{"title":"Reissues","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSouth Records in Southend-on-Sea, Essex. These are the latest album reissues available on CD and vinyl\u003c\/span\u003e","products":[{"product_id":"wipers-is-this-real-limited-edition-lp","title":"Wipers - Is This Real? (limited edition) LP","description":"\u003cp\u003eWipers - Is This Real? limited edition remastered LP on Zeno\/ Jackpot\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"Default Title","offer_id":640539493,"sku":null,"price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/wipers-is-this-real-limited-edition-lp-south-records-ltd.jpg?v=1571438615"},{"product_id":"cluster-eno-cluster-eno-lp","title":"Cluster \u0026 Eno - Cluster \u0026 Eno","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eOriginally released when Star Wars was just hitting the cinemas first time round, this collaboration between Brian Eno and \"German synth pastoralists\" Hans-Joachim Roedelius and Dieter Moebius (aka Cluster) shares a similarily imperialistic view of the opportunities afforded us by technology; couched throughout by a distinct human touch. With Cluster's signature sound of intricate yet broad analogue treatise, it's no real surprise Eno sought a collaboration and it's also no real surprise that it works a treat; fusing both parties strengths into a formidably singular entity. With more than a hint of Vangelis in the likes of 'Fur Louse' and some bubbling synth jauntiness on 'Die Bunge', Cluster and Eno display the forming of a sound which would come to characterise the electronic fringes for decades to come whilst retaining a tacit link to the past which Eno explains in the sleeve notes as being \"a sort of European alternative to the African route that most other pop music had taken\". A brave new world...\u003c\/span\u003e\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":642408093,"sku":null,"price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/cluster-eno-cluster-eno-south-records-ltd.jpg?v=1571438617"},{"product_id":"ramones-leave-home-lp","title":"Ramones - Leave Home","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e1977 saw Ramones release two great albums in the same year, and \u003c\/span\u003e\u003ci\u003eLeave Home \u003c\/i\u003e\u003cspan\u003ewas the first to be released in January of that year, as the follow-up to their eponymous debut album. This 30-minute opus of buzzsaw rock introduced fans to classics like \u003c\/span\u003e\u003ci\u003ePinhead, California Sun\u003c\/i\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003ci\u003eSwallow My Pride\u003c\/i\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":701009141,"sku":null,"price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/ramones-leave-home-south-records-ltd.jpg?v=1583533957"},{"product_id":"love-forever-changes-lp","title":"Love - Forever Changes","description":"\u003cp\u003e\u003cspan\u003eOne of the first pop albums to become a cult classic, Love's 1967 masterpiece, Forever Changes', is the pinnacle of the LA freak scene. Singer \/ songwriter Arthur Lee's lyrics are increasingly fragmentary and paranoid, foreshadowing the band's eventual drug-fueled collapse. Yet these drop-dead hip tunes are set in arrangements featuring Herb Alpert-style mariachi horns, lush middle-of-the-road strings, and other tropes of the easy listening scene, creating a more unsettling sense of tension than if the songs were given the usual heavy rock instrumentation. Every single track is a stone classic, forever changes belongs high on any halfway serious list of the greatest pop albums of the '60s.\u003c\/span\u003e\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":701017149,"sku":null,"price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/love-forever-changes-south-records-ltd.jpg?v=1583879570"},{"product_id":"nirvana-unplugged-in-new-york-lp","title":"Nirvana - Unplugged In New York (Vinyl LP)","description":"\u003cp\u003e¬†\u003c\/p\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eNirvana ‚Äì Unplugged in New York (Vinyl LP). Reissue.\u003c\/p\u003e\n\u003cp\u003eShot in New York City on November 18, 1993. The performance which became the most enduring image of indie rock's founding idol. Featuring unique acoustic renditions of their legendary hits as well as the captivating cover of Bowie's¬†\u003ci\u003eMan Who Sold The World\u003c\/i\u003e. It features an acoustic performance taped at Sony Music Studios in New York City on November 18, 1993 for the television series MTV Unplugged. The show was directed by Beth McCarthy and first aired on the cable television network MTV on December 14, 1993. As opposed to traditional practice on the television series, Nirvana played a setlist composed of mainly lesser-known material and cover versions of songs by The Vaselines, David Bowie, Meat Puppets (during which they were joined by two members of the group onstage), and Lead Belly.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e180 gram vinyl with download.\u003c\/p\u003e\n\u003cp data-start=\"2311\" data-end=\"2408\"\u003e\u003cstrong data-start=\"2311\" data-end=\"2332\"\u003ePressing Details:\u003c\/strong\u003e\u003cbr data-start=\"2332\" data-end=\"2335\"\u003e‚Ä¢ 180g vinyl\u003cbr data-start=\"2347\" data-end=\"2350\"\u003e‚Ä¢ Original MTV session\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-start=\"2410\" data-end=\"2567\"\u003e\u003cstrong data-start=\"2410\" data-end=\"2424\"\u003eTechnical:\u003c\/strong\u003e\u003cbr data-start=\"2424\" data-end=\"2427\"\u003eFormat: Vinyl LP\u003cbr data-start=\"2443\" data-end=\"2446\"\u003eLabel: Geffen\u003cbr data-start=\"2459\" data-end=\"2462\"\u003eCatalogue Number: 0720642466722\u003cbr data-start=\"2493\" data-end=\"2496\"\u003eRelease Date: 1994\u003cbr data-start=\"2514\" data-end=\"2517\"\u003eReissue: 2013\u003cbr data-start=\"2530\" data-end=\"2533\"\u003eGenre: Grunge \/ Alternative Rock\u003c\/p\u003e\n\u003c\/div\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":701024537,"sku":null,"price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/nirvana-unplugged-in-new-york-south-records-ltd.png?v=1603837585"},{"product_id":"husker-du-candy-apple-grey-lp","title":"Husker Du - Candy Apple Grey LP","description":"\u003cp\u003eHusker Du - Candy Apple Grey vinyl LP\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"Default Title","offer_id":701026009,"sku":null,"price":16.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/husker-du-candy-apple-grey-lp-south-records-ltd.jpeg?v=1571438617"},{"product_id":"king-crimson-in-the-court-of-the-crimson-king-lp","title":"King Crimson - In The Court of The Crimson King","description":"\u003cp\u003eKing Crimson - In The Court of The Crimson King vinyl LP\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":701035401,"sku":null,"price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/king-crimson-in-the-court-of-the-crimson-king-south-records-ltd.jpg?v=1571438617"},{"product_id":"john-coltrane-don-cherry-the-avant-garde-lp","title":"John Coltrane \u0026 Don Cherry - The Avant Garde LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSignaling a coming together of the major players in new jazz with 'trane teaming up with Ornette regulars Don Cherry, Ed Blackwell and Charlie Haden (along with Percy Heath) for a fine set of tunes by Cherry, Monk and Coleman. great vinyl reissue at a sensible price.\u003c\/span\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":4107454405,"sku":null,"price":10.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/john-coltrane-don-cherry-the-avant-garde-lp-south-records-ltd.jpg?v=1571438617"},{"product_id":"weekend-the-81-demos-lp","title":"Weekend - The '81 Demos LP","description":"\u003cmeta charset=\"utf-8\"\u003e\r\r\u003cp\u003eBlackest Ever Black is pleased to present the first vinyl edition of the legendary demos recorded in 1981 by Weekend - the trio of Alison Statton, Spike Williams and Simon Booth. Alison Statton began her recording career with Philip and Stuart Moxham in Young Marble Giants, one of the most unique and important bands to come out of the UK post-punk \/ independent scene. YMG dissolved in 1981, at which point Statton began writing with Wrexham native Mark 'Spike' Williams, one of the brains behind Z Block Records and a member of the band Reptile Ranch. They joined forces with guitarist Simon Booth to form Weekend, and recorded the exquisite demo versions of 'Drumbeat' (later titled 'Drumbeat For Baby'), 'Red Planes', 'Nostalgia' and 'Summerdays' that are collected on this new 12\". At the heart of the record are two truly remarkable pieces: 'Red Planes' and 'Nostalgia'. The former is a dubwise dream-pop epic, Statton's dispassionate, Nico-esque vocal wafting over a clucking Boss DR 55 pulse and seismic bass detonations, while Williams' violin, in Alison's words, \"soars and dives and weaves through every possible mood with no inhibitions, creating an almost psychedelic feel, with a menacing undercurrent\". It's somehow both starker and more richly atmospheric than the version that appears on the band's debut album, 'La VarietÃ©' (Rough Trade, 1982), not to mention significantly longer - nine minutes in total. Our only complaint is that it doesn't last for nineteen. 'Nostalgia', meanwhile, is surely one of the most perfectly elegiac songs committed to tape in the post-punk era. More fleshed-out than the La VarietÃ© version, the instrumentation here - notably Statton's yearning recorder part (\"Very Eno,\" as Spike astutely observes) - amplifies the emotional resonance of an already heart-stopping lyric. Written by Spike and Dave Hoddel, 'Nostalgia' is a poignant meditation on the attraction, and the danger, of dwelling on the past. Shorn of the jazzy flourishes that would define the subsequent studio version, 'Drumbeat' (later titled 'Drumbeat For Baby') has a brittle, choppier quality more in line with Young Marble Giants than Weekend; it remains one of Williams and Statton's most infectious compositions. The instrumental 'Summerdays', is a different beast entirely to the cut on La VarietÃ©; it's primarily a showcase of Simon Booth's lyrical guitar-playing, at times reminiscent of the courtly psychedelia of early Felt or Vini Reilly, and reminding us of Weekend's role as godparents of the nascent indie-pop movement. Jazz became an increasingly prominent component of the Weekend sound, and by the time of 'La VarietÃ©' - their sole studio LP - they had welcomed jazzmen Larry Stabbins (saxophone), Roy Dodds (drums) and Dawson Miller (percussion) into their line-up. But despite its idiosyncratic brilliance and long-lasting influence (Belle \u0026amp; Sebastian and Kalima are but two groups who owe it an enormous debt), nothing on 'La VarietÃ©', or on the handful of singles and live recordings Weekend put their name to before disbanding in 1983, comes close to matching the raw, impressionistic power of the '81 demos. \u003cbr\u003e\u003cbr\u003eThe four demos were released as a stand-alone CD by Vinyl Japan in 1995, and included as bonus tracks on Cherry Red's most recent CD reissue of \u003cbr\u003eLa VarietÃ©; however, until now they have never appeared on vinyl. Licensed from Cherry Red, 'The '81 Demos' (BLACKEST026) is a 12\" limited to 1000 pieces, mastered by by Matt Colton at Alchemy and housed in an LP sleeve printed on reverse board stock, with printed inner featuring liner notes by Spike Williams, Alison Statton and Simon Booth.\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":701061653,"sku":null,"price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/weekend-the-81-demos-lp-south-records-ltd.jpg?v=1571438618"},{"product_id":"cluster-cluster-71-lp","title":"Cluster - Cluster 71","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThree deep and spaced out drone pieces from Dieter Moebius and Hans-Joachim Roedelius (whose solo cd 'Aquarello' was recently reissued by All Saints), this disc marked Cluster at their most intriguing period. Each track is beatless, yet rhythms in the drifting synth lines ebb and flow like tidal changes. I have come across Cluster before a few times but this cd has borne most fruit for me - there is something about the 'cosmische' minimalism that appeals to my love of early synth experimentation as heard on the Ohm Boxset, and also my love of the weirder side of synth-prog. Anyone who has enjoyed Jim O'Rourke or Sonic Youth's forays into psychedelic ambience owes themselves a listen to this album, one that has rightly been lavished many great accolades over the years. Recommended.\u003c\/span\u003e\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":701084061,"sku":null,"price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/cluster-cluster-71-south-records-ltd.jpg?v=1571438618"},{"product_id":"jackson-c-frank-jackson-c-frank-lp","title":"Jackson C Frank - Jackson C Frank LP","description":"\u003cp\u003eJackson C Frank - Jackson C Frank vinyl LP\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"Default Title","offer_id":701086081,"sku":null,"price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/jackson-c-frank-jackson-c-frank-lp-south-records-ltd.jpg?v=1571438618"},{"product_id":"nick-drake-pink-moon-lp","title":"Nick Drake - Pink Moon","description":"\u003cp\u003e\u003cspan\u003e180 Gram Vinyl with download and housed in a Gatefold sleeve. The results of Nick Drake's solo sessions were as harrowing and stark as anything by Robert Johnson or Charley Patton. enclosed in an inner world of psychological distress, Drake recorded 'Pink Moon's dispatches from a private hell that was simultaneously terrifying and beautiful. Both the lyrics and the melodic motifs are pared to the bone here, their simplicity making them all the more immediately striking. This was the end of the road for Nick Drake in more ways than one, but just the beginning for the scores of songwriters subsequently inspired by his bleak-but-beautiful visions.\u003c\/span\u003e\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":701087981,"sku":null,"price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/nick-drake-pink-moon-lp-south-records-ltd.jpg?v=1571438618"},{"product_id":"dead-moon-crack-in-the-system-lp","title":"Dead Moon - Crack In The System LP","description":"\u003cp\u003eDead Moon - Crack In The System LP, on Mississippi Records\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":702674033,"sku":null,"price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/dead-moon-crack-in-the-system-lp-south-records-ltd.jpg?v=1571438619"},{"product_id":"lee-hazlewood-love-other-crimes","title":"Lee Hazlewood - Love \u0026 Other Crimes","description":"\u003cp\u003e\u003cspan\u003eOriginally rand Other Crimes merges countrified balladry and lounge√•√ä\u003c\/span\u003e\u003cspan\u003estyling with light psychedelic pop touches. 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But - and that's a big but - \u003ci\u003eRepeater\u003c\/i\u003e nearly matches the \u003ci\u003eFugazi \u003c\/i\u003eand \u003ci\u003eMargin Walker\u003c\/i\u003e EPs with its musical invention and skill, spewing out another group of completely invigorating songs, which makes the subject matter and finger-pointing a little easier to swallow.\u003c\/p\u003e\n\u003cp\u003eFew rhythm sections of the time had the great interplay of Joe Lally and Brendan Canty. Likewise, the guitar playing and interaction of Ian MacKaye and Guy Picciotto almost always get overlooked, thanks to all the other subjects brought up when the band is talked about. A guitar magazine even rated Repeater as one of the best guitar records of the '90s, and rightfully so. Anemic revs spiked by pig squeals (or is it a screeching train?) highlight the title track, one of the band's finest moments. (Don't miss MacKaye's vicious double-tracked vocals, either.)\u003c\/p\u003e\n\u003cp\u003eAs always, MacKaye and Picciotto's noise-terrorism-as-guitar-joust avoids flashiness, used as much as rhythm as punctuation device. Sharp, angular, jagged, and precise. 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This bonus LP contains the remaing outtakes from Newell's 1992 recordings that resulted in \"My Back Wages\", along with a few other rareities. It would be nice and tidy to be able to say that the Cleaners from Venus story ended right here with this rather more than definitive collection of broken or misshapen tracks. The truth of the matter, however is that the story may not quite be over yet...√•√ä\u003c\/span\u003eX","brand":"South Records Ltd","offers":[{"title":"Default Title","offer_id":800223105,"sku":null,"price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/cleaners-from-venus-extra-wages-south-records-ltd.jpg?v=1571438626"},{"product_id":"cleaners-from-venus-living-with-victoria-grey","title":"Cleaners From Venus - Living With Victoria Grey","description":"\u003cp\u003eThe late summer of 1985 was a rather pleasant one for Martin Newell. 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Newell and Nelson gained quite a bit of media attention for their guitar driven rock by refusing to tour by anything but bicycle. This generated a lot of attention for the band, but unfortunatly Nelson left the band before it could fully come to fruition.\u003c\/p\u003e\r\u003cp\u003eWhat we find in ‚Ä∞√õ√èNumber Thirteen‚Ä∞€ù is a transitional period from Newell. Intended as a demo, the cassette received positive feedback, but ultimately led no where. At 37 years old, Martin Newell reflected upon the almost two decades of hard work and musical activity which had led him to this point. One morning he got up and began to coolly put his instruments away. He turned his small upstairs music studio into a room for books and writing. He decided to turn to the life of gardening that he‚Ä∞€™d always thought upon. However the simple life of a gardener would not last long. Newell soon found renowned with his poetry and writing, penning a semi-regular column for London‚Ä∞€™s Independent, appearing on many TV and radio programs and publishing several collections.\u003c\/p\u003e\r\u003cp\u003eFinally, in autumn of 1992, through another series of connections and coincidences, he was asked if he would like to make a solo album, with none other than XTC‚Ä∞€™s Andy Partridge in the producer‚Ä∞€™s chair. The first thing which he did, before dusting off his long abandoned instruments, was send Andy Partridge a handful of songs from the Cleaners from Venus‚Ä∞€™ ‚Ä∞√õ√èNumber Thirteen‚Ä∞€ù cassette.\u003c\/p\u003e\r\u003cp\u003e‚Ä∞√õ√èNumber Thirteen‚Ä∞€ù is one of the many stepping stone releases that have led Martin Newell and the Cleaners From Venus through their storied career. 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Frantix were never just hardcore, and one can hear it on their very first recordings from 1980: beneath the songs‚Ä∞€™ amphetamine stutter and sonic tachycardia are strands of rock ‚Ä∞€™n‚Ä∞€™ roll DNA belonging to Johnny Thunders and Keith Richards. ‚Ä∞√õ√èDancin‚Ä∞€™ to Punk‚Ä∞€ù and ‚Ä∞√õ√èFM Ear‚Ä∞€ù are smeared with lipstick traces of the Modern Lovers. The classic ‚Ä∞√õ√èMy Dad‚Ä∞€™s a Fuckin‚Ä∞€™ Alcoholic,‚Ä∞€ù equal parts Black Flag and Flipper with a touch of the New York Dolls, sports a simple but unforgettable bass riff and sing-along chorus and was a local favorite that grew to national underground prominence after its original release. 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