{"title":"Summer Sale 2026","description":null,"products":[{"product_id":"linda-perhacs-the-soul-of-all-natural-things","title":"Linda Perhacs - The Soul Of All Natural Things","description":"\u003cspan\u003eLike Vashti Bunyan before her, Linda Perhacs is a long-lost folk musician unearthed by the next generation to make one more album in her twilight years. A New Ager and dental hygienist from California, her 1970 album 'Parallelograms' is eerily unique and a deserved cult classic. 44 Years later, 'The Soul of all Natural Things' was recorded in California with two local musicians and songwriters, and featuring collaborations with Julia Holter and Ramona Gonzales (Nite Jewel). The old magic is audible on 'Freely', with its simple, circling acoustic guitar and her ghostly tones at their most beguiling, and 'Prisms of Glass', on which overlapping voices build to make something strange and beautiful. This record is destined to become one of the most loved records of the year.\u003c\/span\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":817544793,"sku":null,"price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/linda-perhacs-the-soul-of-all-natural-things-south-records-ltd.jpg?v=1571438631"},{"product_id":"wax-witches-center-of-your-universe","title":"Wax Witches - Center Of Your Universe","description":"\u003cp\u003eInsanely cathcy pop punk blasts from outer space featuring Alex Alex Wall Of Bleeding Knees Club!!! Digipack CD \/ LP Deluxe tip-on jacket w\/ DL. There are fewer more indicative opening couplets than these: \"Let's wake up and go back to bed \/ 'Cause today's gonna suck \/ I would rather be here at home \/ All this work can get fucked.\" On \"Social Introvert,\" Wax Witches' Alex Wall (also, frontman for Bleeding Knees Club) paints the perfect self-portrait of his titular subject, delivering an endless stream of quotable lines in a perfectly snotty punk-pop delivery. The song hails from the Australian artist's forthcoming second solo album under the spooky moniker ‚Ä∞√õ√ì Centre of Your Universe. Similar to the Ramones‚Ä∞€™ negative rants about ‚Ä∞√õ√èI Don‚Ä∞€™t Wanna‚Ä∞€ù this or ‚Ä∞√õ√èI Don‚Ä∞€™t Care‚Ä∞€ù about that, as well as Black Flag‚Ä∞€™s manic punk tones ‚Ä∞√õ√ì Wax Witches blends the best of both and gives it to you with nothing but attitude. It‚Ä∞€™s like that pesky kid you want to punch in the mouth, but you have to give him some credit because his rants are legit. √•√äOn Burger Records.\u003c\/p\u003e\r\r\u003cp\u003e\u003cstrong\u003e\u003cem\u003eTrack listing : 1. Theme Song 2. Headshave 3. Social Introvert 4. Seratonin 5. Your Not My Idol 6. Summer Suckers 7. Poser 8. 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The Youth want to bring sixties sounds back into teenage bedrooms ‚Ä∞√õ√í where it belongs. The Youth formed a couple of years ago in Copenhagen when four friends decided to combine their shared passion for blues, garage-rock, rhythm‚Ä∞€™n‚Ä∞€™blues and beat music. They have already made a name for themselves in their native Denmark, attracting a Beatles-style mob of screaming girls whenever they appear live. A limited edition seven inch single was released earlier this year, which quickly sold out, causing considerable anticipation for this, their debut album. \u003c\/span\u003e\u003c\/p\u003e\r\r\u003cp\u003e\u003cbr\u003e\u003cspan\u003eRecorded at the esteemed Estudios Circo Perrotti in Gij√å_n, Spain, while taking a ‚Ä∞√õ√èbreak‚Ä∞€ù from a European tour in which they took newcomers in the audience by surprise with their pure energy and the spontaneity of their live shows. How they came to record at Circo Perrotti is a story in itself. Drummer boy Sune, inspired by the magic art of brewing at a festival in Italy, rationally chose to go sight√•√Çseeing around the site, stacked and packed with beverages in both hands. While on this adventure, he acquainted himself with a good many beautiful people. However, tired from so much walking and in desperate need of a nap, he happened upon a gorgeous old Moto Guzzi Ambassador V7 motorcycle. And, as all drummers would naturally do, he figured this was an ideal place to sleep. Upon being woken by a Spanish speaking gentleman he discovered he was in the presence of no other than the former king of Asturias, Jorge Muñoz-Cobo Gonzales, nowadays owner of the famed Circo Perotti studios. It was as though it were a sign sent from heaven: this saviour in royal form had been sent on a mission to assist The Youth. The two of them began conversing and, with growing mutual admiration and understanding, they came to the conclusion that they should seek refreshments and discuss Sune‚Ä∞€™s burning desire to make a record. And so they did!\u003c\/span\u003e\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":957218592,"sku":null,"price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/the-youth-nothing-but-south-records-ltd.png?v=1571438644"},{"product_id":"the-kinks-face-to-face","title":"The Kinks - Face To Face","description":"\u003cdiv class=\"page\" title=\"Page 3\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"line-height: 1.2;\"\u003eClassic Kinks catalogue on vinyl. The original albums on their finest format, with the original UK tracklistings.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eFace To Face, released in 1966, is the fourth studio album by The Kinks. A major artistic breakthrough for Kinks songwriter Ray Davies, the album represents the first full flowering of Davies‚Ä∞€™ use of narrative, observation and wry social commentary in his songs.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003eIncludes their third UK No. 1 Sunny Afternoon, which went to No. 12 in the UK Album Chart.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"line-height: 1.2;\"\u003e140g vinyl.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":1029124240,"sku":null,"price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/the-kinks-face-to-face-south-records-ltd.jpg?v=1571438650"},{"product_id":"young-guv-ripe-4-luv","title":"Young Guv - Ripe 4 Luv","description":"\u003cmeta charset=\"utf-8\"\u003e\r\u003cp\u003e\u003cspan\u003eYoung Guv is Ben Cook from Fucked Up. 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Each, strictly speaking, was eponymously titled and each was collected from a series of contemporary four-track, seven-inch, picture-sleeve EPs - pop music's main format in France, known as le super 45. In them, we see the maturing of one of the decade's most singular talents - a pop singer with the heart of a chanteuse, a singer-songwriter in an age before such a thing was known, and a style icon who valued privacy and modesty. Remastered from the original tapes, Future Days \/ Light in the Attic present the first five Fran√ßoise Hardy albums in their original French format, on deluxe LP and CD. Hardy's fifth album was a collection of English-language recordings. For her next, released in October 1966, the focus was back on her home market in France, where things were changing quickly. Writing much of her own material was no longer a novelty-her future partner, Jacques Dutronc, was doing the same, and artists like Antoine were following Dylan's lead. 1966 was the year Hardy met Dylan, who demanded an audience with her at his Paris gig and later performed for her at a party. \"It was only later that it occurred to me that he was singing 'I Want You' because he actually wanted me,\" she says. Fran√ßoise said Dylan was not part of her world. As 'La Maison Ou J'Ai Grandi' proved, Hardy's world was perfect and fleshed out and set-five albums in, she had a sound, mood, and feel all her own. Recorded in London, the hit 'La Maison Ou J'Ai Grandi' solidified what Hardy did best: marrying French chanson songs to epic production influenced by Phil Spector, Dusty Springfield, and George Martin; the toweringly powerful 'Je Changerais D'avis,' which opens the LP, is a prime example. Though Hardy had formed a strong working relationship with producer Chris Blackwell, nine of the twelve tracks were arranged by Johnny Harris, known for his work with Petula Clark and Tom Jones. Although the artist and language were French, the album drew from an internationalist, polyglot world-six tracks were penned by Hardy, the remainder cherry-picked from French, British, and Italian songwriters. And despite its varied sources, the album was a cogent artistic statement. Francoise had returned to acoustic sounds like with her earliest songs, accompanying herself on a Spanish guitar, and was reasserting her own vision of her music. These were yearning songs delivered with an intimate authority, at odds with the perception of Hardy in Britain and beyond, where she was seen as an ultra-fashionable, ultra-hip Parisian sophisticate, but totally in line with everything she'd ever striven for musically.LP - Housed in a deluxe Stoughton jacket - 180-gram vinyl. Restored to the original mono mixes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e¬†\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":10390943557,"sku":null,"price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/francoise-hardy-la-maison-ou-jai-grandi-south-records-ltd.jpg?v=1571438696"},{"product_id":"pj-harvey-the-hope-six-demolition-project","title":"PJ Harvey - The Hope Six Demolition Project","description":"\u003cp\u003eThe Hope Six Demolition Project draws from several journeys undertaken by Harvey, who spent time in Kosovo, Afghanistan and Washington, D.C. over a four-year period. 'When I'm writing a song I visualise the entire scene. I can see the colours, I can tell the time of day, I can sense the mood, I can see the light changing, the shadows moving, everything in that picture. Gathering information from secondary sources felt too far removed for what I was trying to write about. I wanted to smell the air, feel the soil and meet the people of the countries I was fascinated with', says Harvey.The album was recorded last year in residency at London#s Somerset House. The exhibition, entitled Recording in Progress saw Harvey, her band, producers Flood and John Parish, and engineers working within a purpose-built recording studio behind one-way glass, observed throughout by public audiences.\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":695444635666,"sku":null,"price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/pj-harvey-the-hope-six-demolition-project-south-records-ltd.jpg?v=1571438704"},{"product_id":"jean-paul-el-troglodita-vudu","title":"Jean Paul 'El Troglodita' - Vudu","description":"\u003cp style=\"font-weight: 400;\"\u003eNicknamed \"El Troglodita\" (The Caveman) due to his wild antics, Enrique Telleria aka Jean Paul was one of the most popular Peruvian singers during the late 60s and early 70s.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\"Vudu\", recorded in 1972 for Discos MAG, is his second album and features the amazing band Laghonia as backing musicians. Their performance, the seamless brass arrangements and Jean Paul's impressive delivery make this LP a spectacular combination of hard psych and Latin soul\/funk.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003ePresented in facsimile artwork and pressed on 180g vinyl.\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":1459187712018,"sku":null,"price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/jean-paul-el-troglodita-vudu-south-records-ltd.jpg?v=1571438800"},{"product_id":"barrence-whitfield-the-savages-soul-flowers-of-titan","title":"Barrence Whitfield \u0026 The Savages - Soul Flowers Of Titan","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFrom a far out moon beyond the rings of Saturn to a dingy studio in Cincinnati, Barrence Whitfield and the Savages' new platter embraces a cosmic and groovy unification. It's a wild, electric phantasmagoria of blues, rock, garage, and soul; it blasts off into diverse orbits only to come back together into a singular Savage cosmology. BW\u0026amp;S shot out of Boston in the mid-'80s with the force of a rocket ship. Through their sweaty dance party shows and love of primal soul, they were to R\u0026amp;B what the Cramps were to rockabilly-a gateway musical drug for nascent underground roots mavens.\u003c\/span\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":1655132258322,"sku":null,"price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/barrence-whitfield-the-savages-soul-flowers-of-titan-south-records-ltd.jpg?v=1571438805"},{"product_id":"sonics-rendezvous-band-live-1978","title":"Sonics Rendezvous Band - Live 1978","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eblue vinyl exclusive release\u003c\/span\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":12230157336657,"sku":null,"price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/sonics-rendezvous-band-live-1978-south-records-ltd.jpg?v=1571438812"},{"product_id":"rvg-a-quality-of-mercy","title":"RVG - A Quality Of Mercy","description":"\u003cp\u003eDebut album from Australian punk band RVG drawing on an array of influences from Echo and the Bunnymen, The Psychedelic Furs, and The Go Betweens. A Quality of Mercy is made up of Eight songs. Classic songs. Songs recorded by the band, live off the floor, at Melbourne‚Äôs iconic rock‚Äôn‚Äôroll pub, The Tote. Songs that leant on the band‚Äôs heroes ‚Äîthe Go-Betweens, the Soft Boys, the Smiths‚Äî whilst never sounding like homage or pastiche. Songs hitting that sweet spot between light and dark, employing guitars both angular and jangling. Songs passionately sung by Romy Vager, the eponymous leader of a band once called, in full, Romy Vager Group. All of the songs on A Quality Of Mercy find Vager trying to move beyond ego, beyond the simple confessional of the songwriter, hoping to find perspective on both world and self. In such, these songs are at once personal and universal, intimate and grand, timely and timeless. They‚Äôre classic songs. And there‚Äôs eight of them. 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Their debut self-titled album, the last to be recorded at the old Field Music recording HQ, is set to be released in January on Memphis Industries.\u003c\/p\u003e\n\u003cp\u003eAfter meeting at a Kate Bush celebration concert, the pair clicked. “I'd been an admirer of Field Music for a good while before meeting Peter at the gig,” Sarah recalls. “So I was pleased to discover he wasn't an insufferable diva, and delighted that he was keen to try working on some music together.” Peter had been “blown away” by Sarah’s voice during a rendition of “This Woman’s Work” and when investigating her solo work heard a lot of parallels to what he was trying to do in Field Music.\u003c\/p\u003e\n\u003cp\u003eBy blending their distinct compositional talents, they’ve created a record that possesses their own clear styles but also a new voice too. With both of them writing songs and lyrics, Peter describes it as “a sort of dual-personal record”. Sonically, the result is a subtly crafted album with a rich and intricate sense of composition, in which strings glide above multi-layered keyboards and percussion, and vocal melodies wrap around one another in snug unison. In many senses it feels like a classic songwriter record - rich in craft, songs, arrangements and vocal interplay - yet it manages to feel stylistically contemporary and void of nostalgia.\u003c\/p\u003e\n\u003cp\u003eLyrically, Peter says, “most of the songs seemed to either be about conversations, be conversational or about talking or not talking.” Sarah echoes this: “the subject of communication - talking and listening, guessing and questioning - looms large on this record and in general for me. It's something I think about a lot.” Which makes sense given that this record is fundamentally a musical conversation between two new collaborators and friends, a constant back and forth of new ideas, shared influences and the expunging of inner feelings.\u003c\/p\u003e\n\u003cp\u003eWhilst the subject matter can occasionally be personal and explores troubled or conflicted conversations around inner turmoil, there’s also a stirring sense of beauty that comes from the record; a feeling of pastures new and moving onto new things rather than being held back by the past. What makes this an even more remarkable musical statement and achievement is that two first-time collaborators were able to channel so much of themselves into a project and create something coherent and poised.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDinked Edition - signed, alternate screen-printed cover, white vinyl + MP3\u003c\/strong\u003e\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"Dinked LP","offer_id":12593020698705,"sku":null,"price":15.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":21542661881937,"sku":null,"price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/you-tell-me-you-tell-me-south-records-ltd.jpg?v=1571438841"},{"product_id":"albert-ayler-don-cherry-vibrations","title":"Albert Ayler \u0026 Don Cherry - Vibrations","description":"\u003cp\u003e\u003ci\u003eVibrations\u003c\/i\u003e\u003cspan\u003e is the second album released by American free jazz saxophonist Albert Ayler’s quartet featuring Don Cherry, Gary Peacock and Sonny Murray. The album was recorded in Copenhagen in September of 1964. Originally issued by the Freedom label, it also been released under an alternate title, Ghosts. 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What the tapes also reveal is that Vega and Rev were \u003c\/span\u003e\u003cspan\u003ecompositionally ambitious, capable of melody and form, while resisting definitionas they headed further into uncharted territory. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e“The First Rehearsal Tapesafford the listener a glimpse into the creative process of two groundbreaking, true art warriors \u003c\/span\u003e\u003cspan\u003ewith their swords and shields leaning against the practice room wall. To understand the absolute brilliance of Suicide’s first album as well as their sonic adventures \u003c\/span\u003e\u003cspan\u003ethat followed, you have to start here with their earliest recordings.” \u003c\/span\u003e\u003cspan\u003e—Henry Rollins (excerpt from the liner notes)\u003c\/span\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":22809983090769,"sku":null,"price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/suicide-the-first-rehearsal-tapes-south-records-ltd.jpg?v=1571438857"},{"product_id":"steve-hiett-down-on-the-road-by-the-beach","title":"Steve Hiett - Down On The Road By The Beach","description":"\u003cp\u003eFirst re-issue since its original release in Japan in 1983, remastered from the original masters. Produced in coordination between Be With, Efficient Space and the artist, this definitive reissue is restored from original masters with vivid reproductions of the Down On The Road By The Beach exhibition catalogue, intended to accompany its original release, and extensive liner notes penned by fellow Steve Hiett obsessive Mikey IQ Jones. Near-ambient arrangements that float in a space between The Durutti Column, Steve Cropper and Ashra,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eDown On The Road By The Beach\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ealso crowns Hiett the master of recontextualization with his zero-gravity blues visions of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRoll Over Beethoven\u003c\/i\u003e, Santo and Johnny’s\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSleep Walk\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand the 1967 Eddie Floyd soul hit\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eNever Found A Girl.\u003c\/i\u003e\u003c\/p\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eFor the first time since its inception 36 years ago, Steve Hiett’s elusive\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eDown On The Road By The Beach\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis finally made available outside of Japan. Most recognized in the fashion sphere as an English photographer and graphic designer, Hiett‘s transportive audio portraits amplify his serpentine guitar to the infinite blue, recorded across Paris, Tokyo and New York with no coastline in sight. Now widely celebrated as a desert island disc, very little is actually known of its unfathomable genesis.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eA career devotee of Brian Wilson’s ground breaking harmonies, Hiett shot The Beach Boys for Rolling Stone - as well as The Doors, Miles Davis and Jimi Hendrix (in one of his final performances at the 1970 Isle Of Wight Festival) - while establishing himself as a fashion photographer. Decamping to Paris in 1972, he began what would become 20-year collaborations with Vogue Paris and Marie Claire, printing his signature warm, saturated and vibrantly hued snapshots.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eIn 1982, representatives from Tokyo’s Galerie Watari visited him to propose a solo exhibition. Asking if he could insert a 7” of original music into the back of the exhibition catalogue, Hiett laid down\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eBlue Beach - Welcome To Your Beach\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ein a Parisian radio station, playing all of the instruments himself, and two more cuts in New York with Yoko Ono, The Doobie Brothers and Steely Dan hired-gun Elliot Randall. Once dispatched, the phone began ringing off the hook with requests for him to fly to Tokyo. 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Their sound is still defined by sparse drums, locked-in bass, blistering guitar, and nonchalant, yet assured vocals, but from the first notes of \u003c\/span\u003e\u003ci\u003eSincerely Yours\u003c\/i\u003e\u003cspan\u003e you'll immediately notice that \u003c\/span\u003e\u003ci\u003eNetworker\u003c\/i\u003e\u003cspan\u003e sounds much cleaner and more \"HI-FI\" than their prior two albums, \u003c\/span\u003e\u003ci\u003eDeluxe\u003c\/i\u003e\u003cspan\u003e (2016) and \u003c\/span\u003e\u003ci\u003eMulti-task\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e(2017). The departure in fidelity suits the new record and allows the listener to enjoy the nuances of their meticulous arrangements. Don't worry, the riffs of Gang of Four and Wire are still present, but the production is more lush and the harmony is even more expansive. Despite nods to the sounds of the ’70s and ’80s what comes through is a record fully rooted in the here and now. 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Non-Returnable. \u003c\/p\u003e\n\u003cp\u003eThe debut album of new Irish songwriter Aoife Nessa Frances is shot through with a sense of mystery - an ambiguity and disorientation that illuminates songs with smokey luminescence.  With Land of No Junction, Frances has built a universe full of intimacy and depth, with lyrics written through a process of free thought writing. It lends the record fluidity, each song in dialogue with the next not only through language, but the way each musical choice complements or threads into another. “I would write without putting pressure on taking the song in any particular direction. It all carried itself naturally and instinctively with melody coming first and then structure later.”  ”\u003c\/p\u003e\n\u003cp\u003eWritten over several years, the songs traverse and inhabit this indeterminate landscape: the beginnings of love, moments of loss, discovery, fragility and strength, all intermingle and interact. 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Produced by Linton Kwesi Johnson and the legendary Dennis Bovell (‘Blackbeard’), the album continues LKJ’s fierce, politically-charged view of Britain at the time. His outspoken comments on the 1981 Brixton riots, the New Cross fire that killed 13 black teenagers and confronting the National Front are all tackled but with an accessible and strident dub-reggae beat.Extensive liner notes from the original LP, by the late political activist and journalist Darcus Howe, are included in the package. Darcus was depicted in the recent Steve McQueen film, ‘Small Axe: Mangrove’ on BBC TV. Out of print on vinyl for many years.\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":39382091432017,"sku":null,"price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/LintonKwesiJohnson-MakingHistory.jpg?v=1623008219"},{"product_id":"stillwater-stillwater-demos","title":"Stillwater - Stillwater Demos","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eReleased for RSD 2021 (June Drop)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1LP collection of the 6 demos recorded by Nancy Wilson and Peter Frampton for the songs they wrote for the fictional band in the iconic rock film ALMOST FAMOUS. RSD will be the exclusive vinyl edition, the tracks will appear on a future project but available only on CD and Digital. 1.Love Comes and Goes (Early Version) (Nancy Wilson) (Side A) 2. Fever Dog (Demo) (Nancy Wilson) (Side A) 3. Love Thing (Demo) (Nancy Wilson (Side A) 4. Chance Upon You (Demo) (Nancy Wilson) (Side A)5. Love Comes And Goes (Demo) (Nancy Wilson) (Side B)6. You Had To Be There (Demo) (Peter Frampton, Wayne Kirkpatrick, Gordon Kennedy) (Side B)7. Hour Of Need (Demo) (Peter Frampton, Wayne Kirkpatrick, Gordon Kennedy) (Side B)\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":39382095364177,"sku":null,"price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/Stillwater-packshot.jpg?v=1623009129"},{"product_id":"liars-the-apple-drop","title":"Liars - The Apple Drop","description":"\u003cp\u003eThe Apple Drop is the 10th studio album from Liars. Recorded in Australia with avant-garde jazz drummer Laurence Pike and multi-instrumentalist Cameron Deyell, mixing their raw, organic live instrumentation with Angus’s solo tinkering at the computer, resulting in an album that blurs boundaries between the archetypal band structure and experimental electronics. The album feels distinctly and recognisably Liars, yet also fresh and singular. Rich textures overlap with engulfing ambience, before giving way to eruptive blasts of noise, crackling electronics and thrashing drums. Includes the single ’Sekwar’. Available on limited edition coloured recycled vinyl and CD, including 16-page poster fold booklet.\u003cbr\u003e\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":39393889452113,"sku":null,"price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/liars.jpg?v=1623780632"},{"product_id":"low-hey-what","title":"Low - HEY WHAT","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eA South album of the year 2021. Read more \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/www.southrecordshop.com\/blogs\/news\/records-of-the-year-2021\" data-mce-href=\"https:\/\/www.southrecordshop.com\/blogs\/news\/records-of-the-year-2021\" target=\"_blank\"\u003ehere\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eFocusing on their craft, staying out of the fray, and holding fast their faith to find new ways to express the discord and delight of being alive, to turn the duality of existence into hymns we can share, Low present \u003cem\u003eHEY WHAT\u003c\/em\u003e. These ten pieces—each built around their own instantaneous, undeniable hook—are turbocharged by the vivid textures that surround them. The ineffable, familiar harmonies of Alan Sparhawk and Mimi Parker break through the chaos like a life raft. Layers of distorted sound accrete with each new verse - building, breaking, colossal then restrained, a solemn vow only whispered. 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Not in a sexy, flamboyant way — more in a casual, resigned kind of way. Accidental and incidental rulebreakers. They are friends first, band second, business third, often in spite of function, and often at their own expense. Every time the machinations of the industry have zigged, Good Morning have zagged.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn late 2019, after the release of The Option and Basketball Breakups, with a lengthy American tour looming, Good Morning decided to go back to basics — to record as a duo again, as they had on 2014's Shawcross and 2016's Glory. Over the course of the year, they demoed any number of songs in their Collingwood studio space, meeting up every Tuesday to write and record together as they always had. In November, as their American tour wrapped up, the pair decamped in Chicago, to properly record the demos they had amassed at Wilco’s famed studio, The Loft, with Tom Schick, the studio’s in-house engineer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eDespite how quietly epochal Barnyard is — a milestone in the history of Good Morning — it’s also the band’s most meditative record, thoughtful and careful in its evocations. Barnyard is world-weary, concerned with the state of things in a loose, unfocussed sort of way. In other words, like we all are — frustrated both with the way things are and with everyone’s general inability to fix any of the many issues endemic to our society.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn spite of the appropriately bleak vibe, these songs feature some of Good Morning’s catchiest and most distinctive productions. 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Thoughtful, melodic, and idiosyncratic, Barnyard is all the things one might love about Good Morning, this time around presented with the fat trimmed and the edges sharpened, loose ends tied and ducks all in a row. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDinked Edition:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003e“Glow in the dark” LP *\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003eExclusive pull out, numbered poster *\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003eLimited pressing of 400 *\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e*DinkedEdition EXCLUSIVE\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"Dinked LP","offer_id":39462411731025,"sku":null,"price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/albumartwork-5.jpg?v=1628680801"},{"product_id":"violent-femmes-why-do-birds-sing","title":"Violent Femmes - Why Do Birds Sing?","description":"\u003cp\u003eWhy Do Birds Sing? is the fifth studio album from the textbook American cult band, Violent Femmes. First released in 1991, it was their last studio album with original drummer, Victor DeLorenzo. The darkly humorous and sharp-edged folk-rock collection features the hit “American Music,” as well as a cover of Culture Club’s “Do You Really Want To Hurt Me.” \u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAvailable on limited smoke coloured vinyl\u003c\/strong\u003e\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":39511490429009,"sku":null,"price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/violentfe.jpg?v=1632228770"},{"product_id":"silverbacks-archive-material","title":"Silverbacks - Archive Material","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn years from now, anyone seeking to make sense of what life was like during a global pandemic should extend their research beyond the newspaper clippings and dive into the art produced during the period. \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eArchive Material \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e- the aptly-titled second album by Dublin-based art-rock quintet Silverbacks - will make for a particularly illuminating listen on the subject. Capturing the absurd mixture of monotony and creeping disquiet experienced by many of us this past 18 months, it’s simultaneously sobering and wickedly droll.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSpend more than five minutes in the company of brothers\/band founders Daniel and Kilian O’Kelly and you’ll quickly realise this playfulness is hardwired. Reminiscing about their upbringing in Brussels, they gently rib one another about their early creative abilities. “When Kilian started writing music, around the age of 14\/15, it was like, oh shit, that's better than what I've been doing - maybe I should latch on to him a bit,” older brother and lead singer Daniel chuckles. “And that’s still the case,” guitarist\/vocalist Kilian bats back, grinning.\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThey laugh too recalling how - prior to the existence of streaming services - they used their dad’s extensive record collection as a lending library, much to his disapproval. “The rule in the house was [you could borrow] just one CD at a time,” Daniel explains. “It was like borrowing a book: you’d check it out for a night and then the next day he'd be immediately chasing up on the CD asking, ‘Where is it?’ And then he’d fine us.”\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIt was via these limited loans that the pair first discovered the work of Frank Zappa, the Beatles and Miles Davis, as well as some of the records and bands that would go on to inspire their output in Silverbacks specifically. “Television’s\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e Marquee Moon\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e was a big one,” Daniel recalls. “Pavement’s \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eCrooked Rain, Crooked Rain\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e was another. And then Sonic Youth generally.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe siblings’ songwriting partnership only began in earnest when Daniel moved to Kildare to study music in 2008, with the pair swapping ideas over email under the band name Mighty Good Leaders. Two years later, Kilian joined Daniel at college in Maynooth and - after changing their name to Silverbacks - they expanded the line-up, recruiting course mates Peadar Kearney on guitar and Emma Hanlon on bass, alongside a revolving cast of drummers. This arrangement continued until 2014, when Peadar left Ireland to live in France and the band reverted back to being a bedroom project. The current incarnation of Silverbacks officially began two years later, upon Peadar’s return to Dublin, with drummer Gary Wickham completing the line-up.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe five-piece’s first release together - ‘Just For A Better View’ - arrived in 2017, instantly picking up praise from an array of blogs. 2018-single, the BBC 6 Music playlisted ‘Dunkirk’ extended their audience even further, showcasing Daniel’s sardonic lyrical style as he played a man having a mid-life crisis on the site of the former battleground. As a result of the single’s success, they gigged solidly for the next two years, touring Ireland extensively, and playing shows across the UK and Europe with Girl Band, in-between working on their full-length debut, \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eFad\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eRecorded with Girl Band-bassist Daniel Fox - who the band had initially admired for his production work with Paddy Hanna - its release was initially scheduled for November 2019, before being put back to March 2020 for logistical reasons. When the music industry was derailed by the pandemic, its release was postponed indefinitely. Frustrated, the band took control and opted to put it out in July 2020, against the advice of their label. Daniel explains, “\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eWe knew it was a risk, but just for our own sanity, we just needed to get it out there and move on to the next thing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIt was a leap of faith that paid off, with the Irish Times declaring the 13-track collection “seriously exciting”, DIY Magazine calling it “an excellent example of how a debut should be done” and it getting nominated for the RTE Choice Music Prize Irish Album of the Year. Not that the band hung around to revel in the acclaim: they were already hard at work on the follow-up.\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e    \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eArchive Material\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e only cements Silverbacks’ status as one of Ireland’s most fascinating bands. Recorded at Dublin’s Sonic Studios in November 2020, with Daniel Fox undertaking production duties once more, it finds the band leaning into their early influences, delivering idiosyncratic indie-rock packed with intricate, Tom Verlaine-esque “guitarmony”. Other reference points for the record included Neil Young, Weyes Blood and - on ‘Wear My Medals’ in particular - Bradford Cox and Cate Le Bon’s collaborative record \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMyths 004.\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhere \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eFad \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003efound Silverbacks focused on recapturing the live experience rather than reveling in studio experimentation, \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eArchive Material\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e skillfully traverses the line between the two. As a unit, they replicate that irrepressible live energy via complex arrangements incorporating everything from wistful Rhodes (‘Carshade’) to congas and Gang Of Four-style bass (‘Different Kind Of Holiday’).\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThematically, the record is every bit as rich, displaying an anthropological approach as exemplified by the album’s artwork. The initial premise for ‘They Were Never Our People’ came from a YouTube comment, portraying the decline of a town that has lost its footfall as the result of a bypass. Meanwhile, ‘Central Tones’ is an empathetic character study of someone seemingly content to trade off former glories, but secretly deeply unhappy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOn several songs, the pandemic functions as a particularly effective prism through which to examine ideas of community. ‘A Job Worth Something’ finds Daniel reflecting on his real-life experiences working in insurance while his sister treated patients on a COVID ward, and the feelings of futility and guilt he felt at the time. ‘Different Kind Of Holiday’ was inspired by the ways in which previously uncommunicative neighbours bonded with each other during periods of enforced confinement. 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How much screen time does a child need to realise a world which has the means to coexist as a community in shared exchange?\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe cover image of \u003cem data-mce-fragment=\"1\"\u003eScreen Time\u003c\/em\u003e is of a youngster curled into a book, the pages vibratory with text radiating through the skin, blood and bone – an aspect entirely missing from digital media, though the actuality of transparency in our daily lives through streaming etc we can only hope leads to the awareness of fairness.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eScreen Time\u003c\/em\u003e is in reflection to dream time, a state of meditation, hypnagogia and pillow talk.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThurston Moore born 1958, moved to NYC 1976, started Sonic Youth 1980, edited the fanzines KILLER, Sonic Death, and Ecstatic Peace Poetry Journal, started Ecstatic Peace records + tapes label, senior editor of Ecstatic Peace Library, and Flowers \u0026amp; Cream, edited books at Rizzoli and Abrams, on faculty at the Naropa University summer writing program since 2011, published through various imprints, worked collaboratively with Yoko Ono, Merce Cunningham, Cecil Taylor, Rhys Chatham, Lydia Lunch, John Zorn, Takehisa Kosugi and Glenn Branca, composed music for films by Olivier Assayas, Gus Van Sant, and Allison Anders, records and tours both solo, with various ensembles and with his own band, resides everywhere.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMastered by Lasse Marhaug for Southern Lord.\u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":39821370818641,"sku":null,"price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/LORD293.jpg?v=1647522378"},{"product_id":"the-william-loveday-intention-paralysed-by-the-mountains","title":"The William Loveday Intention - Paralysed By The Mountains","description":"\u003cp\u003eBrand new studio album by The William Loveday Intention as part of their “career in a year”! “The cover pic is from a visit I made with my son and friends to the artist Giovanni Segantini's hut in the High Alps sometime around 2016. 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Topping it all off we hit a couple of old Headcoats numbers with added verses that reveal the hidden depth behind those impeccable pop songs.” - WILLIAM LOVEDAY 2022 \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"South Records Ltd","offers":[{"title":"LP","offer_id":39831503667281,"sku":null,"price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0342\/2497\/products\/191975-the-william-loveday-intention-paralysed-by-the-mountains.jpg?v=1648582858"},{"product_id":"sharon-van-etten-weve-been-going-about-this-all-wrong","title":"Sharon Van Etten - We've Been Going About This All Wrong","description":"\u003cp\u003eSharon Van Etten has always been the kind of artist who helps people make sense of the world around them, and her sixth album, We’ve Been Going About This All Wrong, concerns itself with how we feel, mourn, and reclaim our agency when we think the world - or at least, our world - might be falling apart. How do we protect the things most precious to us from destructive forces beyond our control? How do we salvage something worthwhile when it seems all is lost? And if we can’t, or we don’t, have we loved as well as we could in the meantime? Did we try hard enough? In considering these questions and her own vulnerability in the face of them, Van Etten creates a stunning meditation on how life’s changes can be both terrifying and transformative. 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