{"title":"Punk","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe latest punk releases\u003c\/span\u003e\u003cspan\u003e available on CD and vinyl\u003c\/span\u003e","products":[{"product_id":"merchandise-children-of-desire-lp","title":"Merchandise - Children of Desire LP","description":"\u003cp\u003eMerchandise - Children of Desire vinyl LP, released on Katorga Works (includes MP3 download)\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":4107458885,"sku":null,"price":5.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/merchandise-children-of-desire-lp-south-records-ltd.jpg?v=1571438615"},{"product_id":"wipers-is-this-real-limited-edition-lp","title":"Wipers - Is This Real? 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Alison Statton began her recording career with Philip and Stuart Moxham in Young Marble Giants, one of the most unique and important bands to come out of the UK post-punk \/ independent scene. YMG dissolved in 1981, at which point Statton began writing with Wrexham native Mark 'Spike' Williams, one of the brains behind Z Block Records and a member of the band Reptile Ranch. They joined forces with guitarist Simon Booth to form Weekend, and recorded the exquisite demo versions of 'Drumbeat' (later titled 'Drumbeat For Baby'), 'Red Planes', 'Nostalgia' and 'Summerdays' that are collected on this new 12\". At the heart of the record are two truly remarkable pieces: 'Red Planes' and 'Nostalgia'. The former is a dubwise dream-pop epic, Statton's dispassionate, Nico-esque vocal wafting over a clucking Boss DR 55 pulse and seismic bass detonations, while Williams' violin, in Alison's words, \"soars and dives and weaves through every possible mood with no inhibitions, creating an almost psychedelic feel, with a menacing undercurrent\". It's somehow both starker and more richly atmospheric than the version that appears on the band's debut album, 'La Varieté' (Rough Trade, 1982), not to mention significantly longer - nine minutes in total. Our only complaint is that it doesn't last for nineteen. 'Nostalgia', meanwhile, is surely one of the most perfectly elegiac songs committed to tape in the post-punk era. More fleshed-out than the La Varieté version, the instrumentation here - notably Statton's yearning recorder part (\"Very Eno,\" as Spike astutely observes) - amplifies the emotional resonance of an already heart-stopping lyric. Written by Spike and Dave Hoddel, 'Nostalgia' is a poignant meditation on the attraction, and the danger, of dwelling on the past. Shorn of the jazzy flourishes that would define the subsequent studio version, 'Drumbeat' (later titled 'Drumbeat For Baby') has a brittle, choppier quality more in line with Young Marble Giants than Weekend; it remains one of Williams and Statton's most infectious compositions. The instrumental 'Summerdays', is a different beast entirely to the cut on La Varieté; it's primarily a showcase of Simon Booth's lyrical guitar-playing, at times reminiscent of the courtly psychedelia of early Felt or Vini Reilly, and reminding us of Weekend's role as godparents of the nascent indie-pop movement. Jazz became an increasingly prominent component of the Weekend sound, and by the time of 'La Varieté' - their sole studio LP - they had welcomed jazzmen Larry Stabbins (saxophone), Roy Dodds (drums) and Dawson Miller (percussion) into their line-up. But despite its idiosyncratic brilliance and long-lasting influence (Belle \u0026amp; Sebastian and Kalima are but two groups who owe it an enormous debt), nothing on 'La Varieté', or on the handful of singles and live recordings Weekend put their name to before disbanding in 1983, comes close to matching the raw, impressionistic power of the '81 demos. \u003cbr\u003e\u003cbr\u003eThe four demos were released as a stand-alone CD by Vinyl Japan in 1995, and included as bonus tracks on Cherry Red's most recent CD reissue of \u003cbr\u003eLa Varieté; however, until now they have never appeared on vinyl. Licensed from Cherry Red, 'The '81 Demos' (BLACKEST026) is a 12\" limited to 1000 pieces, mastered by by Matt Colton at Alchemy and housed in an LP sleeve printed on reverse board stock, with printed inner featuring liner notes by Spike Williams, Alison Statton and Simon Booth.\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":701061653,"sku":null,"price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/weekend-the-81-demos-lp-south-records-ltd.jpg?v=1571438618"},{"product_id":"vision-fortune-mas-fiestas-con-el-grupo-lp","title":"Vision Fortune - Mas Fiestas Con El Grupo LP","description":"\u003cp\u003eVision Fortune - Mas Fiestas Con El Grupo vinyl LP\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"Default Title","offer_id":701110909,"sku":null,"price":5.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/vision-fortune-mas-fiestas-con-el-grupo-lp-south-records-ltd.jpg?v=1571438619"},{"product_id":"dead-moon-crack-in-the-system-lp","title":"Dead Moon - Crack In The System LP","description":"\u003cp\u003eDead Moon - Crack In The System LP, on Mississippi Records\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":702674033,"sku":null,"price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/dead-moon-crack-in-the-system-lp-south-records-ltd.jpg?v=1571438619"},{"product_id":"the-bomber-jackets-the-lister-lp","title":"The Bomber Jackets - The Lister LP","description":"\u003cp\u003eThe Bomber Jackets - The Lister LP\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"Default Title","offer_id":702683853,"sku":null,"price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/the-bomber-jackets-the-lister-lp-south-records-ltd.jpg?v=1571438619"},{"product_id":"sic-alps-sic-alps-lp","title":"Sic Alps - Sic Alps LP","description":"\u003cp\u003eSic Alps - Sic Alps LP on Drag City\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"Default Title","offer_id":702760121,"sku":null,"price":15.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/sic-alps-sic-alps-lp-south-records-ltd.jpg?v=1571438620"},{"product_id":"parquet-courts-sunbathing-animal","title":"Parquet Courts - Sunbathing Animal","description":"\u003cp\u003e\u003cspan\u003eThe year and change since the release of Parquet Courts monumental 'Light Up Gold' is reflected in ways expected and not with 'Sunbathing Animal', its sharper, harder follow up, due on Rough Trade Records. Following their quietly released 2011 debut 'American Specialties', 'Light Up Gold' caught the ears of everyone paying even a little bit of attention, garnering glowing reviews across the board for its weird colours and raw energy, saturated punk songs that offered crystal clear lyrical snapshots of city life. It was immediately memorable, a vivid portrait of ragged days, listlessness, aimlessness and urgency, broadcast with the intimacy of hearing a stranger's thoughts as you passed them on the street. As it goes with these things, the band went on tour for a short eternity, spending most of 2013 on the road, their sound growing more direct in the process and their observations expanding beyond life at home. Constant touring was broken up by three recording sessions that would make up the new album, and the time spent in transit comes through in repeated lyrical themes of displacement, doubt and situational captivity. To be sure, 'Sunbathing Animal' isn't a record about hopelessness, as any sort of incarceration implies an understanding of freedom and peace of mind. Fleeting moments of bliss are also captured in its grooves, and extended at length as if to preserve them. Pointed articulations of these ideas are heard as schizoid blues rants, shrill guitar leads, purposefully lengthy repetition and controlled explosions, reaching their peak on the blistering title track. A propulsive projection of how people might play the blues 300 years from now, 'Sunbathing Animal' is a roller coaster you can't get off, moving far too fast and looping into eternity. Much as 'Light Up Gold' and the subsequent EP 'Tally All The Things That You Broke' offered a uniquely tattered perspective on everyday city life, 'Sunbathing Animal' applies the same layered thoughts and sprawling noise to more cerebral, inward-looking themes. While heightened in its heaviness and mania, the album also represents a huge leap forward in terms of songwriting and vision. Still rooted firmly in the unshackled exploration and bombastic playing of their earlier work, everything here is amplified in its lucidity and intent. The songs wander through threads of blurry brilliance, exhaustion and fury at the hilt of every note.√•√ä\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eCD - Jewel Case.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLP - Gatefold Sleeve, printed inner bag, Download Code, Standard Black Vinyl\u003c\/span\u003e\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"CD","offer_id":715446805,"sku":null,"price":10.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":695790600210,"sku":null,"price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/parquet-courts-sunbathing-animal-south-records-ltd.jpg?v=1571438621"},{"product_id":"joy-division-unknown-pleasures","title":"Joy Division - Unknown Pleasures","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eUnknown Pleasures\u003c\/i\u003e\u003cspan\u003e, the debut studio album from Joy Division, was first released in 1979 on Factory Records. Within the first year, the album's atmospheric sound had won over fans and critics with tracks like¬†\u003c\/span\u003e\u003ci\u003eShe's Lost Control\u003cspan\u003e¬†\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eand¬†\u003c\/span\u003e\u003ci\u003eDay of the Lords\u003c\/i\u003e\u003cspan\u003e¬†and in the thirty-five years since it has more than secured its classic album status. Instantly recognisable by Peter Saville's iconic design\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":734958309,"sku":null,"price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/joy-division-unknown-pleasures-south-records-ltd.jpg?v=1571438623"},{"product_id":"eagulls-eagulls","title":"Eagulls - Eagulls","description":"\u003cspan\u003eBrash and opinionated, short and sharp, Leeds five piece Eagulls are the missing link in your record collection between post-punk and slacker rock. Combining a post-punk style with a confrontational attitude and the DIY feel of the finest modern garage rock, Eagulls have a high-strung sound and they've been building a reputation for a rowdy live show to match. Think a reverbed voiced Terry Hall fronting a claustrophobic version of The Cure with a 2014 style production that is both distorted and clear. The album is relentless, stomping and full of swagger. for fans of Merchandise, Savages, Killing Joke and Joy Division.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLP with Download.\u003c\/span\u003e","brand":"South Records Ltd","offers":[{"title":"CD","offer_id":1035581252,"sku":null,"price":10.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":695781523474,"sku":null,"price":16.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/eagulls-eagulls-south-records-ltd.jpg?v=1571438624"},{"product_id":"black-bananas-electric-brick-wall","title":"Black Bananas - Electric Brick Wall","description":"\u003cp\u003eBlack Bananas - Electric Brick Wall\u003c\/p\u003e\r\u003cdiv class=\"page\" title=\"Page 3\"\u003e\r\u003cdiv class=\"section\"\u003e\r\u003cdiv class=\"layoutArea\"\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cul\u003e\r\u003cli\u003e\r\u003cp\u003e\u003cspan\u003eBlack Bananas are Jennifer Herrema, Nadav Eisenman, Brian McKinley and Kurt Midness. They work with their machines to play rock that‚Ä∞€™s progressive, experimenting and never less than super- exciting. \u003c\/span\u003e\u003c\/p\u003e\r\u003c\/li\u003e\r\u003cli\u003e\r\u003cp\u003e\u003cspan\u003eWith eyes and ears out for the phases and strains of rock past and present, Black Bananas are on the lookout for a sound that mainly exists in their mind, an idea of sound to wrap around the tunes, a cattle prod sneaking around the backside of your aural cortex to jolt you into magical thinking. Black Bananas‚Ä∞€™ production pays forward the psychotropic effect with ultimate line blur but ‚Ä∞√õ√∑Electric Brick Wall‚Ä∞€™ is solidly composed of time-tested elements - the beat, the groove, licks, builds and bridges - fused together for projection to the stars. \u003c\/span\u003e\u003c\/p\u003e\r\u003c\/li\u003e\r\u003cli\u003e\r\u003cp\u003e\u003cspan\u003eThe lead single ‚Ä∞√õ√∑Physical Emotions‚Ä∞€™ is a dancefloor blast that our ears and minds deeply needed and ‚Ä∞√õ√∑Electric Brick Wall‚Ä∞€™ solves even more problems by introducing more and harder beats, upping the sugar quotient along with the strychnine in a line of insanely hilarious new music hybrids aplenty, like the drone \/ crunch \/ ragga vibes of ‚Ä∞√õ√∑Hey Rockin‚Ä∞€™ or the mirror- ballin‚Ä∞€™ industrial desolation of ‚Ä∞√õ√∑Creeping The Line‚Ä∞€™. It‚Ä∞€™s an age of hybrids but Black Bananas come on with hot Yankee ingenuity, true cross-breeders with a refreshing lack of values and a corresponding shortage of shame.√•√ä\u003c\/span\u003e\u003c\/p\u003e\r\u003c\/li\u003e\r\u003c\/ul\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"South Records Ltd","offers":[{"title":"Default Title","offer_id":784066261,"sku":null,"price":15.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/black-bananas-electric-brick-wall-south-records-ltd.jpg?v=1571438625"},{"product_id":"minor-threat-first-demo-tape","title":"Minor Threat - First Demo Tape","description":"\u003cp\u003eMinor Threat - First Demo Tape 7\" on Dischord.\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003cp\u003eMinor Threat - Stand Up - Seeing Red - Bottled Violence\u003c\/p\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003cp\u003eSmall Man, Big Mouth - Straight Edge - Guilty of Being White - I Don't Want To Hear It\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"7\"","offer_id":794196297,"sku":null,"price":8.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/minor-threat-first-demo-tape-south-records-ltd.jpg?v=1571438625"},{"product_id":"fugazi-instrument-soundtrack","title":"Fugazi - Instrument Soundtrack","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eSince almost nothing about Washington DC's Fugazi is conventional, it makes perfect sense that their first 'career-spanning' compilation album is largely made up of demos and unreleased tracks. Ostensibly the soundtrack for Jem Cohen's documentary, 'Instrument', the album is a glimpse into the creative process of one of punk's most adventurous and forward-thinking bands. The material stems from the 10 years between 1988 and '98 and, aside from some demo versions of songs that appeared in finished versions on 1998's 'End Hits', is largely composed of unreleased music. Fans who know Fugazi only from intense, tightly wound post-hardcore like their debut's anthem 'Waiting Room' will be astonished by the stylistic breadth of 'Instrument'. Types of songs never before expected of the band make appearances here, like Ian Makaye's poignant piano ballad, 'I'm So tired,' and the minor keyboard funk of 'Afterthought.' Even the songs that appeared on albums, like 'arpeggiator' and 'pink frosty,' take on new raw life in demo form, as much sketches as songs. as an album, 'Instrument' does feel like something unfinished, but as an accompaniment to a film that chronicles a restlessly creative band's philosophy and working process, it's a vital document.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdl\u003e\u003c\/dl\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":794198629,"sku":null,"price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/fugazi-instrument-soundtrack-south-records-ltd.jpg?v=1595889840"},{"product_id":"fugazi-the-argument","title":"Fugazi - The Argument","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eIt's unfortunate that a band so forward looking as Fugazi has been criticized over and over for not remaking \"Waiting Room\" or \"Repeater.\" Some have called them sellouts, regardless of the band's integrity and class, while others consider them elitists, \"guiding\" the Washington, D.C., scene. This could not be further from the truth. As the film and soundtrack to Instrument proved, this is a band that is only concerned with musical growth, with each album improving on its predecessor. But no album they have put together has the jump ahead that The Argument has.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eBeing both ear-shattering and spine-tingling at once, this is Fugazi at their \"musical\" best. Incorporating melody with texture and their signature angular approach, the band has raised the bar for themselves and others once again. The first \"full\" track, \"Cashout\" (an anti-gentrification anthem), is classic stuff, with a subtle guitar line exploding into a screaming chorus, but this time there is less of an emphasis on the screaming and more on the gentle melody of the verse. Slower tracks like \"The Kill\" and \"Life and Limb\" touch on strange new territory. Gentle with sense of swagger, these songs lack none of the power that the band is known for, while the two-drum assault of \"Ex-Spectator\" (courtesy of Brendan Canty and second drummer Jerry Busher) has just as much potency on disc as it does live. And the final song, \"Argument,\" with its rolling guitar lines, dreamy breakdown, and vocals that build from gentle to screaming, may be the best closer on a Fugazi record since \"Promises.\" Listeners may be surprised to hear strings open up the record, or piano guiding the brilliant \"Strangelight,\" but this is the album that proves once and for all that Fugazi has become a purely musical force.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":794203629,"sku":null,"price":18.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/fugazi-the-argument-south-records-ltd.jpg?v=1571438625"},{"product_id":"fugazi-red-medicine","title":"Fugazi - Red Medicine","description":"\u003cp\u003eFugazi - Red Medicine\u003c\/p\u003e\r\r\u003cp class=\"release-comments\"\u003eThis is Fugazi's fourth full-length record, released in 1995.\u003c\/p\u003e\r\r\u003cp class=\"release-comments\"\u003eThe 12\" LP was re-cut from the Silver Sonya Masters at Chicago Mastering Service and re-issued in February 2009. The LP also comes with a free MP3 download\u003ca href=\"http:\/\/www.dischord.com\/store\/download_help\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/p\u003e\r\r\u003cp class=\"release-comments\"\u003eThe CD was remastered at Silver Sonya in 2005 (but wasn't released until 2007).\u003c\/p\u003e\r\r\u003cdl class=\"release-details\"\u003e\r\u003cdt\u003eOriginally Released:\u003c\/dt\u003e\r\u003cdd\u003e1995\u003c\/dd\u003e\r\u003c\/dl\u003e\u003cdl class=\"release-lineup\"\u003e\r\u003cdt\u003eIan MacKaye\u003c\/dt\u003e\r\u003cdd\u003evocals \u0026amp; guitar\u003c\/dd\u003e\r\u003cdt\u003eGuy Picciotto\u003c\/dt\u003e\r\u003cdd\u003evocals \u0026amp; guitar\u003c\/dd\u003e\r\u003cdt\u003eJoe Lally\u003c\/dt\u003e\r\u003cdd\u003ebass\u003c\/dd\u003e\r\u003cdt\u003eBrendan Canty\u003c\/dt\u003e\r\u003cdd\u003edrums\u003c\/dd\u003e\r\u003c\/dl\u003e","brand":"South Records Ltd","offers":[{"title":"Default Title","offer_id":794204401,"sku":null,"price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/fugazi-red-medicine-south-records-ltd.jpg?v=1571438625"},{"product_id":"fugazi-repeater","title":"Fugazi - Repeater","description":"\u003cp\u003eWith its righteous disdain for capitalism and the almighty dollar, \u003ci\u003eRepeater\u003c\/i\u003esounds like an angrier American update of Gang of Four's \u003ci\u003eSolid Gold,\u003c\/i\u003e which had been made ten years earlier. Lines\/slogans like \"When I need something\/I reach out and grab it,\" \"You are not what you own,\" \"I was caught with my hand in the till,\" and \"Everything is greed\" bear this out. Though not lacking any sense of conviction, \u003ci\u003eRepeater\u003c\/i\u003e honestly gets a little stifling.\u003c\/p\u003e\n\u003cp\u003eIt's not too difficult to see why the band was allegedly lacking a sense of humour at this stage. They could have been yelling about filing their taxes; the yelling begins to fade into a din after a while. The title makes sense, if only by mistake. But - and that's a big but - \u003ci\u003eRepeater\u003c\/i\u003e nearly matches the \u003ci\u003eFugazi \u003c\/i\u003eand \u003ci\u003eMargin Walker\u003c\/i\u003e EPs with its musical invention and skill, spewing out another group of completely invigorating songs, which makes the subject matter and finger-pointing a little easier to swallow.\u003c\/p\u003e\n\u003cp\u003eFew rhythm sections of the time had the great interplay of Joe Lally and Brendan Canty. Likewise, the guitar playing and interaction of Ian MacKaye and Guy Picciotto almost always get overlooked, thanks to all the other subjects brought up when the band is talked about. A guitar magazine even rated Repeater as one of the best guitar records of the '90s, and rightfully so. Anemic revs spiked by pig squeals (or is it a screeching train?) highlight the title track, one of the band's finest moments. (Don't miss MacKaye's vicious double-tracked vocals, either.)\u003c\/p\u003e\n\u003cp\u003eAs always, MacKaye and Picciotto's noise-terrorism-as-guitar-joust avoids flashiness, used as much as rhythm as punctuation device. Sharp, angular, jagged, and precise. Other gnarling highlights include the preachy \"Styrofoam,\" the late-breaking \"Sieve-Fisted Find,\" and the somewhat ironic \"Merchandise,\" which skewers Mr. Business Owner by asking, \"What could a businessman ever want more\/Than to have us sucking in his store?\" Plenty of fans had to suck in someone's store to get this record, after all.\u003c\/p\u003e\n\u003cdl class=\"release-lineup\"\u003e\u003c\/dl\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":794205053,"sku":null,"price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/fugazi-repeater-south-records-ltd.jpg?v=1571438625"},{"product_id":"embrace-embrace","title":"Embrace - Embrace","description":"\u003cp\u003eEmbrace - Embrace on Dischord\u003c\/p\u003e\r\r\u003cp class=\"release-comments\"\u003eThe 12\" LP was re-mastered in March 2009 and comes with a free MP3 download\u003ca href=\"http:\/\/www.dischord.com\/store\/download_help\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/p\u003e\r\r\u003cp class=\"release-comments\"\u003eThe CD contains 2 *extra tracks; both alternate takes from the original recording.\u003c\/p\u003e\r\r\u003cdl class=\"release-details\"\u003e\r\u003cdt\u003eRecorded:\u003c\/dt\u003e\r\u003cdd\u003eNov '85, Feb '86\u003c\/dd\u003e\r\u003cdt\u003eReleased:\u003c\/dt\u003e\r\u003cdd\u003eSeptember 1987\u003c\/dd\u003e\r\u003cdt\u003e\u003c\/dt\u003e\r\u003c\/dl\u003e\u003cdl class=\"release-lineup\"\u003e\r\u003cdt\u003eIan Mackaye\u003c\/dt\u003e\r\u003cdd\u003evocals\u003c\/dd\u003e\r\u003cdt\u003eMichael Hampton\u003c\/dt\u003e\r\u003cdd\u003eguitar\u003c\/dd\u003e\r\u003cdt\u003eChris Bald\u003c\/dt\u003e\r\u003cdd\u003ebass\u003c\/dd\u003e\r\u003cdt\u003eIvor Hanson\u003c\/dt\u003e\r\u003cdd\u003edrums\u003c\/dd\u003e\r\u003c\/dl\u003e","brand":"South Records Ltd","offers":[{"title":"Default Title","offer_id":794205869,"sku":null,"price":11.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/embrace-embrace-south-records-ltd.jpg?v=1571438625"},{"product_id":"nation-of-ulysses-13-point-program-to-destroy-america","title":"Nation of Ulysses - 13 Point Program To Destroy America","description":"\u003cp\u003eNation of Ulysses - 13 Point Program To Destroy America on Dischord\u003c\/p\u003e\r\r\u003cp class=\"release-comments\"\u003eNation of Ulysses' first full-length album, released in 1991.\u003c\/p\u003e\r\r\u003cp class=\"release-comments\"\u003eThe 12\" LP has been√•√ä\u003cstrong\u003ere-cut and re-issued√•√ä\u003c\/strong\u003eand comes with a free MP3 download\u003cu\u003e\u003cbr\u003e\u003c\/u\u003e\u003c\/p\u003e\r\r\u003cp class=\"release-comments\"\u003e√•√ä\u003c\/p\u003e\r\r\u003cdl class=\"release-details\"\u003e\r\u003cdt\u003eRecorded:\u003c\/dt\u003e\r\u003cdd\u003eJanuary 1991\u003c\/dd\u003e\r\u003c\/dl\u003e\u003cdl class=\"release-details\"\u003e\r\u003cdt\u003eProduced by\u003c\/dt\u003e\r\u003cdd\u003eEli Janney\u003c\/dd\u003e\r\u003c\/dl\u003e\u003cdl class=\"release-lineup\"\u003e\r\u003cdt\u003eIan Svenonius\u003c\/dt\u003e\r\u003cdd\u003evocals\u003c\/dd\u003e\r\u003cdt\u003eTim Green\u003c\/dt\u003e\r\u003cdd\u003eguitar\u003c\/dd\u003e\r\u003cdt\u003eSteve Kroner\u003c\/dt\u003e\r\u003cdd\u003eguitar\u003c\/dd\u003e\r\u003cdt\u003eSteve Gamboa\u003c\/dt\u003e\r\u003cdd\u003ebass\u003c\/dd\u003e\r\u003cdt\u003eJames Canty\u003c\/dt\u003e\r\u003cdd\u003edrums\u003c\/dd\u003e\r\u003c\/dl\u003e\r\r\u003cp\u003e√•√ä\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":794207085,"sku":null,"price":8.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/nation-of-ulysses-13-point-program-to-destroy-america-south-records-ltd.jpg?v=1571438625"},{"product_id":"nation-of-ulysses-plays-pretty-for-baby","title":"Nation of Ulysses - Plays Pretty For Baby","description":"\u003cp\u003eNation of Ulysses - Plays Pretty For Baby on Dischord\u003c\/p\u003e\r\r\u003cp class=\"release-comments\"\u003eNation of Ulysses second full-length record, released in 1992.\u003c\/p\u003e\r\r\u003cp class=\"release-comments\"\u003eThis 12\" LP was re-cut and re-issued in September 2009 and comes with a free MP3 download\u003c\/p\u003e\r\r\u003cdl class=\"release-details\"\u003e\r\u003cdt\u003eOriginally Released:\u003c\/dt\u003e\r\u003cdd\u003e1992\u003c\/dd\u003e\r\u003c\/dl\u003e\u003cdl class=\"release-lineup\"\u003e\r\u003cdt\u003eIan Svenonius\u003c\/dt\u003e\r\u003cdd\u003evocals\u003c\/dd\u003e\r\u003cdt\u003eTim Green\u003c\/dt\u003e\r\u003cdd\u003eguitar\u003c\/dd\u003e\r\u003cdt\u003eSteve Kroner\u003c\/dt\u003e\r\u003cdd\u003eguitar\u003c\/dd\u003e\r\u003cdt\u003eSteve Gamboa\u003c\/dt\u003e\r\u003cdd\u003ebass\u003c\/dd\u003e\r\u003cdt\u003eJames Canty\u003c\/dt\u003e\r\u003cdd\u003edrums\u003c\/dd\u003e\r\u003c\/dl\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":794207825,"sku":null,"price":8.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/nation-of-ulysses-plays-pretty-for-baby-south-records-ltd.jpg?v=1571438625"},{"product_id":"cerebral-ballzy-jaded-faded","title":"Cerebral Ballzy - Jaded \u0026 Faded","description":"\u003cspan\u003e'Jaded and Faded' by Cerebral Ballzy is the band's sophomore studio release, which follows 2011's self-titled record. 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Yet despite the poppy sound, the band maintains a punkish sense of subversion with especially cutting lyrics.\u003c\/span\u003e","brand":"South Records Ltd","offers":[{"title":"Default Title","offer_id":800222481,"sku":null,"price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/cerebral-ballzy-jaded-faded-south-records-ltd.jpg?v=1571438626"},{"product_id":"frantix-my-dad-s-a-fuckin-alcoholic","title":"Frantix - My Dad's A Fuckin Alcoholic","description":"\u003cspan\u003eAurora‚Ä∞€™s Frantix transfixed the early 1980s Colorado punk scene with their unique sound and chaotic live show, releasing just two 7-inch EPs before evolving into the equally renowned grunge band The Fluid, Sub Pop‚Ä∞€™s first non-Seattle signing who helped lead the label‚Ä∞€™s grunge invasion of the mainstream. The group‚Ä∞€™s complete recorded works‚Ä∞√õ√ìboth EPs plus rare, unreleased and great-sounding demo and live material‚Ä∞√õ√ìare collected here, most tracks appearing on vinyl for the first time ever. Though many people mistakenly believe that Mudhoney‚Ä∞€™s well-known version of ‚Ä∞√õ√èMy Dad‚Ä∞€™s a Fuckin‚Ä∞€™ Alcoholic‚Ä∞€ù is an original, this is the true KBD classic!\u003c\/span\u003e\u003cspan class=\"break\"\u003e√•√ä\u003c\/span\u003e\u003cspan\u003eThe mix of Ricky Kulwicki‚Ä∞€™s unstoppable, lava-flow guitar, Matt Bischoff‚Ä∞€™s droning, carpet-bombing bass, Davey Stewart‚Ä∞€™s train-wreck drums, and Marc Deaton‚Ä∞€™s teenage-zombie vocals is downright legendary. Frantix were never just hardcore, and one can hear it on their very first recordings from 1980: beneath the songs‚Ä∞€™ amphetamine stutter and sonic tachycardia are strands of rock ‚Ä∞€™n‚Ä∞€™ roll DNA belonging to Johnny Thunders and Keith Richards. ‚Ä∞√õ√èDancin‚Ä∞€™ to Punk‚Ä∞€ù and ‚Ä∞√õ√èFM Ear‚Ä∞€ù are smeared with lipstick traces of the Modern Lovers. The classic ‚Ä∞√õ√èMy Dad‚Ä∞€™s a Fuckin‚Ä∞€™ Alcoholic,‚Ä∞€ù equal parts Black Flag and Flipper with a touch of the New York Dolls, sports a simple but unforgettable bass riff and sing-along chorus and was a local favorite that grew to national underground prominence after its original release. 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Total Control emerged from Australia‚Ä∞€™s dynamic punk scene in ‚Ä∞€™08, releasing a succession of 7‚Ä∞€ùs that developed from an aggressive post-punk band sound to studio forays into electronic forms from minimal wave to house. Their debut LP, Henge Beat, was commended as one of the few records released in 2011 that evaded the ease of classification and competent tribute act status of most modern bands. Subsequently, they have released three very different records: a split 12‚Ä∞€ù with Thee Oh Sees, a 7‚Ä∞€ù single on Sub Pop and a house remix 12‚Ä∞€ù.\u003c\/p\u003e\r\u003cp\u003eTypical System develops on the incongruent demands of their debut LP and ensuing releases, a further development on their continually evolving sound.\u003c\/p\u003e\r\u003cp\u003e‚Ä∞√õ√∑Flesh War‚Ä∞€™ stream from Pitchfork: \u003ca href=\"http:\/\/pitchfork.com\/reviews\/tracks\/16847-total-control-flesh-war\/\"\u003ehttp:\/\/pitchfork.com\/reviews\/tracks\/16847-total-control-flesh-war\/\u003c\/a\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cstrong\u003eTRACK LIST: 1. Glass 2. Expensive Dog 3. Flesh War 4. Systematic Fuck 5. Liberal Party 6. Two Less Jacks 7. Black Spring 8. The Ferryman 9. Hunter 10. 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It happened so goddamn fast that if you missed the imaginal cut-off for inclusion by a few fucking weeks, you were forever written out of the picture. Believe me. Thurston and I wrote the book on this goddamn scene, and the Hi Sheriffs were just outside our temporal markers, despite the fact they'd played Tier 3, the Mudd Club and everywhere you'd think would matter. But look, they were as second gen No Wave as the Raybeats, the Bush Tetras and Eight Eyed Spy. If you have to ask why that was, and why such things were a matter of weeks rather than anything else, I dunno what to say. It's just how it was, and we all knew it. Shit moved fast. The fact that the Hi Sheriffs were devolved from the Girls -- the BEST band Boston ever birthed, as well as the only non-CLE band to ever record for Pere Ubu's label, Hearthan -- did not mean shit. 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She did not record with them until later -- not long before she'd begin her Devil Dogs project -- but even she knew she was beyond No Wave at the point of Eight Eyed Spy. It was a weirdly specific scene in many ways. But sonically, it bore lots of fruit. And one of the first, best and most blues-wailingest of its proponents was the Hi Sheriffs Of Blue.\" --Byron Coley;\u003c\/p\u003e\r\r\u003cp\u003eIncludes a download card. Edition of 500.\u003c\/p\u003e\r\r\u003cp\u003e\u003cstrong\u003eTRACK LIST: 1. Gossip Crowd, Loser Line, Sweet Talk, My Big Vacation, Hate 2. Dust My Blues 3. Big Duke 4. Blue Door, Black Door 5. White Street Shuffle 6. Where Were You When the Lights Went Out? 7. 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Recorded while living with Foxygen's Jonathan Rado at his rented house in Bloomington, the band had its first taste of a heavy Indiana summer, and all the humidity and insect life that buzzes along with it. Their first collection of songs slyly unties the shoes of genre and convention, shapeshifts mischievously, and tramples on the promises delivered on the name itself. There are only eight songs on this rangy debut. 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Matt Flegel and Scott Munro (respective former members of beloved Calgary band Women, and Chad VanGaalen's band) spent much of 2013 in their basement studio with a mess of old and run-down equipment to build a set of fresh material. Joined by bandmates Daniel Christiansen and Michael Wallace, the band completed work on a debut cassette. What emerged from the studio was a mixture of sharply-angled rhythmic workouts and euphoric ‚Ä∞√õ√∑60s garage pop melodies, balanced with a penchant for drone-y, VU-styled downer moments.\u003c\/p\u003e\r\u003cp\u003eOpening track \"Throw It Away\" is tightly wound guitar pop, recalling the nervous urgency of The Feelies with its wiry guitar lines and ever-changing drum patterns, both of which are played with a dexterous sense of glee. \"Oxygen Feed\" is another stand-out, a gloriously sloppy sing-a-long couched with warm harmonies, and a charmingly ramshackle rhythm section befitting of its basement origins. 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Sarah (who went with Mickey Hampshire), Hilary (with Russ Wilkins), and Louise (with Bruce Brand) took the lead on a rendition of the Beatles‚Ä∞€™ ‚Ä∞√õ√èBoys‚Ä∞€ù before striking out on their own with a couple of four-song EPs in 1984: Comin‚Ä∞€™ Home Baby (popularized by Mel Tormé) and Hello, We Love You (actually the Doors‚Ä∞€™ ‚Ä∞√õ√èHello, I Love You.‚Ä∞€ù) In both cases, the Milkshakes served as their backing band and Childish and Hampshire wrote most of the originals.\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":870234117,"sku":null,"price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/the-delmonas-the-delmonas-5-south-records-ltd.jpg?v=1571438636"},{"product_id":"merchandise-after-the-end","title":"Merchandise - After The End","description":"\u003cdiv class=\"page\" title=\"Page 17\"\u003e\r\r\u003cdiv class=\"section\"\u003e\r\r\u003cdiv class=\"layoutArea\"\u003e\r\r\u003cdiv class=\"column\"\u003e\u003cspan style=\"line-height: 1.2;\"\u003eFirst gaining notoriety with the albums ‚Ä∞√õ√∑Children Of Desire‚Ä∞€™ (2012), which Pitchfork hailed for its ‚Ä∞√õ√èglistening and emotive, earbleeding noise pop,‚Ä∞€ù followed by ‚Ä∞√õ√∑Totale Nite‚Ä∞€™ (2013), which NME likened to ‚Ä∞√õ√èa cultural jump-start‚Ä∞€ù in their 9\/10 review, Merchandise continue their ascent with the highly-anticipated new album, ‚Ä∞√õ√∑After The End‚Ä∞€™.\u003c\/span\u003e\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eDrawing from too many places to be classified punk, they‚Ä∞€™ve certainly been informed by its ethics, earning all they‚Ä∞€™ve achieved. Still self- recording and producing their music, this time over a six month period in the house they share in Tampa, ‚Ä∞√õ√∑After The End‚Ä∞€™ is a real achievement in showing what bands can achieve themselves. The only outside influence this time came when they enlisted mixing help from Gareth Jones, the man famed for his work on Depeche Mode‚Ä∞€™s Berlin Trilogy of ‚Ä∞√õ√∑Construction Time Again‚Ä∞€™, ‚Ä∞√õ√∑Some Great Reward‚Ä∞€™ and ‚Ä∞√õ√∑Black Celebration‚Ä∞€™ and, more recently, Interpol, These New Puritans and Grizzly Bear.\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eAs the album‚Ä∞€™s title suggests, Merchandise are still evolving. With this record, they‚Ä∞€™ve expanded ranks with Carson Cox (vocals \/ guitar), David Vassalotti (guitar) and Patrick Brady (bass) now being joined by Chris Horn (guitar \/ keys \/ sax) and Elsner Nino (drums).\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eSpeaking to the NME earlier this year, Carson said ‚Ä∞√õ?√õ√∑Totale Nite‚Ä∞€™ was the end of the book. This is a whole new one. It‚Ä∞€™s like we can start a new band with basically the same name. We‚Ä∞€™ve already exploded our reality - now we‚Ä∞€™re going to re-make ourselves as a pop band, but it‚Ä∞€™ll still be a twisted reality.‚Ä∞€ù He‚Ä∞€™s kept to his word - the album is made up of ten tracks spread across a mean 45 minutes.\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eInitial LP pressing will be on green vinyl.\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\r\r\u003cp\u003e‚Ä∞√õ√èPrevious stalwarts of the underground, Merchandise are becoming a√•√ä\u003cspan style=\"line-height: 1.2;\"\u003evitally important, fully-exposed band.‚Ä∞€ù - DIY\u003c\/span\u003e\u003c\/p\u003e\r\r\u003cspan style=\"line-height: 1.2;\"\u003e‚Ä∞√õ√èOne of those rock bands who invite you to question every idea you might have about them... They‚Ä∞€™re one of the more interesting new rock bands of the moment.‚Ä∞€ù - The Guardian\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003e‚Ä∞√õ√èMerchandise sound like a band still exploring their huge potential.‚Ä∞€ù - Uncut√•√ä\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003c\/div\u003e\r\r\u003c\/div\u003e\r\r\u003c\/div\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":695736205330,"sku":null,"price":5.0,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":879648781,"sku":null,"price":9.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/merchandise-after-the-end-south-records-ltd.jpg?v=1571438637"},{"product_id":"music-blues-things-havent-gone-well","title":"Music Blues - Things Haven't Gone Well","description":"\u003cdiv class=\"page\" title=\"Page 19\"\u003e\r\r\u003cdiv class=\"section\"\u003e\r\r\u003cdiv class=\"layoutArea\"\u003e\r\r\u003cdiv class=\"column\"\u003e\u003cspan style=\"line-height: 1.2;\"\u003eMusic Blues is Stephen Tanner of Harvey Milk. ‚Ä∞√õ√∑Things Haven‚Ä∞€™t Gone Well‚Ä∞€™ is Tanner‚Ä∞€™s debut as a solo artist and the first album under the name Music Blues. The album was completely written and recorded by Tanner in both Georgia at Harvey Milk‚Ä∞€™s vocalist and guitarist Creston Spiers‚Ä∞€™ house and in his Brooklyn apartment.\u003c\/span\u003e\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eTanner continues on with the musical touchstones of Harvey Milk (Melvins, Gore, Earth, ZZ Top, Kiss and Judas Priest) while forging ahead into a strange and, at times, harrowing, unknown.\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eTanner‚Ä∞€™s life, from birth until now, is the theme of the album. The first song, ‚Ä∞√õ√∑91771‚Ä∞€™, is his birthdate and the second one, ‚Ä∞√õ√∑Premature Caesarean Removal Delivery‚Ä∞€™ is about being cut out of his mother three weeks prematurely, an act he attributes to most of his problems. He takes to heart the words his father told him at a young age: ‚Ä∞√õ√èYou think life sucks now, just wait.‚Ä∞€ù\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eIt‚Ä∞€™s a dirgey sludge with solid boogie moments and ‚Ä∞√õ√∑Fade To Black‚Ä∞€™ melancholy. Tanner calls it depressing but the album hits far more notes than that. It‚Ä∞€™s slow and heavy but it moves, and there‚Ä∞€™s an expansiveness that picks up steam, a vastness akin to soundtracks. It has a cinematic quality that reveals the influences of John Carpenter and Ennio Morricone, albeit different in musicality.\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003e‚Ä∞√õ√∑Things Haven‚Ä∞€™t Gone Well‚Ä∞€™ features drumming from Kyle Spence (Harvey Milk, Kurt Vile band).\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eCD version in 4 panel mini-LP style gatefold package. Deluxe double LP pressed on virgin vinyl and packaged in an uncoated stock gatefold jacket with free download coupon. Initial vinyl copies are pressed on ‚Ä∞√õ√∑sh*t brown‚Ä∞€™ coloured vinyl, with the remaining copies on black.\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003e‚Ä∞√õ√èStephen Tanner is a true Renaissance man‚Ä∞€ù - The Village Voice\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003e‚Ä∞√õ√èIt‚Ä∞€™s a bummed-out coherence: 40 minutes of slow, thick miasma, with recurring, descending melodic phrases tying it all together.‚Ä∞€ù - New York Times (on Harvey Milk)\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003e‚Ä∞√õ√èIt‚Ä∞€™s a grim journey, and often creepy as hell, but it‚Ä∞€™s by no means depressing. Mediocre music is depressing. This stuff is exhilarating.‚Ä∞€ù - PopMatters (on Harvey Milk)√•√ä\u003c\/span\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cbr\u003e\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003c\/div\u003e\r\r\u003c\/div\u003e\r\r\u003c\/div\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":879652625,"sku":null,"price":5.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/music-blues-things-havent-gone-well-south-records-ltd.jpg?v=1571438637"},{"product_id":"jack-ruby-jack-ruby-vol-2","title":"Jack Ruby - Jack Ruby Vol.2","description":"\u003cp\u003e\"When Don Fleming was doing the initial transfers of the tapes we'd gotten retrieved from Randy Cohen's barn, every evening seemed to bring a new surprise. But nothing was a bigger jawdropper than the material which makes up the second LP of our Jack Ruby archival series. The central core of the album is the 16 \u0026amp; a 1\/2 minute track, \"Destroy\/Lost,\" recorded at the band's rehearsal space in January '74. Robin Hall vocalizes and Boris plays electric viola, but the bulk of the piece is screaming analog synth weirdness from Randy Cohen's Serge synthesizer.\u003c\/p\u003e\r\r\u003cp\u003eAccording to Robin, the track was recorded in hopes that it might be pared down to a single. Hard to imagine how the hell it might've been done (or in what universe), but it is a masterpiece of long-format insanity -- with Boris and Robin providing a context for the massive gallumping of the Serge. Additional players appear on some of the shorter tracks -- new music\/free jazz saxophonist, Pete van Riper, on \"Lithium Serenade\"; Boris's electric viola on \"Hydrogen Lullaby\"; Chris Gray's guitar on \"Mandible Mambo\"; Rich Gold's Serge joins Boris' strings on \"Ghost Note.\"\u003c\/p\u003e\r\r\u003cp\u003eThe rest is the product of Randy's whacked-out compositional notions and his mastery of the Serge's patch-cords. Some of the material was recorded pre-Jack Ruby at Cal Arts (where Randy and Boris first met). The rest was from a performance in New York in early '74. Heard as a whole, it is a bizarrely shaped piece of the pre-punk\/free-form puzzle that was Jack Ruby. Buckle up. It's going to be a bumpy ride.\" - Byron Coley\u003c\/p\u003e\r\r\u003cp\u003eIncludes download card. Edition of 600.\u003c\/p\u003e\r\r\u003cp\u003eTRACKLISTING 1. Destroy\/Lost 2. Beryllium Blues 3. Parietal Cha Cha 4. Lithium Serenade 5. Hydrogen Lullaby 6. Palaatine March 7. Sphenoid Waltz 8. Sodium Nocturne 9. Temporal Tango 10. Mandible Mango 11. Ghost Note\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":918086053,"sku":null,"price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/jack-ruby-jack-ruby-vol2-south-records-ltd.jpg?v=1571438640"},{"product_id":"bang-bros-12-12-12","title":"Bang Bros - 12\/12\/12","description":"\u003cp\u003e\"Mark Johnson \u0026amp; Adam Foam (Whitehaus, Hunnie Bunnies, Peace Loving) invent a sorely-needed new free jazz instrument: the drum machine. Instead of stuffing their mouths with too many horns, they use their faces \u0026amp; fingers to punch on too many electronic buttons like Cecil Taylor with his fingers in a wall socket. Pauses, whirs, percussion avalanches \u0026amp; whizbang punch lines with real punch in them. Documentation of their ridiculous attempt to tour 12 cities in 12 hours on 12-12-2012, using battery powered little amplifiers. I myself went to the show in Cambridge, which took place at 9am on the lawn in front of City Hall, and was attended by 4 or 5 freezing passersby, a wedding party, a reporter from the local paper, \u0026amp; a policeman who was distracted from looking for traffic violations. Both gents have since moved away, to Philly \u0026amp; Western Mass respectively, but the band was damned beautiful while it lasted.\" --Angela Sawyer, Weirdo Records\u003c\/p\u003e\r\r\u003cp\u003eEdition of 300 copies.\u003c\/p\u003e\r\r\u003cp\u003eTRACKLISTING 1. Whitehaus, Boston 2. Town Hall Lawn, Cambridge 3. Starlab, Somerville 4. Steve Norton's, Medford 5. Revere Beach, Revere 6. Lynnway Mart Lot, Lynn 7. Listening Room, Salem 8. Chailey Mansion, Newburyport 9. Uncharted, Lowell 10. Firehouse, Worcester 11. Slater Mill, Pawtucket 12. Pr Matrix Hex, Providence\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"Default Title","offer_id":918087661,"sku":null,"price":16.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/bang-bros-121212-south-records-ltd.jpg?v=1571438640"},{"product_id":"john-wesley-coleman-the-love-that-you-own","title":"John Wesley Coleman - The Love That You Own","description":"\u003cp\u003eTrue Rock N Roll Original Slacker Pop Masterpiece From The Heart Of Texas! CD Digipack \/ Deluxe LP tip-on jacket w\/ DL. Incredible American Rock N Roll Hits Outta Austin, Texas!!! Highly Recommended For Rock N Rollers!!! John Wesley Coleman continues his mad rampage though country-hiccupped, psychedelic garage rock. Coleman is in fine, demented voice, yelping and yodeling and warbling above an unruly racket of guitars and organs. He fairly vibrates with feeling as he negotiates songs about the dangerous side of love‚Ä∞√õ_ Coleman veers all over the place, his voice full of eddies and backwashes and bubbles, and you keep expecting him to lose the thread, but he doesn‚Ä∞€™t.\u003c\/p\u003e\r\r\u003cp\u003eTrack listing : 1 I Wish The Night To Be A Lot Longer 2 The Love That You Own 3 Hanging With The Band 4 Lizz Hitt Queen of the Midwestern Punk Rock World 5 Our Love Is Blind 6 The Well 7 Love Drinks 8 Thief 9 Money In My Pocket 10 Looking For The Same Thing (Silver Jeans)\u003c\/p\u003e\r\r\u003cp\u003eOn Burger Records\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":918092873,"sku":null,"price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/john-wesley-coleman-the-love-that-you-own-south-records-ltd.jpg?v=1571438641"},{"product_id":"king-tuff-black-moon-spell","title":"King Tuff - Black Moon Spell","description":"\u003cdiv class=\"page\" title=\"Page 11\"\u003e\r\r\u003cdiv class=\"section\"\u003e\r\r\u003cdiv class=\"layoutArea\"\u003e\r\r\u003cdiv class=\"column\"\u003e\u003cspan style=\"line-height: 1.2;\"\u003eKing Tuff‚Ä∞€™s new record is called ‚Ä∞√õ√∑Black Moon Spell‚Ä∞€™. It was produced and recorded by Bobby Harlow at Studio B in Los Angeles, California, in the hot winter of 2014.\u003c\/span\u003e\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eThere were many strange occurrences during the recording session - Dracula landlords, flashes of mysterious light, haunted microphones, songs that mixed themselves, demonic vortexes swirling in coffee cups, etc. Under the ‚Ä∞√õ√∑Black Moon Spell‚Ä∞€™ you may experience euphoria, demented visions, wet dreams, bouts of backwards laughter, and dazed confusion resulting in primordial dancing.\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eLos Angeles, full of its screaming coyotes and creeping helicopters, surely slathered its sexy, twisted, hairy, polluted spirit all over ‚Ä∞√õ√∑Black Moon Spell‚Ä∞€™.\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eListen to ‚Ä∞√õ√∑Black Moon Spell‚Ä∞€™ and give your ears what they‚Ä∞€™ve been begging for all year; a heavily weird, heavenly dark, hysterically magical rock \u0026amp; roll sexperience.\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003c\/div\u003e\r\r\u003c\/div\u003e\r\r\u003c\/div\u003e","brand":"South Records Ltd","offers":[{"title":"CD","offer_id":923879465,"sku":null,"price":10.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":695725064210,"sku":null,"price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/king-tuff-black-moon-spell-south-records-ltd.jpg?v=1571438642"},{"product_id":"purling-hiss-weirdon","title":"Purling Hiss - Weirdon","description":"\u003cdiv class=\"page\" title=\"Page 14\"\u003e\r\r\u003cdiv class=\"section\"\u003e\r\r\u003cdiv class=\"layoutArea\"\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cspan style=\"line-height: 1.2;\"\u003eFull-tilt with tunes, aggro riffs, feedback peals, stoned soul-searching, pop turnarounds and magisterial portraits of the go-nowhere lifestyle in abstract, ‚Ä∞√õ√∑Weirdon‚Ä∞€™ is also a new-phase Purling Hiss album, using the songwriting and guitar style of Mike Polizze to come up with a quicksilver sound touched on only briefly on previous records.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eReplete with handclaps, pounding pianos, tambourines and vocal effects, but steeped in guitar roar, Purling Hiss streamlines up nicely, serving the new songs and directions of ‚Ä∞√õ√∑Weirdon‚Ä∞€™ while still slamming down hard on your ears like they like to do.\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eSimultaneously ramshackle and overblown, tactile and free, the early Purling of ‚Ä∞√õ√∑Hissteria‚Ä∞€™ and ‚Ä∞√õ√∑Public Service Announcement‚Ä∞€™ used DIY limitations to soar through speakers with a new rock sound.\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eAs listeners came gathering and gathering, the call for shows and more shows and then tours became an issue, so Mike expanded Purling Hiss from just his guitar and tape recorder and him into a full-blown trio, capable of lifting heavier than even the records‚Ä∞€™ thick layers of distorto implied. Now the guitar worked together with the rhythm section rather than fighting it, ‚Ä∞√õ√∑Sister Ray‚Ä∞€™-style. In addition to its amazing songs, their previous album ‚Ä∞√õ√∑Water On Mars‚Ä∞€™ exploited the bombast of the live, power-trio incarnation but in order to put the next set of songs across, Mike needed to go to another dimension in his mind.\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eAfter trading the distant drum of early days for a thick, upfront kit sound on ‚Ä∞√õ√∑Water On Mars‚Ä∞€™ - additionally revealing real words attached to Mike‚Ä∞€™s vocal melodies - Purling Hiss have spread it out again, pushing Mike‚Ä∞€™s guitar tides over the top, splashing across the drums and vocals. The mix retains a certain clarity nonetheless, even when it matches the crush-and-whine of cheap rhythm sounds with mountainous body, singing leads and infinite distortion layers.\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eIf ‚Ä∞√õ√∑Water On Mars‚Ä∞€™ was the Purling Hiss heavy rock album, ‚Ä∞√õ√∑Weirdon‚Ä∞€™ travels into the pop dimension of Purling Hiss, making of their fastest and catchiest songs in the abiding images of punk and psychedelia. Written alone to achieve a contrast with the previous album and return in a sense to the original approach, ‚Ä∞√õ√∑Weirdon‚Ä∞€™ was made with no concept of limitations on what could be performed live. Mike‚Ä∞€™s new songs open up, going all over the place, while still based in their home-cooked blend of catharsis and shredding, both in the guitar playing and the inner life of the album.\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eFull of colour and rock and roll, ‚Ä∞√õ√∑Weirdon‚Ä∞€™ is a rainbow of a record; beaming down to the stereos and streets and highways and boom boxes of today, through the unique and still-growing prism of Purling Hiss.\u003c\/span\u003e\r\u003c\/div\u003e\r\r\u003c\/div\u003e\r\r\u003c\/div\u003e\r\r\u003c\/div\u003e","brand":"South Records Ltd","offers":[{"title":"CD","offer_id":923883605,"sku":null,"price":11.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":695724965906,"sku":null,"price":15.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/purling-hiss-weirdon-south-records-ltd.jpg?v=1571438642"},{"product_id":"iceage-plowing-into-the-field-of-love","title":"Iceage - Plowing Into The Field of Love","description":"\u003cdiv class=\"page\" title=\"Page 7\"\u003e\r\u003cdiv class=\"section\"\u003e\r\u003cdiv class=\"layoutArea\"\u003e\r\u003cdiv class=\"column\"\u003e\u003cspan style=\"line-height: 1.2;\"\u003e‚Ä∞√õ√∑Plowing Into The Field Of Love‚Ä∞€™ is the bold and forceful third album from Copenhagen‚Ä∞€™s Iceage. Channelling the rage and emotion of their tempestuous early releases into finely honed musicianship, ‚Ä∞√õ√∑Plowing Into The Field Of Love‚Ä∞€™ features piano, mandolin, viola and organ atop Johan Suurballe-Wieth‚Ä∞€™s razor-sharp guitars and the lolloping, synchronized rhythm section of Jacob Tvilling Pless and Dan Kj√å_r Nielsen.\u003c\/span\u003e\u003c\/div\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eThe record has a clear, uncompressed sound and Elias Bender R√å√ºnnenfelt‚Ä∞€™s desperate vocals are out front, nakedly accountable for the words.\u003c\/span\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eOn this album, R√å√ºnnenfelt sings of what it is like to be out in the world, dizzy with its offerings, perched on a plateau of false confidence, bliss, fantasy and delirious self-denial. ‚Ä∞√õ√∑Glassy Eyed, Dormant And Veiled‚Ä∞€™ tells of a troubled father and son over a sombre and building minor-key chugging riff that builds and builds into a menacing chorus of horns and guitars, ‚Ä∞√õ√èDon‚Ä∞€™t think I did not hear you coming home, boy.‚Ä∞€ù\u003c\/span\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eThe autobiographical ‚Ä∞√õ√∑Forever‚Ä∞€™ begins with a pretty repetitive motif over the words ‚Ä∞√õ√èI always had the sense that I was split in two‚Ä∞€ù and climaxes with a sunburst of horns recalling South African spiritual jazz great Mongezi Feza: ‚Ä∞√õ√èIf I could dive into the other, I‚Ä∞€™d lose myself forever.‚Ä∞€ù\u003c\/span\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eAt the other extreme, the album tends to a sort of euphoria, especially in the unexpectedly upbeat country number ‚Ä∞√õ√∑The Lord's Favorite‚Ä∞€™ and even humour. 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Alan Horne recorded everything from their Northern Soul inspired instrumental opener, which was later reprised to close the set - to songs such as ‚Ä∞√õ√∑Caught In Midstream‚Ä∞€™ and ‚Ä∞√õ√∑The Devil‚Ä∞€™s in League With You.‚Ä∞€™ The bootleg eventually found its way to Edwyn Collins, who chose to record ‚Ä∞√õ√∑Holiday Hymn‚Ä∞€™ for Orange Juice‚Ä∞€™s 1981 Peel Session.\u003c\/p\u003e\r\r\u003cp\u003eNearly thirty years later and the seeds of 1979 NOW! took root, but went on the back burner as attention turned to other things, like recording ‚Ä∞√õ√∑We Come As Aliens‚Ä∞€™, gigs and the release of ‚Ä∞√õ√∑Live In Stereo‚Ä∞€™ (2009 gnu inc). Fast-forward to 2010 and with WCAA released (CD Overground\/Vinyl gnu inc.) attention briefly returned to 1979 NOW! Eventually, after careful consideration, Myers agreed to come on board with Vic‚Ä∞€™s long time collaborator, friend and fellow Chelsea fan Paul Cook, to record 1979 NOW! and perform live with Subway Sect; Kevin Younger, Mark Braby and Yusuf B‚Ä∞€™Layachi.\u003c\/p\u003e\r\r\u003cp\u003eWork began on the first 1979 NOW! tracks at West Heath Studios in 2012 with Edwyn Collins and Seb Lewsley recording and producing.\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"CD","offer_id":944097089,"sku":null,"price":11.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":695715659794,"sku":null,"price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/vic-godard-subway-sect-1979-now-south-records-ltd.jpg?v=1571438643"},{"product_id":"michael-psycho-think","title":"Michael Psycho - Think","description":"\u003cmeta charset=\"utf-8\"\u003e\r\r\u003cp\u003e\u003cspan\u003eIn 1990, Michael Psycho released a great punk rock record that almost no one heard. A Boston-transplant and veteran of Sacramento‚Ä∞€™s early 80s hardcore scene (Industrial Hate, Inducore), Michael said ‚Ä∞√õ√èFug It‚Ä∞€ù to his former band mates and recorded Think by his lonesome.\u003c\/span\u003e\u003c\/p\u003e\r\r\u003cp\u003eThe sound is a stripped down high energy, nasty attitude cross of garage punk, hardcore, and DIY with a vocal sneer that resembles No Alternative‚Ä∞€™s Johnny Genocide. Michael pressed a bunch up, sent a few out, and then stored most of the pressing at a friend‚Ä∞€™s house. The friend‚Ä∞€™s dad dropped the records off at the dump. In all, less than 100 survived.\u003c\/p\u003e\r\r\u003cp\u003eOne of the few to hear it was Byron Coley, who praised the record, writing that Think is ‚Ä∞√õ√èa lost monster of inept raw disorganized garage punk....this is classic shit!‚Ä∞€ù We agreed! (Since we announced the release, people have come out of their caves expressing excitement about this reissue. Lance at Permanent was in a frenzy. We got a super emphatic email from In The Red's Larry Hardy oozing over Think. Of course, our own Charles Albright hasn't slept for months, waiting for this to hit the street.) With Michael‚Ä∞€™s blessing we got the thing remastered by John Golden and pressed a bunch more up. So if you were pulling out your hair trying to find this scarce nugget or you‚Ä∞€™re thinking, ‚Ä∞√õ√èWhat? I didn‚Ä∞€™t know about this thing!‚Ä∞€ù or just want a great blast of outsider, loner punk greatness, here ya go. (Ss)\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":965393248,"sku":null,"price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/michael-psycho-think-south-records-ltd.jpg?v=1571438645"},{"product_id":"swans-filth","title":"Swans - Filth","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSwans' debut album re-mastered and reissued on vinyl, including two reproduction live posters. The first in a series of re-mastered catalogue reissues. 'Filth' was originally released in 1983 and is an exhausting exercise in the art of noise terrorism and gruesome, destructive, hate-filled bashing of humanity. 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