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Bands that pay no attention to little inconveniences like \"release cycles\" or \"self-editing,\" and instead decide that quantity equals quality, creating a discography more labyrinthine, imposing and-ultimately-exhausting than the cast of creatures in a sci-fi novel. Here is why none of that applies to THEE OH SEES. Because each of the dozen-plus albums they've released since 2004 possesses a distinct personality and represents a different point along the path of JOHN DWYER's slow transformation from auteur of woozy, bare-bones four-track psychedelia to goggle-eyed garage rock marauder backed at long last by a band that both shares and stokes his singular vision. Because drop a needle on any record and-to their great credit-it takes several songs before you're convinced it's Thee Oh Sees. The seasick hundred-bottles-of-rum shanty \"What the Driven Drink,\" from 2007's delirious Sucks Blood exists in a different galaxy than the rollercoastering \"Chem-Farmer\" from last year's Carrion Crawler \/ The Dream; the doomy doo-wop of \"Blood on the Deck\" hardly seems like the product of the same band that delivered the yelping \"Ruby Go Home\" in 2009. And the band that made last year's engrossing Putrifiers II seems like a distant cousin to the one delivering Floating Coffin-arguably the most varied and textured Oh Sees record to date. Chalk some of the group's cunning chameleonic ability to Dwyer's fifteen-year resume. The driving force behind such beloved and sonically disparate bands as Coachwhips and Pink and Brown, Dwyer's increased fidelity to Thee Oh Sees and only Thee Oh Sees is evidence of a newfound sense of purpose and focus. Where once Dwyer used to funnel his divergent artistic ideas through a host of different channels, lately he's been finding ways to make all of those impulses function within the framework of Thee Oh Sees-who have in turn grown closer and tighter and sharper with each eye-popping, jaw-dropping live show. That sense of unity is palpable throughout Floating Coffin, the next chapter in the story of Thee Oh Sees, the one where they fix their fury against the onrushing night. It's another blistering demonstration of Thee Oh Sees greatest trick: they're the only prolific band who doesn't put out records often enough. ? A gnarlier, heavier side of band with some juicy synth smoochie action joining the party ? 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Matt Flegel and Scott Munro (respective former members of beloved Calgary band Women, and Chad VanGaalen's band) spent much of 2013 in their basement studio with a mess of old and run-down equipment to build a set of fresh material. Joined by bandmates Daniel Christiansen and Michael Wallace, the band completed work on a debut cassette. What emerged from the studio was a mixture of sharply-angled rhythmic workouts and euphoric ‚Ä∞√õ√∑60s garage pop melodies, balanced with a penchant for drone-y, VU-styled downer moments.\u003c\/p\u003e\r\u003cp\u003eOpening track \"Throw It Away\" is tightly wound guitar pop, recalling the nervous urgency of The Feelies with its wiry guitar lines and ever-changing drum patterns, both of which are played with a dexterous sense of glee. \"Oxygen Feed\" is another stand-out, a gloriously sloppy sing-a-long couched with warm harmonies, and a charmingly ramshackle rhythm section befitting of its basement origins. 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As noted by Pitchfork in a recent \"Rising\" feature: \"Viet Cong do many things, and they do it all very well\".\u003c\/p\u003e\r\u003cp\u003eSimply titled \"Cassette\", the former tour-only release retains its format-aware title for a vinyl and remastered digital release on Mexican Summer\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":818490181,"sku":null,"price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/viet-cong-cassette-south-records-ltd.jpg?v=1571438632"},{"product_id":"the-john-steel-singers-everything-s-a-thread","title":"The John Steel Singers - Everything's A Thread","description":"\u003cdiv class=\"page\" title=\"Page 7\"\u003e\u003cdiv class=\"section\"\u003e\u003cdiv class=\"layoutArea\"\u003e\r\u003cdiv class=\"column\"\u003e\u003cspan style=\"line-height: 1.2;\"\u003eBrisbane‚Ä∞€™s The John Steel Singers present their stupendous new album ‚Ä∞√õ√∑Everything‚Ä∞€™s A Thread‚Ä∞€™, recorded in a makeshift-studio the band constructed in a 70s-built house owned by singer Luke‚Ä∞€™s parents overlooking Mount Coolum on the Gold Coast of Australia.\u003c\/span\u003e\u003c\/div\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eLike all the best coastal albums it‚Ä∞€™s brim with sparkling, sun kissed sounds but here the band‚Ä∞€™s creative freedom equally allows for lurking in the shade, moving from the hook-heavy pop numbers ‚Ä∞√õ√∑Happy Before‚Ä∞€™ and ‚Ä∞√õ√∑Common Thread‚Ä∞€™ to the sinister sound of ‚Ä∞√õ√∑The Marksman‚Ä∞€™ and soulful yet strange vibe of ‚Ä∞√õ√∑There‚Ä∞€™s A Bird‚Ä∞€™.\u003c\/span\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eThe Singers move from playful harmony-filled summer nuggets to electronic sheened pop, psychedelic sea shanties, Kraut-pop and hard riffing cosmic rock with ease, evoking an uncanny vibe like mist resting on the ocean just before sunset.\u003c\/span\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003e‚Ä∞√õ√èNicolas knew how to declutter the sh*t we had recorded to give the parts space‚Ä∞€ù says Pete of mixer Nicolas Vernhes (Deerhunter, Fiery Furnaces) giving the record its clarity in sound.\u003c\/span\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eThe JSS have played Liverpool Sound City, The Great Escape and London Calling festivals so far this year and plan to come back just after the album release. 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It comes on as a sort of sanctuary-in-transit, inspired both by the shifting visions of dreams and global travel, so that each of the twelve passages flicker and flame with equal impression.\u003c\/p\u003e\r\r\u003cp\u003eMelted Toys is Stephen Harkins, Daniel Rosado, Brian Wakefield, and Ole Haarstad. Their casual bond laces the languid pop with an unpretentious melodic language. It's both downcast and serene, resembling the catalog of mid-career FELT, where Maurice Deebank's somber leads colored each and every detail, rather than just issuing showy statements at predictable intervals.\u003c\/p\u003e\r\r\u003cp\u003eHighlights along the album spark from timely synthesizer voicings as well, mixed in fantastic contrast against the shadowy mid tones of Wakefield's bass and Haarstad's metronomic, motorik drumming style.\u003c\/p\u003e\r\r\u003cp\u003eThe three-year wait for this debut irked followers and friend's close to the band, but it was caused by one of the members leaving a laptop containing all the initial work on a San Francisco BART train. So it goes, and Melted Toys seems to have used the guffaw to their advantage, as the band re-located to Los Angeles, and singer-guitarist Harkins ended up traveling to Beijing, Tokyo, and Taipei, where he wrote an additional half of the material.\u003c\/p\u003e\r\r\u003cp\u003e\"Bummed Out\" signals the albums opening tone with a wiry lead from Rosado, a kind of circuit-bent guitar hook that practically finishes Harkins' nodding out sentences. Further along the first side \"A Postcard\" unfurls the most somber portrait of the LP, but forgoes lulling in self-importance by trodding against a snare heavy loop, and sneering delivery.\u003c\/p\u003e\r\r\u003cp\u003e\u003cstrong\u003e\u003cem\u003eTracklist: 1. Intro 2. Bummed Out 3. Horizons 4. Press A (Habitat) 5. A Postcard 6. Blush 7. Always 8. Water Arches 9. Joy Fit 10. Observations 11. Come On 12. 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Building upon the foundation laid down by its predecessor, Frozen Letter rocks with the clairvoyance of three musicians who have spent a lot of time recording and touring together over the last few years.\u003c\/p\u003e\r\r\u003cp\u003e‚Ä∞√õ√èWhen we started this record, we weren‚Ä∞€™t even thinking about it being released. We just did it to have fun and keep moving forward,‚Ä∞€ù says Forbes. 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Featuring a heavy and repetitive pattern, a slew of effected guitars, and searing guest leads from Superchunk‚Ä∞€™s Mac McCaughan, the song encapsulates an entire Spider Bags epoch in under six minutes.\u003c\/p\u003e\r\r\u003cp\u003eFrozen Letter is the band‚Ä∞€™s fourth full-length record overall and first for Merge Records.\u003c\/p\u003e\r\r\u003cp\u003e\u003cstrong\u003e\u003cem\u003eTrack Listing: Back With You Again in the World, Japanese Vacation, Chem Trails, Summer of ‚Ä∞€™79, Coffin Car, Walking Bubble, We Got Problems, Eyes of Death\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":695743873042,"sku":null,"price":5.0,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":870198453,"sku":null,"price":11.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/spider-bags-frozen-letter-south-records-ltd.jpg?v=1571438636"},{"product_id":"david-kilgour-the-heavy-eights-end-times-undone","title":"David Kilgour \u0026 The Heavy Eights - End Times Undone","description":"\u003cp\u003eEnd Times Undone, the latest album from David Kilgour and the Heavy Eights, was recorded in his native New Zealand between 2012 and 2014, but that‚Ä∞€™s a bit misleading. The album took so long to finish only because Kilgour assembled his bandmates every four or five months, and then only for a couple days at a time. And when they convened, the tape was rolling almost from the start. It‚Ä∞€™s the perfect way for Kilgour to operate these days, more than 30 years into a career that is equally compelling, consistent, and influential.\u003c\/p\u003e\r\r\u003cp\u003eFrom his first recordings with The Clean, the iconic band who remain active and whose legend deservedly grows mightier every year, Kilgour has had a distinct sound that has inhabited all of his albums and sounds fresh with every new release. Over just ten songs, End Times Undone offers a robust sampling of all the various styles Kilgour has mastered over the last three decades.\u003c\/p\u003e\r\r\u003cp\u003eFor an album that comes so late in one‚Ä∞€™s career, it‚Ä∞€™s a surprisingly convenient entry point into Kilgour‚Ä∞€™s body of work. After a psychedelic intro, opener ‚Ä∞√õ√èLike Rain‚Ä∞€ù immediately identifies itself as vintage Kilgour, with shimmering guitars that gracefully swell and secede. ‚Ä∞√õ√èLose Myself in Sound‚Ä∞€ù will appeal to fans of The Clean who favor songs where the band chugs along on a blissful straightline path. While the album has its share of abstract lyrics, this title is one to take seriously. And like many songs here, it draws to a close with an extended instrumental passage, the sound of four people finding their own rhythm together. ‚Ä∞√õ√èDropper‚Ä∞€ù is a psychedelic romp with some serious bite in its guitar. ‚Ä∞√õ√èSome Things You Don‚Ä∞€™t Get Back‚Ä∞€ù is a hypnotic strummer that builds a head of steam without overheating. ‚Ä∞√õ√èChristopher Columbus‚Ä∞€ù balances some country-ish licks with sparkling little guitar runs.\u003c\/p\u003e\r\r\u003cp\u003eAnd to talk about a Kilgour album without talking about the guitar playing would be irresponsible. 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Yet this trio‚Ä∞€™s songs about conspiracies, revolutionaries and paranoia remain maverick, compact pop songs tethered to a chorus and groove.\u003c\/p\u003e\r\r\u003cp\u003eJust as their self-titled debut snapped heads back, Apache Dropout has proven again they can rescore the garage rock aesthetic and remain undisputed purveyors of true lysergic North American boogie.\u003c\/p\u003e\r\r\u003cp\u003eFormed in 2008, Apache Dropout have toured the sub-U.S. underground insistently while chaste to their uncompromising, out-of-step vision. After previous full-lengths on Trouble In Mind and Family Vineyard, Apache Dropout return to Magnetic South, the imprint of their debut single and the publishing arm of their analogue studio, for this LP\/CD release. John Dawson recorded this album at the Bloomington, Indiana studio during fall 2013.\u003c\/p\u003e\r\r\u003cp\u003eLP comes with download code. 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Sarah (who went with Mickey Hampshire), Hilary (with Russ Wilkins), and Louise (with Bruce Brand) took the lead on a rendition of the Beatles‚Ä∞€™ ‚Ä∞√õ√èBoys‚Ä∞€ù before striking out on their own with a couple of four-song EPs in 1984: Comin‚Ä∞€™ Home Baby (popularized by Mel Tormé) and Hello, We Love You (actually the Doors‚Ä∞€™ ‚Ä∞√õ√èHello, I Love You.‚Ä∞€ù) In both cases, the Milkshakes served as their backing band and Childish and Hampshire wrote most of the originals.\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":870234117,"sku":null,"price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/the-delmonas-the-delmonas-5-south-records-ltd.jpg?v=1571438636"},{"product_id":"la-hell-gang-thru-me-again","title":"La Hell Gang - Thru Me Again","description":"\u003cp\u003eThru Me Again is the 2nd release from Chilean trio La Hell Gang and their first with Mexican Summer. 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Now, more than ever, the chunks of the world that came before are like asteroids formed in his image, picking up speed.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eThe multi-coloured manias that make up Manipulator are sour-sweet declarations featuring freaks and creeps alike: The Singer,The Faker, Mister Main, Susie Thumb, the Connection Man and The Crawler, to name but a mutant fistful.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eTo see these characters, to realize their dreams and visions, Ty kept working, kept writing, laying down more tracks than ever. New musical expressions pop and surprise relentlessly throughout all the knockout tunes of Manipulator with many sounds in the mix but most of all, many guitars! And different kinds of strings - the strangled-neck solo of The Singer, recalling the good old days down by the river with Neil. Numbed-and-unplugged discursions spiralling away from the funk on Mister Main. Three-quarter quartets raising their din in a few key places. Waves of sparkling acoustics with ominous, Lovely undertones and then torrents of filthy git-grunge, exploding into the chorus, washing everything away, fusing the blackness of Sabbath with the grime of The Stooges and the sweet swinging tones of The Stones. Why have one guitar solo when you can have a few in the same space? There‚Ä∞€™s so little time and a lot to say.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eIn order to ensure that he got it all out, Ty called a few friends to fill in special parts on certain Manipulator songs. 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Think again. ‚Ä∞√õ√∑Singles 2‚Ä∞€™ is here.\u003c\/span\u003e\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003e‚Ä∞√õ√∑Singles 2‚Ä∞€™ sweeps out the ashes of the breakneck days (and nights) of 2011 - 2013 and burns down the house all over again in the process - but not by accident. ‚Ä∞√õ√∑Singles 2‚Ä∞€™ slinks low and flat-out sprints behind the scenes of the ‚Ä∞√õ√∑Goodbye Bread‚Ä∞€™ \/ ‚Ä∞√õ√∑Twins‚Ä∞€™ \/ ‚Ä∞√õ√∑Sleeper‚Ä∞€™ trilogy, collecting all the now-out-of print sides that totally work amazingly well together when placed back-to-back-to-back as an album.\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eThe super-deadly ‚Ä∞√õ√∑Spiders‚Ä∞€™ single is spun again here in full, along with the epically pop B sides for ‚Ä∞√õ√∑I Can‚Ä∞€™t Feel It‚Ä∞€™, ‚Ä∞√õ√∑The Hill‚Ä∞€™ and ‚Ä∞√õ√∑Would You Be My Love‚Ä∞€™. Plus there are tracks for other righteous labels too like Permanent, Castleface and Famous Class.\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eCovering The Groundhogs, the Velvets and GG Allin, Ty reps for a good array of punk godheads too. Between the covers and the originals, ‚Ä∞√õ√∑Singles 2‚Ä∞€™ is also a run through the SF 388 scene circa 2010 - 2013, with various local heroes like King Riff, Mike Donovan and Ty himself at the board.\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003e‚Ä∞√õ√∑Singles 2‚Ä∞€™ is really about the rush of getting a single for the A side and then finding a total sunshine jewel like ‚Ä∞√õ√∑Children Of Paul‚Ä∞€™ or ‚Ä∞√õ√∑Mother Lemonade‚Ä∞€™ on the flip. 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Much preferring the straight to tape method (bolstered by a raft of analogue kit, honest production, and an understanding that this is the only way to get the mix they need) the duo, comprised of childhood friends Christian Skibdal and Mads Gr√å_s, resuscitate 60‚Ä∞€™s style Psych-rock and inject a characteristically playful Wands slant. Indeed, it‚Ä∞€™s a record flecked with the remnants of lives spent growing up together; one abound with signposts that point toward a na√å√∏ve outlook, a childishness even, but a musical maturity and knowingness that only comes from immersion and hanging out with your best friend for 20 years. On opening track, and current single, Sound of The Machine, they stick a middle finger to the man (‚Ä∞√õ√èthere's an island of misplaced toys \/ it's a sea of sweet delight \/ on the planet of misfit boys \/ they jump at the chance of a good fight‚Ä∞€ù) while former single The Dawn yearns for a simpler time. 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Freedom Tower is packed with the kind of beats and rhymes that will make even the most reserved Walter Mitty jump back and say ‚Ä∞√õ√èdamn!‚Ä∞€ù\u003c\/p\u003e\r\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFor nearly a quarter-century the Blues Explosion have been sweating, freezing, eating, drinking,√•√ä\u003c\/span\u003e\u003cspan class=\"s1\"\u003efucking, fighting, winning, and losing in New York City, perpetrating some of the most timeless moments of musical mayhem in the history of Manhattan and beyond. As ever, Jon Spencer tells the tales, Judah Bauer plays the blues, and Russell Simins smashes things to bits... And as always Blues Explosion stomp on the faux underground oasis peddled by bourgeois hipsters and marketing jocks to deliver the real deal ‚Ä∞√õ√ìrock‚Ä∞€™n‚Ä∞€™roll that is unapologetically nasty. Rehearsed and polished in a string of secret gigs and unannounced opening slots in theaters, hotel bars, and dives√•√ä (often under assumed names), and then recorded at the legendary Daptone House Of Soul in Bushwick and mixed with hip-hop cult legend Alap Momin at the cutting edge of Harlem, Freedom Tower is the most provocative statement of urban pathos and panache ever recorded. Play this record at all-night rent parties, picnics\u003c\/span\u003e, discotheques, and protests! There are eight million stories in the Naked City ‚Ä∞√õ√ìbut there is only one Blues Explosion!\u003c\/p\u003e\r\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFreedom Tower- dig it now, while you still can!\u003c\/span\u003e\u003c\/p\u003e\r\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eLP comes with download\u003c\/span\u003e\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"CD","offer_id":1110841648,"sku":null,"price":10.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":695657299986,"sku":null,"price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/jon-spencer-blues-explosion-freedom-tower-0uo-no-wave-dance-party-2015-south-records-ltd.jpg?v=1571438656"},{"product_id":"the-amazing-picture-you","title":"The Amazing - Picture You","description":"\u003cdiv class=\"page\" title=\"Page 4\"\u003e\r\r\u003cdiv class=\"section\"\u003e\r\r\u003cdiv class=\"layoutArea\"\u003e\r\r\u003cdiv class=\"column\"\u003e\u003cspan style=\"line-height: 1.4;\"\u003eWith members stemming from psych rock bands Dungen and Granada, Swedish band The Amazing inhabit an aural landscape that‚Ä∞€™s all its own: a panoramic, constantly evolving spectacle marked by layers of intertwining guitars, richly textured keyboards, a rhythm section adept at skewed tempos and a tendency to veer off in unexpected directions.\u003c\/span\u003e\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.4;\"\u003eIt would take a shelf full of thesauruses to describe the Swedish quintet‚Ä∞€™s music but their collection of songs on ‚Ä∞√õ√∑Picture You‚Ä∞€™ is every bit as compelling as it is enigmatic.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"line-height: 1.4;\"\u003e\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\u003cspan style=\"line-height: 1.4;\"\u003eCD in full colour 4 panel digipack.\u003c\/span\u003e\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\r\r\u003cp\u003eDouble LP on black vinyl with 12‚Ä∞€ù insert and MP3 download√•√äcard.\u003c\/p\u003e\r\r\u003cspan style=\"line-height: 1.4;\"\u003e‚Ä∞√õ√èThis is something you absolutely need to hear, so hear it‚Ä∞€ù - Stereogum\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"line-height: 1.4;\"\u003e‚Ä∞√õ√èThe cream of Sweden‚Ä∞€™s psychedelic \/ neo-folk underground‚Ä∞€ù - Mojo\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"line-height: 1.4;\"\u003e‚Ä∞√õ√èThe Amazing live up to their name in every sense‚Ä∞€ù - DIY\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"line-height: 1.4;\"\u003e‚Ä∞√õ√èPunchy in just the right places‚Ä∞€ù - Pitchfork\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003c\/div\u003e\r\r\u003c\/div\u003e\r\r\u003c\/div\u003e","brand":"South Records Ltd","offers":[{"title":"CD","offer_id":1122429652,"sku":null,"price":10.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":695650353170,"sku":null,"price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/the-amazing-picture-you-south-records-ltd.jpg?v=1571438656"},{"product_id":"wobbly-lamps-drella","title":"Wobbly Lamps - Drella","description":"\u003cp\u003eLimited edition of only 250 7‚Ä∞€ù EPs. The ‚Ä∞√õ√èDrella‚Ä∞€ù EP from Wobbly Lamps is the second release on \u003ca href=\"http:\/\/www.facebook.com\/PolyvinylCraftsmenRecords\"\u003ePolyvinyl Craftsmen Records\u003c\/a\u003e (an independent DIY label set up by the team behind the Polyvinyl Craftsmen podcasts).\u003c\/p\u003e\r\r\u003cp\u003eThe Southend-on- Sea based garage rock noiseniks have spent the last few months gigging, writing new songs and developing their low-fi, low-end, reverb-heavy sound.\u003c\/p\u003e\r\r\u003cp\u003eOther glowing reviews came from blogs in the UK, US, Czech Republic and Portugal. It picked up airplay at home, in the States and Japan and has been bought by appreciative fans from all points of the globe.\u003c\/p\u003e\r\r\u003cp\u003eTheir second EP ‚Ä∞√õ√èDrella‚Ä∞€ù sees the band expand on the sounds of their debut, longer songs, some brilliantly fuzzed-up interplay between guitarists Paul Lagden and Lee Hall with the catchy melodies that underpinned their original 7‚Ä∞€ù. Singer Gareth Thomas‚Ä∞€™ lyrics are gut full of venom, spitting distaste at religion and war, hypocrisy, tension and dumbing down in today‚Ä∞€™s society, all wrapped up in a pretty pink bow.\u003c\/p\u003e\r\r\u003cp\u003eHere‚Ä∞€™s how\u003cstrong\u003e Rough Trade \u003c\/strong\u003edescribed\u003cstrong\u003e Drella: \u003c\/strong\u003e\"limited to 250. Storming garage rock screaming with fuzz and attitude. All the way from Southend-on-Sea, Wobbly Lamps' amps never fall below 11, with distorted vocals recalling the most petulant Billy Childish moments smothered all over the rockin' proceedings. A-side is a 5 minute exercise in garage-rock minimalism, while on the flip there's the more straight-for-the-jugular \"Haxan\" coupled with \"Gretchen Fetchin\"... great stuff\".\u003c\/p\u003e\r\r\u003cp\u003eThe three songs are ‚Ä∞√õ√è\u003cstrong\u003eNever Ever Bloody Anything Ever\u003c\/strong\u003e‚Ä∞€ù on the a-side and ‚Ä∞√õ√è\u003cstrong\u003eHaxan\u003c\/strong\u003e‚Ä∞€ù and ‚Ä∞√õ√è\u003cstrong\u003eGretchin Fetchin\u003c\/strong\u003e‚Ä∞€ù on the flip\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"7\"","offer_id":1147783724,"sku":null,"price":4.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/wobbly-lamps-drella-south-records-ltd.jpg?v=1571438658"},{"product_id":"wobbly-lamps-wobbly-lamps","title":"Wobbly Lamps - Wobbly Lamps","description":"\u003cp\u003eLimited edition of only 250 7‚Ä∞€ù EPs. The debut record by Wobbly Lamps is the first release on Polyvinyl Craftsmen Records (an independent DIY label set up by the team behind the Polyvinyl Craftsmen podcasts).\u003c\/p\u003e\r\r\u003cp\u003eWobbly Lamps were born underground, in a pub basement. Disillusioned with much of modern life and the mundane mainstream, they got drunk and made music. After months of subterranean existence honing their sound, they left the basement, moved into the light to inflict their noise on an unsuspecting public. After a batch of gigs around their spawning ground of Southend-on-Sea they are quickly developing a following among fans of low end, lo-fi, trippy garage rock.\u003c\/p\u003e\r\r\u003cp\u003eSupport slots with Sic Alps and The Black Belles led to them headlining Thee Polyvinyl Craftsmen stage at the Village Green Festival in their hometown in June.\u003c\/p\u003e\r\r\u003cp\u003eThe single features 3 original songs full of piss and vinegar ‚Ä∞√õ√èNeon Tepee‚Ä∞€ù, ‚Ä∞√õ√èShe Wants Me Dead‚Ä∞€ù and ‚Ä∞√õ√èAlice the Goon‚Ä∞€ù. Influences include Country Teasers, The Fall, Billy Childish, Thee Oh Sees, The Clean, Real Estate, Comet Gain, Pavement, Mr Bungle, Mars Volta, Yo La Tengo and My Bloody Valentine. The band sound a bit like some of these and nothing at all like some of the others. 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