{"title":"Metal\/Avant Rock","description":"","products":[{"product_id":"black-bananas-electric-brick-wall","title":"Black Bananas - Electric Brick Wall","description":"\u003cp\u003eBlack Bananas - Electric Brick Wall\u003c\/p\u003e\r\u003cdiv class=\"page\" title=\"Page 3\"\u003e\r\u003cdiv class=\"section\"\u003e\r\u003cdiv class=\"layoutArea\"\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cul\u003e\r\u003cli\u003e\r\u003cp\u003e\u003cspan\u003eBlack Bananas are Jennifer Herrema, Nadav Eisenman, Brian McKinley and Kurt Midness. They work with their machines to play rock that‰۪s progressive, experimenting and never less than super- exciting. \u003c\/span\u003e\u003c\/p\u003e\r\u003c\/li\u003e\r\u003cli\u003e\r\u003cp\u003e\u003cspan\u003eWith eyes and ears out for the phases and strains of rock past and present, Black Bananas are on the lookout for a sound that mainly exists in their mind, an idea of sound to wrap around the tunes, a cattle prod sneaking around the backside of your aural cortex to jolt you into magical thinking. Black Bananas‰۪ production pays forward the psychotropic effect with ultimate line blur but ‰Û÷Electric Brick Wall‰۪ is solidly composed of time-tested elements - the beat, the groove, licks, builds and bridges - fused together for projection to the stars. \u003c\/span\u003e\u003c\/p\u003e\r\u003c\/li\u003e\r\u003cli\u003e\r\u003cp\u003e\u003cspan\u003eThe lead single ‰Û÷Physical Emotions‰۪ is a dancefloor blast that our ears and minds deeply needed and ‰Û÷Electric Brick Wall‰۪ solves even more problems by introducing more and harder beats, upping the sugar quotient along with the strychnine in a line of insanely hilarious new music hybrids aplenty, like the drone \/ crunch \/ ragga vibes of ‰Û÷Hey Rockin‰۪ or the mirror- ballin‰۪ industrial desolation of ‰Û÷Creeping The Line‰۪. It‰۪s an age of hybrids but Black Bananas come on with hot Yankee ingenuity, true cross-breeders with a refreshing lack of values and a corresponding shortage of shame.åÊ\u003c\/span\u003e\u003c\/p\u003e\r\u003c\/li\u003e\r\u003c\/ul\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"South Records Ltd","offers":[{"title":"Default Title","offer_id":784066261,"sku":null,"price":15.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/black-bananas-electric-brick-wall-south-records-ltd.jpg?v=1571438625"},{"product_id":"hi-sheriffs-of-blue-nyc-1980","title":"Hi-Sheriffs of Blue - NYC 1980","description":"\u003cp\u003e\"The No Wave era of NYC was a short, dark flash of energy that was extinguished almost as soon as it was noticed. It happened so goddamn fast that if you missed the imaginal cut-off for inclusion by a few fucking weeks, you were forever written out of the picture. Believe me. Thurston and I wrote the book on this goddamn scene, and the Hi Sheriffs were just outside our temporal markers, despite the fact they'd played Tier 3, the Mudd Club and everywhere you'd think would matter. But look, they were as second gen No Wave as the Raybeats, the Bush Tetras and Eight Eyed Spy. If you have to ask why that was, and why such things were a matter of weeks rather than anything else, I dunno what to say. It's just how it was, and we all knew it. Shit moved fast. The fact that the Hi Sheriffs were devolved from the Girls -- the BEST band Boston ever birthed, as well as the only non-CLE band to ever record for Pere Ubu's label, Hearthan -- did not mean shit. They were perhaps only weeks too late to make the No Wave cut (something they'd immediately wanted to hit after the Girls played Tier 3 with Basquiat's band, Gray), but hey -- even Gray is a tad late for my taste.\u003c\/p\u003e\r\r\u003cp\u003eStill, musically, this quartet -- Mark Dagley and George Condo from Boston's Girls, Seth Weinhardt and Beth Fowler from RISD's Bachelors Of Art -- blew my mind. I first saw them at Tier 3, and they were like a crazed version of DNA playing the blues. Mark brought the first single up to the NY Rocker office a while later and Andy recognized the cover he was doing, but I assumed it was all just blown brain originals. Little did I know. This album is mostly made up of pre-first single live and rehearsal stuff, and it is just the sort of raw madness everyone wants to hear all the time. Even Lydia Lunch liked 'em. She did not record with them until later -- not long before she'd begin her Devil Dogs project -- but even she knew she was beyond No Wave at the point of Eight Eyed Spy. It was a weirdly specific scene in many ways. But sonically, it bore lots of fruit. And one of the first, best and most blues-wailingest of its proponents was the Hi Sheriffs Of Blue.\" --Byron Coley;\u003c\/p\u003e\r\r\u003cp\u003eIncludes a download card. Edition of 500.\u003c\/p\u003e\r\r\u003cp\u003e\u003cstrong\u003eTRACK LIST: 1. Gossip Crowd, Loser Line, Sweet Talk, My Big Vacation, Hate 2. Dust My Blues 3. Big Duke 4. Blue Door, Black Door 5. White Street Shuffle 6. Where Were You When the Lights Went Out? 7. 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It seemed that everything was, at last, possible. And the overly optimistic freaks of the day began flying into outer space. They flew in spaceships that were, at first, made of futuristic super metal but before too long they didn‰۪t even NEED ships. They BECAME the ships and they called themselves Electric WÌ_rms. I think because they became just bolts of electrified electricity that could penetrate wormholes in the far reaches of the unknown heaven.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAnd before they died they sent back to earth beings a sonic bible of discoveries and failures. It åÊwas, until now, a strange unsolvable mystery of frequencies and rhythms. Two groups of determined musicians and weirdo thinkers set forth to decipher its message. Two members of The Flaming Lips (Steven and Wayne) and four members of Linear Downfall (Charlee, Chance, Doom and Will) were the chosen ones.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhat you have is the first of what could be endless communicated sound stories. It is titled Musik, Die Schwer Zu Twerk, which predicted this modern day dance move by almost forty years ago. Some of it is indeed hard to twerk to but some of it, if I could do it, is not. There is a particular track called Transform!!! that closely resembles a drug fuelled boogie freak rock track by Miles Davis. Another verse Heart Of The Sunrise sounds vaguely like a song by the prog folk group Yes. Of course Yes also turned themselves into space ships so it‰۪s no wonder these songs share a similar vibe.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe ensemble leans toward a hypnotic mood for most of the space bible readings. 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Unavailable on vinyl for some time, ‰Û÷Renihilation‰۪ is unrelenting and hyper-focused, an astonishing balance of pure chaos and meticulous composition, never wavering in its dedication to its own conceptual core.\u003c\/span\u003e\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eEven as it introduced the band to the metal community at large, ‰Û÷Renihilation‰۪ established Liturgy as a group that refused to play by the same rules that had dictated black metal aesthetics up to that point, instead blazing their own white hot path that used black metal as a means to express something much grander and much more elusive. It simultaneously works within and against these pre-existing forms and, even five years after its initial release, seems completely alien and unparalleled. These are the first recordings of the band‰۪s quartet line-up of Hunter Hunt-Hendrix, Greg Fox, Bernard Gann and Tyler Dusenbury, laid to tape just several months after it coalesced.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003e‰Û÷Renihilation‰۪ is the work of a band pushing their limits physically and musically to organically realize music that was conceived completely in the abstract. Though it is perhaps the most aggressive album in the band‰۪s discography, at times startling so, it is not weighed down by depressive tendencies. Colin Marston‰۪s production expertly accents the brightness in their sound.\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eThis re-issue of ‰Û÷Renihilation‰۪ is pressed on virgin vinyl and presented with a printed inner sleeve and free download card. Initial copies are pressed on limited white vinyl, remaining copies on black.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eLiturgy are at work on a new full-length album, set for release in early 2015.\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eLiturgy have performed at Pitchfork Music Festival, Hopscoth Festival, Primavera, Hellfest, Roskilde, Fun Fun Fun Fest, Orion Music and Pygmalion Festival. The band have toured with Sleigh Bells, Diplo and Boris.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eLiturgy‰۪s 2011 Thrill Jockey debut, ‰Û÷Aesthethica‰۪, is a consistent best seller and has gone through multiple vinyl pressings.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003e‰ÛÏThis is music that creates a new history.‰۝ - NPR\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\r\r\u003cp\u003e‰Û?Û÷Aesthethica‰۪ is inventive, alive, and shrieking with more ideas thanåÊ\u003cspan style=\"line-height: 1.2;\"\u003emany bands explore over an entire career.‰۝ - Pitchfork\u003c\/span\u003e\u003c\/p\u003e\r\r\u003cspan style=\"line-height: 1.2;\"\u003e‰Û?Û÷Aesthethica‰۪ is a formidable, explosive, challenging record and one of the year‰۪s most bracing‰۝ - New York TimesåÊ\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003c\/div\u003e\r\r\u003c\/div\u003e\r\r\u003c\/div\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":879646457,"sku":null,"price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/liturgy-renihilation-south-records-ltd.jpg?v=1571438637"},{"product_id":"jack-ruby-jack-ruby-vol-2","title":"Jack Ruby - Jack Ruby Vol.2","description":"\u003cp\u003e\"When Don Fleming was doing the initial transfers of the tapes we'd gotten retrieved from Randy Cohen's barn, every evening seemed to bring a new surprise. 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