Rachel Grimes - The Clearing
First new solo album in six years from founding member of pioneering chamber-rock ensemble, Rachel‰۪s. Features members of Loscil, Rachel‰۪s, Shipping News, Amsterdam Sinfonietta.
RIYL: Rachel‰۪s, Loscil, Max Richter, Johan Johansson.
Rachel Grimes is a pianist, composer, and arranger based in Kentucky ‰ÛÒ most renowned for her work in Rachel's, the groundbreaking chamber-rock ensemble that introduced an entire generation of underground rock fans to the unexpected similarities and appeal of neoclassical music. Grimes has toured the world as a solo pianist, and as a collaborator with chamber ensembles such as Portland Cello Project, astrÌød, Cicada, the Amsterdam Sinfonietta trio, and Orchestra Kandinskij. Unhurried, at times fleeting, and stretching into the sky, The Clearing is a winding path of transient moments exploring personal memory, relationships, and mystery from a deeply internal place.
The music is a wide spectrum of textures in strings, harp, piano, woodwinds, and percussion. Following Book of Leaves (2009), the Marion County 1938 DVD/EP (2011), the Compound Leaves EP (2013), and an album with King‰۪s Daughters & Sons (2011), this new full-length album reveals a broad new chapter for Rachel Grimes. Several composed pieces evolved from improvisation, such as ‰ÛÏIn the Vapor‰, ‰ÛÏThe Clearing‰, and ‰ÛÏFurther Foundation‰. Others include captured improvisation: album highlight ‰ÛÏThe Herald‰, recorded live with Jacob Duncan on saxophone and Helen Money on cello, and ‰ÛÏThe Air at Night‰, a late-night meditation at a recording session in Antwerp. The title track, ‰ÛÏThe Clearing‰, was recorded with members of the Amsterdam Sinfonietta following a series of performances for CrossLinx Festival in spring of 2013. After the joy of working together, Grimes proposed a long-distance recording session. Evolving from a single repeated piano note, ‰ÛÏThe Clearing‰ begins tense and dissonant with the string trio and piano eventually arriving at a moment of relief and grace ‰ÛÒ a light in the forest ‰ÛÒ and then returning again to the material of the opening. ‰ÛÏTransverse Plane‰ was designed for SITI Company of New York for an actor training stage exercise. In two sections, the piece uses a pre-existing architecture of tempo and underlying compositional structure. The first part ‰ÛÒ ‰ÛÏVertical‰ ‰ÛÒ is a driving, orchestral texture ofåÊstrings, harp, piano, oboe and saxophone with Kyle Crabtree (Shipping News) on mixed percussion. The second half ‰ÛÒ ‰ÛÏHorizontal‰ ‰ÛÒ unfolds from a mist of strings with slow-moving chords and features Christian Frederickson (Rachel's) in an angular and expressive viola solo. Inspired by the wind and sky, ‰ÛÏThe Airs‰ feature violinist Scott Moore. Written with a single theme and mode, the suite becomes a connective tissue for the album‰۪s various textures. In perhaps the album's most vital collaboration, Scott Morgan (aka LOSCIL) provides the delicate processing and additional depth of field that invites outsiders to enter this fluid space for their own experience.