The Rock Photography of Harry Papadopoulos-Book-South

The Rock Photography of Harry Papadopoulos


Foreword by Peter Capaldi

‰Û÷In the midst of Scotland‰۪s punk explosion, a Glasgow maths teacher hung up his mortar board and picked up a camera. His name was Harry Papadopoulos and his photos would come to define and inform Scottish popular culture in the1980s‰۪ ‰ÛÒ The Herald

‰Û÷In a swift shutter‰۪s click, he captured an era when the sound of Scotland echoed across Britain and the world‰۪ ‰ÛÒ The Scotsman

'It's wild seeing this stuff ‰Û_ reminds me of being a kid who loved and lived for nothing except for music/bands. It seems like that was also Harry's life/passion 'cos I bet he never made much money from this stuff ‰Û_ he was doing it 'cos he believed in the music, the bands, the scene. I can tell that from the photos. I hope you enjoy the photos in this book as much as I have' ‰ÛÒåÊ BOBBY GILLESPIE 2013

‰Û÷It‰۪s a real gem . . . We would highly recommend anyone with an interest in either photography, good music (especially of the post-punk variety) or both to purchase What Presence!‰۪ ‰ÛÒ Racket Racket

Harry Papadopoulos began his photographic career outside the Apollo in Glasgow, flogging photographs to gig-goers. He soon moved to London, and from 1979 to 1984 worked as a staff photographer for Sounds, for which he provided countless front covers. During those five years he covered Blondie, David Bowie, Devo, Joy Division, Bryan Ferry, Siouxsie and the Banshees, The Clash, The Specials, Wham!, ABC, Edwyn Collins, The Associates and many, many more. Harry‰۪s London flat also became home to fellow Scots such as Aztec Camera, Orange Juice and the Bluebells. Savour Peter Capaldi, years before he mutated into Malcolm Tucker, looking cute and wholesome as frontman of Glasgow band The Dreamboys (with US chat show host Craig Ferguson on drums) and relive the inky-fingered days of the 1980s music press with this fascinating look at the work of guerrilla lensman Harry Papadopoulos.åÊ