter Vashti Bunyan returns with a breathtaking new LP. Recorded largely in her Edinburgh home studio over the past 7 years, 'Heartleap' is a unique and entrancing collection of 10 songs forming what Vashti is adamant will be her final album. This third album follows her rediscovery - after thirty years in the wilderness - with the 2000 re-release of 'Just Another Diamond Day' (a cult classic that made number 53 in the Observer Music monthly's 'top 100 British albums of all time'), and the critical success of 2005's 'Lookaftering'. 'Heartleap' has a classic sound and sees her break free from previous frustrations to deliver an album where - for the first time - she herself has been in control of the whole process, from writing and arranging to playing and recording. Working predominantly from a studio set up in her Edinburgh home, the record reveals an artist at her peak, capturing her songs within fluid settings that masterfully marry content and form. A more personal record, 'Heartleap' stands solely on the merits and patient endeavour of its author rather than being buoyed by and filtered through the cachet and collaborative creativity of a powerful supporting cast. It is ultimately a less mediated record, and one that Vashti feels is far closer to the vision she set out to realise.\u003c\/span\u003e\r\u003c\/p\u003e\r\r\u003cp\u003e\r  \u003cbr\u003e\r  \u003cspan\u003eLP - With Download.\u003c\/span\u003e\r  \u003cbr\u003e\r  \u003cspan\u003eLP+ - Limited Heavyweight LP with Artwork print and Download.\u003c\/span\u003e\r\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"CD","offer_id":954453093,"sku":null,"price":11.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":695714643986,"sku":null,"price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/vashti-bunyan-heartleap-south-records-ltd.jpg?v=1571438644"},{"product_id":"mariachi-el-bronx-iii","title":"Mariachi El Bronx - III","description":"\u003cdiv class=\"page\" title=\"Page 9\"\u003e\r\r\u003cdiv class=\"section\"\u003e\r\r\u003cdiv class=\"layoutArea\"\u003e\r\r\u003cdiv class=\"column\"\u003e\u003cspan style=\"line-height: 1.2;\"\u003eMixed by Rob Schnaph and produced by John Avila (Oingo Boingo), ‚Ä∞√õ√∑III‚Ä∞€™ is available in all formats, including day-glo orange vinyl, via ATO Records.\u003c\/span\u003e\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eIt‚Ä∞€™s the band‚Ä∞€™s third Mariachi album, this time approaching writing from a different direction. For ‚Ä∞√õ√∑III‚Ä∞€™, Mariachi El Bronx dusted off old sequencers, synths and an ARP.\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eCertain tones echo through this 10 song album - the feel of a band coming into their own, extending the proverbial middle finger to tradition (and backing it up 100%).\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003c\/div\u003e\r\r\u003c\/div\u003e\r\r\u003c\/div\u003e","brand":"South Records Ltd","offers":[{"title":"CD","offer_id":984025800,"sku":null,"price":10.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":695702716434,"sku":null,"price":18.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/mariachi-el-bronx-iii-south-records-ltd.jpg?v=1571438647"},{"product_id":"neil-young-storytone","title":"Neil Young - Storytone","description":"\u003cp\u003e\u003ca href=\"http:\/\/www.neilyoung.com\"\u003eNeil Young\u003c\/a\u003e \u003cspan\u003ereleases his latest studio album via Reprise Records. ‚Ä∞√õ√èStorytone‚Ä∞€ù has 10 brand new compositions recorded live in the studio with a 92-piece orchestra, choir and Young. He took a different approach with this record, first recording the songs on his own in a solo-setting, then creating compelling versions of the songs in a new light with an orchestra and big band, resulting in a deeply-personal emotional listening experience throughout the new record. The standard CD features the 10 orchestral song versions of ‚Ä∞√õ√èStorytone‚Ä∞€ù, with the deluxe 2CD edition containing both standard and solo versions. The first track released from the album is ‚Ä∞√õ√∑\u003ca href=\"https:\/\/www.youtube.com\/embed\/-QGOBUHHvb8\"\u003eWho‚Ä∞€™s Gonna Stand Up?\u003c\/a\u003e‚Ä∞€™, which was originally performed at Crazy Horse shows in the UK this summer and more recently, as part of Young‚Ä∞€™s solo acoustic set at \u003ca href=\"http:\/\/www.farmaid.org\/site\/c.qlI5IhNVJsE\/b.2723595\/k.EE67\/Family_Farmers_Good_Food_A_Better_America.htm\"\u003eFarm Aid\u003c\/a\u003e. The track captivated audiences in its resounding plea to end dependence of fossil fuels in hopes of protecting the Earth‚Ä∞€™s fragile eco-systems for future generations. Other standout tracks include the bittersweet album opener ‚Ä∞√õ√∑Plastic Flowers‚Ä∞€™, the bluesy swing of ‚Ä∞√õ√∑I Want To Drive My Car‚Ä∞€™, the aching ‚Ä∞√õ√∑Tumbleweed‚Ä∞€™ and the heartfelt ‚Ä∞√õ√∑When I Watch You Sleeping‚Ä∞€™. 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Recorded almost entirely in Aljezur, Portugal while Harris was taking part in a residency, it might be the most stripped-down set of songs she's released so far. The songs came about when Harris happened upon a room with an upright piano - she had a 4-track Sony recorder with her, so that became her setup. 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South African born Kongos had some success in his native country in the early 1960s before moving to Britain to further his career. He recorded his first album for Pye Records‚Ä∞€™ newly formed \"progressive‚Ä∞€ù label Dawn in 1970 before signing to Fly \/ Cube Records with whom he enjoyed two successful and highly creative hit singles \"He‚Ä∞€™s Gonna Step on You Again‚Ä∞€ù and \"Tokoloshe Man‚Ä∞€ù. \u003c\/span\u003e\u003c\/p\u003e\r\r\u003cp\u003e\u003cbr\u003e\u003cspan\u003eThe album \"Kongos‚Ä∞€ù was released in 1972 and was a UK chart hit. Produced by Gus Dudgeon, \"Kongos‚Ä∞€ù featured a diversity of styles and experimentation and saw contributions from musicians such as Ray Cooper and Caleb Quaye. ‚Ä∞√õ√∑He‚Ä∞€™s Gonna Step On You Again‚Ä∞€™ was recorded by the HAPPY MONDAYS in 1990 as ‚Ä∞√õ√∑Step‚Ä∞€™, (a hit single), which brought Kongos‚Ä∞€™ music to a new generation of followers.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis Esoteric Recordings release has been newly re-mastered and features nine bonus tracks (taken from his singles released by Fly \/ Cube Records), a booklet that fully restores the original album artwork and a new essay.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cbr\u003eTRACK LIST:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e1.√•√ä√•√ä √•√äTOKOLOSHE MAN\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2.√•√ä√•√ä √•√äJUBILEE CLOUD\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3.√•√ä√•√ä √•√äGOLD\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4.√•√ä√•√ä √•√äLIFT ME FROM THE GROUND\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5.√•√ä√•√ä √•√äTOMORROW I‚Ä∞€™LL GO\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6.√•√ä√•√ä √•√äTRY TO TOUCH JUST ONE\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7.√•√ä√•√ä √•√äWEEKEND LADY\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8.√•√ä√•√ä √•√äI WOULD HAVE HAD A GOOD TIME\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9.√•√ä√•√ä √•√äCOME ON DOWN JESUS\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10.√•√ä√•√ä √•√äHE‚Ä∞€™S GONNA STEP ON YOU AGAIN\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cbr\u003eBONUS TRACKS\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11.√•√ä√•√ä √•√äSOMETIMES IS NOT ENOUGH\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12.√•√ä√•√ä √•√äTOKOLSHE MAN (SINGLE VERSION)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13.√•√ä√•√ä √•√äCAN SOMEONE PLEASE DIRECT ME BACK TO EARTH\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14.√•√ä√•√ä √•√äGREAT WHITE LADY\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e15.√•√ä√•√ä √•√äSHAMARACK\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e16.√•√ä√•√ä √•√äHIGHER THAN GOD‚Ä∞€™S HAT\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e17.√•√ä√•√ä √•√äWOULD YOU FOLLOW ME\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e18.√•√ä√•√ä √•√äRIDE THE LIGHTNING\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e19.√•√ä√•√ä √•√äI WON‚Ä∞€™T ASK YOU WHERE YOU‚Ä∞€™VE BEEN\u003c\/span\u003e\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"CD","offer_id":1001908816,"sku":null,"price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/john-kongos-kongos-south-records-ltd.jpg?v=1586989930"},{"product_id":"jane-weaver-the-silver-globe","title":"Jane Weaver - The Silver Globe","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJane Weaver's new self produced synth driven album 'The Silver Globe' was made with a wide cast of global collaborators such as soundtrack composer David Holmes, Andy Votel with extra music from Australian prog legends Cybotron. Working as an omnipresent pop figure in her genuinely independent micro-industry Jane√•√ä is a rare example of a passionate and resilient Northern female artist who re-creates, re-invents and refreshes where many others come and go. Wearing her penchants for French wave, cosmic Deutch rock and European fantasy films on both of her sequinned sleeves Jane's 5th studio album ( released through her own musical Woman's Institute imprint Bird Records) follows the highest critical acclaim for her previous self funded album 'The Fallen By Watchbird', a project that bought together the unlikely coupling of artists like Wendy and Bonnie, Demdike Stare and The Focus Group. This year Jane's new brand of motoric cold-funk and technicolour domestic synth flourishes unite 10 new conceptual pop songs about power-plant fun-fairs, sci-fi education centres and post-apocalyptic love affairs while her characteristic gossamer vocals cross octaves to theatrical deft effect.\u003c\/span\u003e","brand":"South Records Ltd","offers":[{"title":"CD","offer_id":1039174356,"sku":null,"price":9.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":695692165138,"sku":null,"price":16.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/jane-weaver-the-silver-globe-south-records-ltd.jpg?v=1571438649"},{"product_id":"lewis-romantic-times","title":"Lewis - Romantic Times","description":"\u003cmeta charset=\"utf-8\"\u003e\r\u003cp\u003e\u003cspan\u003eFirst ever LP reissue and first time on CD. All tracks newly re-mastered. Earlier this year, Lights in the Attic released the mysterious, bewitching 'L'Amour', a 1983 private press record thought to be the only release by one of music's true lost talents: Lewis. So lost, in fact, was Lewis, he eluded every effort to track him down. Scant details were known: just a series of possibly apocryphal stories about a sports car-driving Canadian with a model on his arm and a habit of skipping town when there were bills to be paid. Deciding that Lewis' spider web-delicate songs demanded to be heard, Lights in the Attic put the album out anyway, offering to present the due royalties to anyone who could prove they were Lewis. One sure thing was this: Lewis was a man of many names: Randall A. Wulff among them. Now we have either found another alias - or perhaps even his real name - on the sleeve of a completely unknown album. Sourced soon after the re-release of 'L'Amour', 'Romantic Times' is the 1985 follow-up to 'L'Amour' - and it's released as Lewis Baloue. The name may be slightly different, but this is absolutely our man: a familiar blond posing on the sleeve, a familiar, tortured voice pouring his heart out over languid synths and synthetic waltz beats. Remastered from a sealed, vinyl copy of the ultra-rare album, the album was discovered in the vaults of DJ and collector Kevin 'Sipreano' Howes in Vancouver, BC. It's so rare that what is, at present, the only other known copy - found in the same Calgary store where Aaron Levin discovered a batch of sealed copies of 'L'Amour' - is presently soaring into quadruple digits on eBay. Even engineer Dan Lowe, credited for working on the album at Calgary's Thunder Road Studios, remembered little about the session other than that Lewis seemed to be \"under the influence\". Yet the music is utterly captivating. The album further fleshes out the Lewis myth - we see him pictured in that white suit with his famous white Mercedes and a private jet too; we hear him focussing more intently on matters of the heart, and appearing to unravel in the process. \"I felt like I was witnessing a full-blown exorcism of a phantom clad in the finest linen,\" writes filmmaker and historian Jack D. Fleischer in his brand new liner notes. \"This record went further (than 'L'Amour'). It was a personal plea, of sorts. Something had gone wrong. Nerves were clearly exposed.\" It paints Lewis, then, as being more like a David Lynch character than even his debut did, exposing the darkness beneath the sheen. The album is presently being readied for release to the throng of new fans Lewis has found, willingly or not. The man himself remains a total enigma.\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cbr\u003e\u003cspan\u003eLP - Housed in deluxe Stoughton 'Tip-On' gatefold jacket with Download - Liner notes by Jack D. 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We want scribes and songbirds to tell us so - and sometimes they do and then it is. They point their pens and focus their lens where they will and surprise us to our soul. ‚Ä∞√õ√∑On Your Own Love Again‚Ä∞€™ is a record that does it to us, with songs from a spine-thrilling new place and a gifted young singer with her own musical logic.\u003c\/span\u003e\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.4;\"\u003eJessica Pratt‚Ä∞€™s self-titled 2012 debut has been much-murmured about. People respond to the austere, pristine clarity of the performances, the gentle strength, marvelling at how much comes from so little: just a voice and a guitar or two. They remark on the timeless nature of the songs and the voice, scrupulously informed by the folk rock of ages past but sung without bags (none in hand, nor beneath eyes). They speculate on just who is the personality behind this Jessica Pratt? It is hard not to respond to the sound of her music, not to want more right away.\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.4;\"\u003eTwo years on and Jessica‚Ä∞€™s very new ‚Ä∞√õ√∑On Your Own Love Again‚Ä∞€™ is here for us, playing her further adventures in different pastures. If they feel removed from the first songs, it may help to know that the recordings of the first album were made some years back with no expectation of making an album. They sat quiet on the shelf for a long time, appearing on the internet eventually. It all seemed harmless but when Birth Records honcho Tim Presley rolled up in his long white limousine and began to spin tales of folk rock glory, who was she to say no?\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.4;\"\u003eThe nice part about learning that people dig your sound is that it gives you the chance to think of what else you‚Ä∞€™d do. After deep consideration, Jessica found new songs within her and an urgency to make another record, marked with a strong sense for rendering it exactly the way she heard it in her head, spending time with her tunes and crafting the smallest details. In this way, she truly was able to inhabit her own skin as a singer of her songs - and make ‚Ä∞√õ√∑On Your Own Love Again‚Ä∞€™ the first Jessica Pratt album constructed to be an album.\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.4;\"\u003eWhat makes ‚Ä∞√õ√∑On Your Own Love Again‚Ä∞€™ new? Everything and yet everything woven so subtly into the presentation leaves you unaware that you have been modulated upon. The album was recorded entirely by Jessica in the fashion of ‚Ä∞√õ√∑Night Faces‚Ä∞€™ and ‚Ä∞√õ√∑Dreams‚Ä∞€™ from her first album, mixed in collaboration with Will Canzoneri.\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.4;\"\u003eTouched lightly with additional instrumental and vocal parts, the songs ripple beneath the surface with lyrical details that morph almost subliminally from the personal into fantasy. When Jessica‚Ä∞€™s playful nature bubbles up, she sends her voice travelling into strange places to see what it finds there. The music too is deceptively accomplished, providing subtle hallucinatory nuances to the tunes: the orchestral organ stop working in the shadows of ‚Ä∞√õ√∑Wrong Hand‚Ä∞€™; the reverberant percussion floating through ‚Ä∞√õ√∑Game That I Play‚Ä∞€™; the clavinet panned out on the side in ‚Ä∞√õ√∑Moon Dude‚Ä∞€™; Jessica‚Ä∞€™s sudden vocal dip into her lower register on ‚Ä∞√õ√∑Greycedes‚Ä∞€™; all pulling at the ears, highlighting her unique pop sensibilities with craft and humour, giving the album‚Ä∞€™s inherent romance a greater heft.\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.4;\"\u003ePerhaps most significantly, ‚Ä∞√õ√∑On Your Own Love Again‚Ä∞€™ was recorded at home, at places in Los Angeles and San Francisco, over the past two years. This process sands the surface of her more active multi-tracking approach, allowing a sound as delicate and singular as her former recordings.\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003c\/div\u003e\r\r\u003c\/div\u003e\r\r\u003c\/div\u003e","brand":"South Records Ltd","offers":[{"title":"CD","offer_id":1087736300,"sku":null,"price":10.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":695665819666,"sku":null,"price":16.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/jessica-pratt-on-your-own-love-again-south-records-ltd.jpg?v=1571438654"},{"product_id":"sir-richard-bishop-tangier-sessions","title":"Sir Richard Bishop - Tangier Sessions","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTangier Sessions tells the oft-told tale: while traveling abroad, nobleman meets guitar. Guitar is too expensive for nobleman and, outraged, he departs. Nobleman quietly returns several days later for guitar but still can't bring himself to pay the price. Yet nobleman can't get guitar out of mind - so nobleman buys guitar, travels the world with it, and makes an album while in Tangier! On the lookout for something playable, yet portable, last year while living in Geneva, Sir Richard stumbled into an obscure luthier's shop in a shadowy lane off the high road. At first unable to find what he was looking for, the old shopkeep reached behind an ancient and dusty cabin and produced a model identified only by a tiny sticker inside√•√ä - 'C. Bruno, New York,' it read. With no other recognizable attributions, it was clearly an old piece - likely made in the mad, final days of the 19th century. The experience of playing it was exquisite, but the price forced Sir Rick to put it down and walk out, empty-handed. A couple days later, he was back, to play it again... and back again a couple days after that, his wallet stuffed fat with Swiss Francs. It was as if he'd been enchanted! Or cursed....Later in the summer, in the company of said guitar, Bishop holed up for a week in a rooftop apartment in Tangier, Morocco. He spent his time feverishly playing; at night, the pieces on this record were improvised and recorded. Alluring from its opening moments, Tangier Sessions unfolds and elongates, chills out and cuts loose in familiar, yet newly unique ways for Sir Richard Bishop. It's a singular listening experience, even in the crowded realm of solo acoustic guitar albums. Nobody plays the guitar like Sir Richard Bishop - and on Tangier Sessions, he's found a guitar that nobody but him plays either. \u003c\/span\u003e","brand":"South Records Ltd","offers":[{"title":"CD","offer_id":1105433764,"sku":null,"price":11.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":695658086418,"sku":null,"price":15.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/sir-richard-bishop-tangier-sessions-south-records-ltd.jpg?v=1571438655"},{"product_id":"six-organs-of-admittance-hexadic","title":"Six Organs of Admittance - Hexadic","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSix Organs of Admittance's Ben Chasny has devised his very own system of musical composition, The Hexadic System, which is the basis for new album, entitled 'Hexadic' released on Drag City. How The Hexadic System came to be...Ben Chasny's restless intellect has regularly guided the progress of his creation. A lyrical mastery of acoustic finger-picking would be enough to build a body of work for most musicians; this is just the stepping-off point for Ben. From the earliest days of private-press psych home recordings, Six Organs of Admittance has sought out alternative spaces in which to make music and challenge audiences to keep up with his rapid advances into new terrain. Over the last two years Ben assembled a comprehensive system of musical composition. Designed to free sound and language from rational order and replace calculation with indeterminacy, The Hexadic System is a catalyst to extinguish patterns and generate new means of chord progressions and choices. Though it was not his intention upon creating this unique system, the structures generated were so compelling, that they soon became the bones of the next Six Organs record. This is the longest time between Six Organs records since Ben started making them in 1998. This is also why Hexadic sounds unlike anything else made this year, and generally unlike most other things made ever. The System builds all of the tonal fields, chord changes, scales, and lyrics on Hexadic, creating the framework of the songs that the musicians engage with. Yet the System is open; within the framework, Chasny's own personal aesthetics - such as the production mode of loud guitars, the order of songs, the editing of length, were all conscious decisions made to communicate the pieces. The exact same combinatorial patterns used on this record would generate infinite results, depending on the choices of the individual. Ben's years of study have produced an operational agent that has not only built all the songs on Hexadic but is also a system anyone can use to restructure their ways of habit. With a desire to provoke the unconscious and spring past the strictures and limits of the conscious mind, this was the goal: to use the System to make heavy music with as few 'heavy' signifiers as possible. The ones that are left: Volume. Distortion. Impact! 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He‚Ä∞€™s delivered two albums with the band Junip, his more fulsome, electronic-edged, pop project and has toured with both the Berlin\/Göteborg String Theory orchestra (in 2011), co-performing 11 reworking‚Ä∞€™s of his songs, Sidi Touré and played with Malian desert blues troupe Tinariwen (both in 2012). In 2013, Hollywood came calling when Ben Stiller commissioned José to work with Theodore Shapiro on the soundtrack to his remake of ‚Ä∞√õ√∑The Secret Life of Walter Mitty‚Ä∞€™ and most recently, he‚Ä∞€™s contributed his version of ‚Ä∞√õ√∑This is How We Walk On the Moon‚Ä∞€™ to the Red Hot charity compilation honouring Arthur Russell. Community and collaboration are obviously satisfying in their own ways, but now José is again stepping centre stage solo, with Vestiges \u0026amp; Claws.√•√ä\u003cbr\u003e \u003cbr\u003e Conceived as the natural third part in an acoustic trilogy, Vestiges \u0026amp; Claws is a(nother) hushed and delicate solo set that forefronts the artist and guitarist‚Ä∞€™s compellingly intimate vocal style and intricate playing technique, but it‚Ä∞€™s often strikingly rhythmic in nature and cohere‚Ä∞€™s perfectly, with hand claps and taps on the body of his instrument underlining the songs‚Ä∞€™ mantric rise-and-fall pattern, while elsewhere, over-dubbed guitar parts and multi-tracked vocal harmonies entwine to sweetly immersive effect.√•√ä\u003cbr\u003e \u003cbr\u003e The title refers to both cultural practices and biological features that survive despite having lost their original function, and to currently useful tools, ie the ‚Ä∞√õ√èclaws‚Ä∞€ù of modern life.√•√ä\u003cbr\u003e \u003cbr\u003e Vestiges \u0026amp; Claws was recorded almost entirely by José and self-produced, mostly in his Gothenburg home, using computer plug-ins to achieve a warm, analogue sound. He prefers working alone, mainly for artistic reasons. ‚Ä∞√õ√èThere were a couple of things that enabled me to complete this record: one was curiosity, to be able to play percussion and do a lot of harmonies and also to produce and mix the album; the other was aesthetics. I love to listen to Arthur Russell and Shuggie Otis, to music that has been done mostly by one person in their solitary state.‚Ä∞€ù\u003c\/p\u003e\r\r\u003cp\u003eAs José sees it, the record is his personal, ‚Ä∞√õ√èzoomed-out eye on humanity on a small, pale blue dot in a cold, sparse and unfriendly space. The amazing fact that we are all here, an attempt at encouraging us to understand ourselves and to make the best of the one life we know we have ‚Ä∞√õ√í after birth and before death.‚Ä∞€ù\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"CD","offer_id":1124272632,"sku":null,"price":11.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/jose-gonzalez-vestiges-claws-south-records-ltd.jpg?v=1571438656"},{"product_id":"michael-chapman-window","title":"Michael Chapman - Window","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e* Contextualizing essay by Michael‚Ä∞€™s wife, Andru Chapman, featuring unseen archive photos√•√ä\u003c\/span\u003e\u003c\/p\u003e\r\r\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e* Remastered from the original tapes√•√ä\u003c\/span\u003e\u003c\/p\u003e\r\r\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e* LP housed in a deluxe Stoughton gatefold ‚Ä∞√õ√ètip-on‚Ä∞€ù jacket√•√ä\u003c\/span\u003e\u003c\/p\u003e\r\r\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eEvery artist has a piece of work that niggles them‚Ä∞√õ√ìsomething that they wish they could redo, given the chance. It‚Ä∞€™s√•√ä\u003c\/span\u003e\u003cspan class=\"s1\"\u003ewhy Paul McCartney once reproduced Let It Be and why Kate Bush re-recorded Wuthering Heights for her best-of√•√ä\u003c\/span\u003e\u003cspan class=\"s1\"\u003ealbum. For the prolific Michael Chapman, that album is Window, the missing link in the series of Chapman‚Ä∞€™s early√•√ä\u003c\/span\u003e\u003cspan class=\"s1\"\u003ealbums being reissued by Light In The Attic Records. Window sits just after the previously released Fully Qualified√•√ä\u003c\/span\u003eSurvivor and Rainmaker, right before Wrecked Again.√•√ä\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\r\r\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eIn 1970, signed to the hip Harvest label (home to Kevin Ayers and Syd Barrett, among others), Chapman was still an√•√ä\u003c\/span\u003e\u003cspan class=\"s1\"\u003eartist waiting for that first big success, perpetually skint and permanently touring to make ends meet. With that in mind,√•√ä\u003c\/span\u003ehe aimed to make Window in as little time as possible because being in the studio meant not being on the road.√•√ä\u003c\/p\u003e\r\r\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eProducer Gus Dudgeon‚Ä∞√õ√íwho‚Ä∞€™d been working with Elton John‚Ä∞√õ√íhad other ideas and booked Chapman and his band into√•√ä\u003c\/span\u003eone of the UK‚Ä∞€™s most expensive studios, Trident.√•√ä\u003c\/p\u003e\r\r\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe singer-songwriter and prodigious guitarist was in transition from his folkier origins to his heavier future and heading√•√ä\u003c\/span\u003e\u003cspan class=\"s1\"\u003efor a whole mess of trouble with the same year‚Ä∞€™s Wrecked Again. Given the touring bust-ups and tortured recording√•√ä\u003c\/span\u003e\u003cspan class=\"s1\"\u003esessions to come, Michael‚Ä∞€™s wife Andru Chapman remembers the recording of Window was noted for a ‚Ä∞√õ√èlack of√•√ä\u003c\/span\u003e\u003cspan class=\"s1\"\u003ehiccups. No one threw their toys out of the pram, unlike Wrecked Again.‚Ä∞€ù Recorded with U.S. guitar player Phil√•√ä\u003c\/span\u003e\u003cspan class=\"s1\"\u003eGreenberg, violin player Johnny Van Derek, and pianist Alex Atterson, the album has a blend of electric and acoustic√•√ä\u003c\/span\u003einstruments, both traditional and experimental at once, synthetic sounds melding with finger-picked guitars.√•√ä\u003c\/p\u003e\r\r\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eThe trouble came later. Immediately after recording finished, Michael took the band back out on the road with the√•√ä\u003c\/span\u003e\u003cspan class=\"s1\"\u003eunderstanding that as soon as he got back, he‚Ä∞€™d put the final acoustic guitar tracks down to replace what he‚Ä∞€™s always√•√ä\u003c\/span\u003e\u003cspan class=\"s1\"\u003esaid were only guide tracks. Unfortunately, Harvest‚Ä∞€™s parent label decided the album was finished and pressed it up√•√ä\u003c\/span\u003e\u003cspan class=\"s1\"\u003eanyway. And Chapman, as a result, hates it. Indeed, 34 years later he even set out to right the wrong, re-recording√•√ä\u003c\/span\u003e\u003cspan class=\"s1\"\u003eparts of the LP and noting it was a strange experience listening to ‚Ä∞√õ√èdead people on the between-track studio chatter‚Ä∞€ù√•√ä\u003c\/span\u003e(Dudgeon, engineer Robin Cable, and drummer Richie Dharma have all since passed).√•√ä\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\r\r\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eAs part of Light In The Attic‚Ä∞€™s revival of Chapman‚Ä∞€™s early career, however, the album is presented as was originally√•√ä\u003c\/span\u003e\u003cspan class=\"s1\"\u003ereleased, with Michael's blessing and albeit with two CD-only bonus tracks. Andru notes, \"Warts and all, it is an√•√ä\u003c\/span\u003e\u003cspan class=\"s1\"\u003eimportant part of the Michael Chapman: The Early Years story.‚Ä∞€ù Michael has been less diplomatic in talking about the√•√ä\u003c\/span\u003e\u003cspan class=\"s1\"\u003ealbum. \"It is a piece of my history for those interested in that, even though I think it sounds like a piece of crap,‚Ä∞€ù he√•√ä\u003c\/span\u003esays.√•√ä\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":1138627544,"sku":null,"price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/michael-chapman-window-south-records-ltd.jpg?v=1571438657"},{"product_id":"moondog-the-story-of-moondog","title":"Moondog - The Story of Moondog","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOriginally released on Prestige in 1957, this is the third LP from NYC street performer and avant-garde\/minimalist composer Moondog. Perhaps the least accessible of his early releases, this album is made up of percussive jams, usually on instruments of his own creation, street sounds, poetry and Far East melodies, despite opening with a swinging number that is, oddly, the most bizarre thing on the album. Another classic from Moondog. √•√äReissued on Honest Jon's.\u003c\/span\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":1168562696,"sku":null,"price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/moondog-the-story-of-moondog-south-records-ltd.jpg?v=1571438659"},{"product_id":"arthur-dreams-and-images","title":"Arthur - Dreams And Images","description":"\u003cmeta charset=\"utf-8\"\u003e\r\u003cp\u003e\u003cspan\u003eProduced by Lee Hazlewood. Featuring three unreleased tracks. In-depth liner notes by LHI Archive Series co-producer Hunter Lea with unseen archive photos. All tracks newly remastered from the original tapes. The pantheon of performers known by but one name is full of superstars. Arthur-the nom de plume of singer-songwriter Arthur Lee Harper-is not one of them, but this gentle singer-songwriter and his wan, string-drenched, loved-up, psych-folk was probably never likely to be suitable for mass consumption. Released on Lee Hazlewood's LHI label, the haunted 'Dreams And Images' is the first of two albums from the Melbourne, Florida-born singer-songwriter. LHI was a broad church, taking in everything from soul to country, and Arthur found a home, a producer, and a champion in Hazlewood, who described him as \"A man who will someday be a child again... A reason to cry and be unafraid... A bird with eighth-notes for wings.\"\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cbr\u003e\u003cspan\u003eThough his lonely, intimate music, shy demeanor, and stutter might not have suggested a man of great ambition, Arthur moved to Hollywood chasing the music industry dream. He suffered hardships to do so, living hand-to-mouth in a YMCA hostel with two like-minded individuals: Mark Lindsey Buckingham and Stephen John Kalinich, whose A World Of Peace Must Come has been reissued by Light In The Attic. \"Arthur was a peace person. He was all about peace, love, and harmony,\" remembers Kalinich in the brand new, extensive liner notes for Dreams And Images. \"He was a person that believed you could change the world. We thought we would be some of the ones to usher in peace.\" While Kalinich and Buckingham were signed by the Beach Boys' Brother Records, Arthur allied with Hazlewood, having knocked on the door of the label's Sunset Boulevard HQ and auditioned on the spot. Entering the studio with Hazlewood, Donnie Owens, Tom Thacker, and arranger Don Randi, who brought baroque pop grandeur to the songs, Arthur let his music do the talking. \"He stuttered and had a hard time getting his ideas out, so he would sing me the parts he had in mind,\" remembers Randi. A mixture of things conspired to make sure few people heard Arthur, including a packed release schedule at LHI, followed by the withdrawal of their major label funding and a lack of foundation on which to market the album. After the 1970 follow-up album, 'Love Is The Revolution', Arthur bowed out of the business, immersing himself in Christianity, family, and a career working first as a rocket engineer and, latterly, a teacher. \"I never stopped writing or recording,\" he later said. \"I recorded in studios, friends' houses, and live. I just recorded music with my friends or by myself when I felt inspired. For me, singing and songwriting is like breathing; I just do it.\" On January 10th, 2002, Arthur's wife Lora died in a car crash. He tragically passed away of a heart attack the same night. Now, with this reissue of his great, lost album, Arthur's fragile heart can finally be enjoyed by all.\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eLP - Housed in deluxe Stoughton Tip-On gatefold jacket\u003c\/span\u003e\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":1237064104,"sku":null,"price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/arthur-dreams-and-images-south-records-ltd.jpg?v=1571438661"},{"product_id":"colleen-captain-of-none","title":"Colleen - Captain of None","description":"\u003cdiv class=\"page\" title=\"Page 5\"\u003e\r\u003cdiv class=\"section\"\u003e\r\u003cdiv class=\"layoutArea\"\u003e\r\u003cdiv class=\"column\"\u003e\u003cspan style=\"line-height: 1.4;\"\u003eColleen is French multi-instrumentalist Cecile Schott, who uses her voice and the treble viola da gamba (a baroque instrument with gut strings), to weave intricate stories about the human mind and heart. ‚Ä∞√õ√∑Captain Of None‚Ä∞€™ is the most melodic album in her repertoire, with fast-paced tracks rooted down by prominent basslines and assorted percussive effects. It is also an album that breaks new ground for Colleen in terms of production.\u003c\/span\u003e\u003c\/div\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.4;\"\u003eWhile previous works centred around sample-based or looped, minimal compositions, on ‚Ä∞√õ√∑Captain Of None‚Ä∞€™ Schott significantly changed her approach, setting her viola and her voice as focal points. ‚Ä∞√õ√∑Captain Of None‚Ä∞€™ is inhabited by delicately crafted, other-worldly pop songs incorporating dub-inspired techniques.\u003c\/span\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.4;\"\u003e‚Ä∞√õ√∑Captain Of None‚Ä∞€™ was recorded, mixed and produced entirely by Schott in her music studio in San Sebastian, Spain. Schott tried to open the gates in the way she played, sang and wrote lyrics for the album and set out to explore how effects like delay and echo could go from the ‚Ä∞√õ√∑cosmetic sound varnish‚Ä∞€™ role they usually play to a fully dynamic, constructive, song-shaping role.\u003c\/span\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.4;\"\u003eAlthough the influence of Jamaican music is subtle, its implicit impact is felt throughout ‚Ä∞√õ√∑Captain Of None‚Ä∞€™. As a child, Schott became enamoured with a cassette tape of Lee Perry tracks from 1976 to 1979. She continued to explore the music of Jamaica, awed by the amount and the variety of incredible music that was recorded with such breathtaking inventiveness. This infatuation can be heard on tracks like ‚Ä∞√õ√∑Eclipse‚Ä∞€™, where Schott utilizes some of the more common dub production techniques, such as using an echo effect on the percussion and vocals. Her love of Augustus Pablo can be felt on ‚Ä∞√õ√∑Salina Stars‚Ä∞€™, in which Schott uses the melodica, an instrument that she played for years but never used on her albums. She incorporates a Moogerfooger delay pedal to create vocal feedback and analogue glitches and used homemade devices - chopsticks, an Indonesian metal printing block - as percussion.\u003c\/span\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.4;\"\u003eAs for her unique main instrument of choice, Schott first noticed the viola da gamba in the film ‚Ä∞√õ√∑Tous les Matins du Monde‚Ä∞€™ when she was 15 years old. The instrument, which has been said to be the musical instrument that most resembles the sound of the human voice, heavily resonated with her. However, rather than bowing the instrument in a traditional manner - and heavily influenced by African music from different countries, genres and eras - Schott tunes the viola da gamba like a guitar and plucks it, opening up a new world of sound that she explores in great depth on ‚Ä∞√õ√∑Captain Of None‚Ä∞€™, an addictive, unconventional pop album.\u003c\/span\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.4;\"\u003eCD version in 4 panel mini-LP style gatefold package. LP version pressed on virgin vinyl and packaged with artworked innersleeve and free download coupon. The first 500 LPs are pressed on limited white vinyl, remaining copies on black.\u003c\/span\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.4;\"\u003e‚Ä∞√õ√èColleen makes music with a particular warmth... like watching the sun play off the leaves on a fall day‚Ä∞€ù - Entertainment Weekly\u003c\/span\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.4;\"\u003e‚Ä∞√õ√èRefined, meditative and genuinely lovely‚Ä∞€ù - Uncut\u003c\/span\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.4;\"\u003e‚Ä∞√õ√èA paean to a naked Renaissance sound that exists in its own eerie space‚Ä∞€ù - The Wire\u003c\/span\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.4;\"\u003e‚Ä∞√õ√èLyrical and full of light... magical‚Ä∞€ù - Mojo\u003c\/span\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":1242157856,"sku":null,"price":16.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/colleen-captain-of-none-south-records-ltd.jpg?v=1571438661"},{"product_id":"calamity-horse-a-boat-can-go-lost","title":"Calamity Horse - A Boat Can Go Lost","description":"\u003cp\u003eCalamity Horse is set to release his debut album ‚Ä∞√õ√∑A Boat Can Go Lost‚Ä∞€™ on the 27\u003csup\u003eth\u003c\/sup\u003e April on The Mitcham Submarine label.\u003c\/p\u003e\r\u003cp\u003eProduced, engineered and mixed by Nigel Gray ‚Ä∞√õ√í whose album credits include ‚Ä∞√õ√∑Kaleidoscope‚Ä∞€™ and ‚Ä∞√õ√∑Juju‚Ä∞€™ by Siouxsie \u0026amp; The Banshees and ‚Ä∞√õ√∑Outlandos d‚Ä∞€™Amour,‚Ä∞€™ ‚Ä∞√õ√∑Reggatta de Blanc‚Ä∞€™ and ‚Ä∞√õ√∑Zenyatta Mondatta‚Ä∞€™ by The Police - ‚Ä∞√õ√∑A Boat Can Go Lost‚Ä∞€™ was recorded during three sessions at Nigel Gray‚Ä∞€™s Stanton House Studio in Cornwall between September 2014 and February 2015.\u003c\/p\u003e\r\u003cp\u003eFrom the bass rumblings of ‚Ä∞√õ√∑Do You Live In A Town?‚Ä∞€™ to the delicate piano stylings of ‚Ä∞√õ√∑Pretty Static,‚Ä∞€™ the heavenly choral accompaniment and ska-infused trumpets of ‚Ä∞√õ√∑Seaside Town‚Ä∞€™ and the brass band-esque and album centrepiece ‚Ä∞√õ√∑Curtain Call,‚Ä∞€™ ‚Ä∞√õ√∑A Boat Can Go Lost‚Ä∞€™ shows a musical finesse rarely seen in modern music.√•√ä\u003c\/p\u003e\r\u003cp\u003eSays producer Nigel Gray: ‚Ä∞√õ√èWe recorded the backing tracks with drums, bass, guitar, keyboards and vocals live in the room (no click tracks) and then added some sparse instrumental overdubs and heavenly girl backing vocals. My wife, Diana, was honoured to add her dulcet tones to the ensemble! The addition of some real brass gave an extra depth and quality to the overall sound‚Ä∞€ù\u003c\/p\u003e\r\u003cp\u003eLyrically, it‚Ä∞€™s an album of emotional resonance. Says Craig McNeil, the man behind Calamity Horse: ‚Ä∞√õ√èI tried to write about old and new memories, experiences and stories I‚Ä∞€™d been told over the years, an attempt at a collection of east coast simple, soulful, rhythm and rhymes I suppose‚Ä∞€ù.\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"CD","offer_id":1242231864,"sku":null,"price":8.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/calamity-horse-a-boat-can-go-lost-south-records-ltd.jpg?v=1571438661"},{"product_id":"michael-hurley-armchair-boogie","title":"Michael Hurley - Armchair Boogie","description":"\u003cp\u003eImproved version complete with a comic book and an old school 'tip on\" cover. Michael Hurley's most popular album, and with good reason. Contains all time classics such as Werewolf, Sweedeedee, Troubled Waters, Open Up and more. Recorded in 1970. The real deal as it was meant to be heard and seen.\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP + comic","offer_id":1247840532,"sku":null,"price":16.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/michael-hurley-armchair-boogie-south-records-ltd.jpg?v=1571438661"},{"product_id":"lee-hazlewood-the-lhi-years-singles-nudes-backsides-1968-71","title":"Lee Hazlewood - The LHI Years: Singles, Nudes, Backsides (1968-71)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWith his handlebar moustache and booming baritone, Lee Hazlewood was one of the defining stars of the late 60s. Though he‚Ä∞€™s perhaps best known for his work with Nancy Sinatra (including writing mega-hit These Boots Are Made For Walking, Hazlewood did stunning work away from that particular glamour queen and found latter day champions in Beck, Sonic Youth, and Jarvis Cocker. Light In The Attic are kicking off the excavation of the Lee Hazlewood archives with this anthology, Singles, Nudes \u0026amp; Backsides, collecting the best of Lee's solo songs and duets from his LHI (Lee Hazlewood Industries) imprint.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAs a true legend of the great American songbook and a rebellious pioneer who left behind a lengthy trail of echo laden pop masterpieces, Lee‚Ä∞€™s influence continues to reverberate today. Between 1968-71, Hazlewood not only released his finest solo work, but produced numerous artists on LHI. From acid-folk and country-rock to pop-psych and soul, LHI issued dozens of long forgotten 45s and LPs. This series will include material from LHI (re-mastered for the first time from the original analog tapes), along with Lee‚Ä∞€™s output for other labels, rarities, unreleased gems, and the films of Torbjörn Axelman.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSee the sleeve: surrounded by nude girls, each wearing a fake moustache, Hazlewood wears a suit, ever-so-slightly awkwardly playing the role of the ‚Ä∞√õ√∑60s playboy. Just like the picture, the songs present a man conflicted; he‚Ä∞€™s the tender-hearted romantic, the broken-hearted loser and the rugged cowboy, all in one. It‚Ä∞€™s there in the western swing of ‚Ä∞√õ√èCalifia (Stone Rider)‚Ä∞€ù, the loneliness of ‚Ä∞€ùThe Bed‚Ä∞€ù and the bleak beauty of ‚Ä∞€ùIf It‚Ä∞€™s Monday Morning.‚Ä∞€ù Hazlewood‚Ä∞€™s tremulous voice was made for duets (indeed, he wrote ‚Ä∞€ùSome Velvet Morning‚Ä∞€ù, one of the greatest of all time); here, Suzi Jane Hokom, Ann-Margret and Nina Lizell play counterpart to his manly tones.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn the wonderful liner notes, written by British journalist Wyndham Wallace, the writer describes his friend Hazlewood as ‚Ä∞√õ√èa curmudgeonly, unpredictable sort at the best of times, as impatient with his own talent as he is with other people.‚Ä∞€ù The Hazlewood Wallace knew was puzzled by the growing interest in him in the last two decades of his life, which was ended by cancer at age 78. That late flurry of interest saw him perform at the Royal Festival Hall in 1999, his first ever solo performance in the UK.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA natural wanderer, Lee lived a big life, fighting in the Korean War, working as a radio DJ in Phoenix, Arizona, setting up Viv Records in the ‚Ä∞√õ√∑50s, working as a big-shot LA producer in the ‚Ä∞√õ√∑60s, signing Phil Spector to his Trey Records label and prematurely announcing retirement in the wake of the mid-‚Ä∞√õ√∑60s British invasion. He didn‚Ä∞€™t: Nancy Sinatra came along, the hits started flowing and he continued producing characterful solo albums into the ‚Ä∞√õ√∑70s, which saw his move to Sweden. By 2007, Hazlewood was living in Vegas, and begrudgingly enjoying that flurry of latter-day interest in his work. 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